This week I’m joined by the fantastic Ben Morse to discuss one of the most seminal runs of comics, New Teen Titans by Marv Wolfman and George Perez. Recorded in the spring of 2020, we discuss the run, how it was reflected in modern comics and what we think of the mixing of genres (spoiler: it’s awesome). Do yourself a favor and follow Ben on Instagram and Twitter!
Even though this week’s Trade Pile isn’t quite as robust as others, I still wanted to get a few thoughts down on three books that I read this week that I thought were pretty darn spiffy. One set an established character out on his own in a way that really worked for me while the other two featured brand new characters, one set in an equally new world an one rooted in a far more familiar one!
Over the past three or four years, I’ve really started digging into the horror side of comics, especially the ones published by Marvel. A few years ago we did a week-long run-up to Halloween showcasing certain scare books, then last year we did the same, but for the whole month of October.
One of the many jewels I’ve discovered in my time reading through these books mainly on the fantastic Marvel Unlimited service has been Tomb Of Dracula. That series is just fantastic and I hope to dig into the whole thing at some point. I’ve also come to realize just how amazing of an artist Gene Colan was. So, while searching his name on my local library service, I was excited to see his and Marv Wolfman’s The Curse Of Dracula which came out from Dark Horse in 1998. Continue reading Trade Pile: Curse Of Dracula, Batman Contagion & Prelude To AoA
As you can see from the photo above, I’ve read a lot of random trades lately. Here are a few of them and my thoughts! Continue reading Trade Post Quick Hits: Flex Mentallo, Severed, Justice Society Returns & Grayson
I write about a lot of trades on this site, about two a week if I’m on my game. But, I actually read a lot more than that. So, this particular list is the 12 books or runs that I enjoyed the most reading or re-reading this year. Most of them have been covered on the site, but others have not. I’ll give the latter a few more words than the former, but hope you enjoy.
I read all of Judd Winick’s run of Outsiders this year, but didn’t write about it? Why? Well, it was a pretty big reading project, something that makes it harder for me to write about as a whole. But, I still really enjoyed this reading experience. Winick brings a realness to superhero comics without letting it get too in the way (if that makes sense). I know a lot of people think he forces issues into books, but I think these are the kinds of things that should be talked about and seen. Anyway, this was a fun superhero reading experience that made me remember how fun the DCU was back when this book and Geoff Johns’ Teen Titans launched. Good times. I haven’t written about James Robinson’s Starman because I haven’t finished the last omnibus yet. I haven’t finished it because I kind of don’t want to finish it and I also need quiet time to really sit down and finish it. This series is up there with Preacher and Sandman for me in my list of all time favorites. It lives in my heart and I was elated to discover that I still like it. This is what shared universe superhero comics could and should be. I know I just read the first two volumes of Grimjack, but the experience has stayed with me. I love that world and keep thinking of great ways it could be interpreted for different genres. Right now I’m thinking about a Crackdown/Amazing Spider-Man style video game set in Cynosure where you take on jobs or just spend your day drinking in Munden’s Bar. If you dig Hellboy, B.P.R.D. or 100 Bullets, I think you’ll enjoy Grimjack. I’ve had a lot of different feelings about DC’s New 52. At first I was upset that “my” versions of the characters would only survive in my trade shelves and long boxes. Then I realized that I don’t really read new issues anymore and I still have my collection (and books I’ve never read from that era) to enjoy. I also realized that I’m almost 30 and have better things to worry about. With that behind me, I was able to dive into various trades with a mostly clear head and enjoyed them for the most part. I appreciate how DC was attempting to hit all different kinds of genres and audiences, of course, not all of those attempts were successful. The least successful tries in my opinion, though, were the books that just failed to set up a basic reason why that book existed aside from “to make money.” I still have a pile of them to read and am getting a sense of the new U, which is kind of fun. Even though I read the second arc of Ed Brubaker’s Secret Avengers first and the first second, I had a great time reading this “black ops” take on superheroes. Bru writing Captain America/Steve Rogers is always aces in my book, but throwing in a lot of other street level-esque characters was even cooler. I’ve only read these first two volumes, but was satisfied with Brubaker’s ability to create an enjoyable sci-fi/spy mash-up story that felt well contained while still making me want to read more. Return of King Doug came out of left field for me. It was gifted to me by a pal and I knew nothing about it, but Greg Erb, Jason Oremland and Wook-Jin Clark reminded me so much of the kinds of stories I love from the 80s, but while also doing all kinds of new, funny things I enjoy. Read this now. I’ve said this before, but one of the things I miss most about not working at Wizard anymore is access to all of the Hellboy and B.P.R.D. comics that came out. I’m super behind, but I did get my hands on some B.P.R.D. trades this year for a little catching up (Hell On Earth: New World and Gods And Monsters). That’s still the best damn comic series around and has been for a while. I don’t mind playing catch-up on some books. I’ve been super happy re-reading things like World War Hulk and catching up on Hulk, Incredible Hulk and Red Hulk this year. Super fun, popcorn books mixed with well thought out ongoing superhero tales filled with monsters? Yeah, I’m all over that. I read the first iZombie trade in 2011, but was delighted to get my hands on the second and third volumes in 2012. I wrote about the second one here and have a post in mind talking about the third. Anyway, this series is the rare mix of intriguing characters, wacky situations, rock solid architecture and mythology I want to study PLUS one of the greatest artists the medium has ever seen. So, so, so good. I’m pretty surprised there are two Vertigo books on here. It seemed like for a while I was reading nothing from them. Now iZombie and American Vampire are two of my faves. Then again Chris Roberson and Scott Snyder are two of the best newcomer writers around, so that’s no surprise. In this case, Snyder takes two things that have become old and boring — vampires and American history — and makes them both super interesting and intense. Can’t wait to see where the rest of this series goes.Batman: Knightfall Volume 1 was pure, nostalgic joy. All of the Batman comics that got me into Batman in one place in one fat volume? Yes, yes and yes. I have the second and third volumes waiting to be read. Maybe next month after knocking off a smattering of random trades I want to check out. I don’t remember exactly why I didn’t write about Jeff Lemire’s Lost Dogs. It’s one of the few books I’ve bought through Comixology for my Kindle Fire. The long and short of it is that this story about a simpleton trying to save his family. It’s raw and rough and hits you in the gut. I don’t know if I liked the experience of reading this story, but it was certainly powerful. I can’t remember if it made me cry or not, but it came close.
I’m certain I missed a few books that I didn’t write about, but this is a pretty solid list by all accounts. I should probably branch out into more diverse trades and graphic novels — and I plan to — but what can I say? I love me some superheroes. I also happen to love all kinds of other comics, so let’s continue to make and talk about awesome comics.
As I said over in my more in-depth reviews of DC’s relaunch titles Huntress, Batwing, Hawk & Dove and Deathstroke #1s, I came upon a stack of books from the relaunch and read them in the order they were piled in. I was going to spread these reviews out a bit longer, but first I got a little behind in posting and then I got my hands on even more comics I want to talk about, so let’s get these out of the way, shall we. Overall, I’m still not sure how successful the issues I read were at either roping in new readers with familiar stories or giving existing fans interesting things to sink their teeth into. I found myself really enjoying the weirder books, things like Deathstroke or Frankenstein or Justice League Dark, basically books that could be taken out of DC, tweaked here and there and feel like new, original creator owned concepts. There are a few revisions of existing franchises that I liked and one particular one that failed. If you’re curious to see what I thought in a few sentences for each issue, read on! Continue reading Picking Up The 52 – Everything Else
Hey Gang, seeing as how I’ve got a lot of time on my hands now, I’ve been tearing through some movies and trades. I haven’t done posts yet, but you can be on the lookout for more of those down the road. These trades are actually from last week and the week before. As usual, I’ll run down the pile top to bottom.
CAPTAIN AMERICA BATTLES BARON BLOOD (Marvel Illustrated Books) Written & drawn by Roger Stern and John Byrne
This little number was quite the oddity. I thought it was going to be one of those novels-based-on-comics things. I read a ton of the ones that came out in the 90s back then. I guess I should have noticed the “Illustrated” portion of the title. So, what you’ve got here is a strange book that collects (according to this site) collects Captain America 250, 253 and 254 which covers those issues where Captain America fights Baron Blood and meets the new Union Jack (as well as the newer Baron Blood) along with the issue where Cap says “no” to running for president. The interesting thing, which you can see in the below pic, is that they cut these comics into panels (black and white ones) and pieced them together on pages the size of the average Pocket Book. Weird right? The stories were good, though kind of slow and I would much rather read them in color. Roger Stern is the man, by the way, he’s definitely one of the most unsung writers in the history of comics.
DC UNIVERSE SPECIAL: JUSTICE LEAGUE OF AMERICA #1 (DC) Written by Len Wein, Gerry Conway & Jack Miller, drawn by Dick Dillin & Joe Certa
Though technically not a trade, there were two reasons I included this issue in this post. One, it collects Justice League of America #111 (“Balance of Power!”), 166-168 (“The League That Defeated Itself”) and Detective Comics #274 (“The Human Flame”). These are all stories that hold some relevance to Final Crisis and Infinite Crisis, though they’re not really hyping the IC connection. You get Human Flame and Libra’s first appearances, which make sense, and then the story in which the bad guys get inside the heroes’ heads and find out all about them, this leads to Zatana doing mind wipes and on and on. So, these are pretty integral issues that a lot of later stories hinge on. That being said, I found them to be boring and mostly skimmed through them. The second reason is that these reprints should have been reprinted again in the Final Crisis Companion, which I will get to shortly. That just makes sense, though, right? Might as well make that companion as much of a companion as possible and the first appearances of the two biggest new characters in the story should have their stories told. But, hey, it’s a rad cover, isn’t it? That Ryan Sook dude knows how to DRAW!
MOME VOL. 14 SPRING 2009 (Fantagraphics) Written and drawn by a ton of talented folks
One of the many perks of working at Wizard for a dyed in the wool superhero fan like myself was getting exposed to some of the more alternative sides of comics. Between going through the library and borrowing books from friends who are way more knowledgeable about these things than I am, I feel like I’ve just barely started to uncover the tip of the indie iceberg. So, as you might imagine, I’ve heard a lot about Mome, the indie comics anthology that Fanta puts out (those guys are amazing), but I’ve never read one until Vol. 14 and I definitely liked it. I will be completely honest, I don’t think I understood a lot of these stories, but I kind of like that. It’s like watching an experimental film, but with cool art. By far my favorite strip was called Kool-Aid Comic by Jon Vermilyea. I like the simplicity of it, the subject and the art. It all comes together in a fun little comic, of which you can peep a page or two of below. Fun stuff and I’ll definitely be on the lookout for future Momes.
SANDMAN MYSTERY THEATRE VOL. 7: THE MIST & THE PHANTOM OF THE FAIR (Vertigo) Written by Matt Wagner & Steven T. Seagle, drawn by Guy Davis
I’ve talked about my love of SMT before, but since then I’ve read the volumes I was missing and have come to like this series even more. For those of you not willing to click the link, SMT follows the Golden Age Sandman as he romps through pre-WWII NYC, fighting bad guys, evading the cops, being a genius, sometimes interacting with other Golden Age heroes (or soon-to-be ones) and sharing his life–both in and out of the gas mask–with his girlfriend Dian Belmont. What I love most about this book, aside from the NYC setting and my love of Golden Age DC characters, is the relationship between Dian and Wesley (Sandman’s real name). I think they’re my favorite couple in all of comics, mostly because they did away with the “keeping the secret identity from the girlfriend” thing. You also get to watch Dian evolve from a spoiled socialite to someone really trying to help the world. But, aside from all that, this volume gives us glimpses of a young, pre-Starman Ted Night and “The Phantom Of The Fair” which is the story that I remember reading about as being one helluva one back in the day from Wizard (they were right). I think you’d be okay if you jumped in here to read this much beloved story, but I highly recommend going back to the beginning. Here’s hoping that Vertigo continues their plans to collect this whole series.
FINAL CRISIS COMPANION (DC) Written by Grant Morrison, Len Wein, Peter Tomasi, Greg Rucka & Eric Trautmann, drawn by JG Jones, Tony Shasteen, Doug Mahnke, Ryan Sook & Marco Rudy
So, this is kind of a weird book. The actual Final Crisis collection is amazing. It’s got everything written by Grant Morrison in one place, while this one has the rest of the stuff that isn’t a regular series tie-in and the FC Director’s Cut which is the first issue without color or word balloons followed by the script. Then you’ve got Final Crisis Secret Files, Requiem and Resist. All these issues are cool on there own, but I do wish this volume was a big more robust. In addition to the reprints I mentioned above, I’d also like to see some of the JLoA and Teen Titan tie-ins included, just to have everything in one place. Ah well, it’ll still get a place on my bookshelf.
NIGHTWING: THE GREAT LEAP (DC) Written by Peter Tomasi, drawn by Don Kramer, Rags Morales, Doug Mahnke, Shawn Moll &
I dug Tomasi’s previous Nightwing volume, so I’m not surprised that I dug this second volume. The only problem with it is that it got awkwardly swept up in the Batman: RIP story. Now, don’t get me wrong, I loved Morrison’s Batman run, but the tie-ins lost me for the most part, including Nightwing. So, I hadn’t actually read most of these issues when they came out, but I did like the whole story, most of which involves Nightwing’s weird relationship with Two-Face, which is being carried over into todays Batman stories written by Winick. Interesting for sure.
TRINITY 1 (DC) Written by Kurt Busiek & Fabian Nicieza, drawn by Mark Bagley, Scott McDaniel, Tom Derenick & MIke Norton
Trinity got a lot of flack, but I think it’s because it wasn’t what people were thinking it should be. 52 was an amazing look at some smaller characters, giving them new life and making them important again in the DCU, Countdown tried way too hard to be the backbone of the DCU and Trinity turned into this crazy, out-there story featuring all kinds of heroes the casual fan has never heard of. This is just the first series, collecting #1-17 and I will warn you, it’s definitely for big time DC fans and not the feint of heart.
SECRET INVASION: INCREDIBLE HERCULES (Marvel) Written by Greg Pak & Fred Van Lente, drawn by Rafa Sandoval
Incredible Herc was one of those books that everyone loves but I missed out on in single issues. By the time I read the first trade, the issues were already into the third or fourth arc, but this, the second (collecting 116-120) collects the Secret Invasion issues. I wasn’t a big fan of SI, especially the ending, but I really liked how Pak and Van Lente flipped the script and looked at the Skrull invasion from a different angle. This time we see it from a religious viewpoint, with Herc and some other gods from regular and Marvel mythologies trying their best to kill the god of the skrulls. It’s a cool story, one filled with plenty of sci-fi goodness, but also some fun nods to mythology of all kinds that make this a really fun and well rounded book.
COUNTDOWN ARENA Written by Keith Champagne, drawn by Scott McDaniel
I’ve loved McDaniel’s art since his Nightwing days. There’s a short arc where NW fights Scarecrow early on that is just amazing and I highly recommend it. So, when I heard the news that DC was going to be putting out a book called Arena, drawn by McDaniel that would pit various versions of heroes against each other to see who would win, I was sold. Turns out this story didn’t have a lot of bearing on the actual Countdown story (as I noted here to some extent), but it remains one of the better looks at the multiverse that’s just been sitting around. I know that there’s been word that they’re waiting for Morrison to get in there and really dig deep on the multiverse at some point, but I’m getting tired of waiting. What’s the point of having it if you’re not going to do anything with it? Also, one quick thing that bothered me about many of the Earths they revealed was that they just took Elseworld books and extrapolated that into an entire universe. There’s an entire universe out there based on the idea that Batman was a vampire. And, hey, I like that original story as much as the next guy, but that doens’t mean it should necesarily get it’s own universe. Does that mean those Elseworlds annuals they put out each have their own universe? The one where Steel was around in the Civil War, Batman was actually Two Face or Superman was straight out the jungle book? It’s just a bummer because it feels like they just copied the original multiverse and added this other ones with haste, which wouldn’t have been a huge deal if they hadn’t limited themselves to just 52. Ah well. This book is definitely only for die-hards. Or maybe just me.
THE NEW TEEN TITANS ARCHIVES VOL. 1 Written by Marv Wolfman, drawn by George Perez
This might be comic book heresy, but I couldn’t even get through this book, which collects DC COmics Presents #26 and New Teen titans 1-8. I think what ruined the book for me is the fact that every Teen Titans writer since has mined this territory so, SO much. The only aspect of this story that was surprising for me was the mystical way in which the team first came together. Beyond that? I’ve seen the Deathstroke stuff and the Trigon stuff before. Several times. Geoff Johns did it and it seems like it’s been done a thousand times since then. And that’s coming from someone who loves Geoff’s Titans. Like, a lot. It’s an amazing book. I just think it’s about time for the Titans to move beyond their 80s roots and maybe make some new villains and get some new characters into the mix. Maybe I’ll put this one back in my “to read” pile and give it another shot somewhere down the line, but I’m not sure yet. For me, it’s just too “been there done that” for me. But man, Perez sure knows how to draw and I stand by my claim that he’s one of the few artists who’s actually gotten better with age. I’ll read any new stuff that guy puts out.
A few more trade reviews for your reading pleasure, BAM:
ABE SAPIEN: THE DROWNING VOL. 1 (Dark Horse)
Written by Mike Mignola
Drawn by Jason Shawn Alexander
Like I said the other day, I love the Hellboy-verse and a big part of the world is Abe Sapien. This trade collects the very first Abe mini which also recounts his first Hellboy-less mission back in 1981. Remember how I said that even stories like this that take place in the past refer back to other stories? Well, there’s a quick look at Abe’s origin, but again, you don’t need to know anything about that to enjoy this story. It’s really fun trying to work everything out because, while this story came out after the B.P.R.D. trade which explained Abe’s past, The Drowning, chronologically speaking, comes before that. I’d like to see a huge Hellboy timeline laying everything out (maybe even with the order you’re supposed to read them in).
I’ve got the same complaint about this trade as the B.P.R.D. Vol. 9, though, in that we don’t get treated to a Mignola intro (though there still is the requisite sketchbook). And speaking of the art, Jason Shawn Alexander is awesome. I have no idea what else he’s done, but the way he draws the creepy little ghost things with the writing all over them is pretty damn creepy. Well done Jason, someday I’d like to have you contribute to my Green Lantern or eventual horror movie themed sketchbook.
I guess I haven’t really talked about the story, so here goes. Abe’s on an island looking for a magic spike in a demon, but soon enough these short demon dudes show up and everyone on the island dies! So, it’s up to Abe to save the day. I don’t want to get too much more into it without giving stuff away, but it’s another great Hellboy-verse story that any fan or novice can pick up and love.
NIGHTWING: FREEFALL (DC)
Written by Peter J. Tomasi
Drawn by Rags Morales & Don Kramer
I’m not the biggest Nightwing fan in the world, though I did enjoy most of the Devin Grayson and Chuck Dixon issues I read back in the day. Of course, things haven’t been so great in recent memory. But no more! I’ve been loving former editor Tomasi’s run on the book. Tomasi has boiled the character down to his essence, added his own spin and really cemented him in his post-One Year Later setting of New York City. In this book we get to see Dick taking up skydiving, getting a new job and home and trying to track down a villain who’s stealing super-corpses. What Tomasi does that I love is, he shows how much a part of the DCU Nightwing really is (remember, he lead the JLA at one point when they were stuck in the past). Not only does Flash (Wally) stop by for a beer, interact with Batman and Robin and confab with Superman on a case, but he also ha the JSA help set up his new pad (they’re not too far away, also being located in NYC).
I also have to admit I’m fond of Peter’s use of the New York area. I’m not as familiar with the city itself, but I totally geeked out when Nightwing flew under the Bear Mountain Bridge, which I pass every day on my way to work. There’s also a few other locations that I think I recognized (hey, I’m still learning). Aside from the locations, I appreciate the writer’s creativity and logic when dealing with the superhero world. Nightwing flies around on a ‘Wing wing (a kind of jetpack with wings), but he also asked Bruce Wayne to purchase various buildings placed strategically throughout NYC to give him plenty of places to get to if he needs to hid out. Brilliant! Does Batman even do that?
There are a few downsides though. There’s a bit of wordiness int he first few pages of the trade explaining how much Dick loves skydiving. It’s not poorly written by any means, but it’s a little bit dense and I know it turned a few guys at the lunch table off from reading the book (though I convinced them too soon enough). I’m also not sure what’s up with Rags’ art. I much prefer Don Kramer’s work in the book. It’s a lot cleaner and crisper and I kind of hope he becomes the regular artist.
So, if you’re even a cursory fan of Nightwing or Batman, you should definitely check this trade out as it, in my opinion, greatly represents the character as well as the logical standing he has in the DCU as one of the very first sidekicks who has literally grown up in the superhero world.