For the past few weeks things have been kinda crazy around here. Thanks to a procedure our cat had, the kids couldn’t be in the same house as him for a while so we switched places with my folks (everyone’s aces now). That lead directly into a trip up to New Hampshire to see my wife’s parents and also attend her best friend’s wedding. In other words, I haven’t had much time to sit around and watch movies. Since I’ve got one day working from home this week with the kids gone, I figured I’d make good use of it and check out a double feature! Continue reading We Want Action: Fighting Mad & Moving Violations
I realized while watching the copy of Futureworld on Blu-ray that Shout Factory sent me for review that I’ve actually seen this sequel to Westworld more times in the past few years than the original Yul Brynner robot film. As I said when I briefly reviewed Westworld back in 2008 (can’t believe I’ve been blogging that long!) the original film has a special place in my heart because I remember my dad getting really excited about renting it when I was younger and it being a crazy cool movie.
The follow-up doesn’t necessarily have that same emotional resonance with me, but I’ve got to admit, I really enjoyed this film as well. Taking place after the events of the first film, this movie features reporters Peter Fonda and Blythe Danner going back to the re-opened theme park Davos and trying to figure out if they’ve worked out all the bugs or the place and its robots still hold a danger for humanity. You might expect the movie to get back into “killer robot” territory like WestWorld, but it actually goes a really interesting route by using their technology in an effort to make robotic copies of world leaders and other important people in an effort to secure the company’s interests. I thought it was a clever way to go about the story that didn’t feel like just a rehash of the original (in fact, the dream sequence where Brynner returns feels really odd and a little shoe-horned), but I guess viewers and critics weren’t interested in that and the film is only considered a cult classic which is too bad because I thought it was well done.
An aspect of this movie that I really fell in love with — and one I find myself falling for in a lot of well made movies from this time period like At The Earth’s Core which came out the same year — is how cleverly some of the special effects-heavy ideas were cleverly portrayed. This film has holographic chess which cuts between a board of static figures and people dressed up like said figures on a giant board game fighting one another. There’s also a whole bit about skiing in space where they simply shot people skiing in space suits and tinted the whole thing red! These are pretty simple ways of getting around ideas that modern filmmakers might use CGI for or simply excise from the script for an easier shoot. I appreciate that level of skill and ingenuity being put into a film. I’ve said it plenty of times, but I’d rather see a practical effect that doesn’t look so great 20 years later instead of a bad CGI one that never looked good.
Which brings me around to the look fo the film. I’m still fairly new to this whole Blu-ray thing and have a basic understanding that modern movies shot digitally look best on BR, but am not quite sure what to make of older movies presented in the format. I know some companies go through and remaster everything to utilize Blu-ray’s better visuals and Shout is definitely one of those companies as this movie looks fantastic. I don’t remember having any complaints when I watched the DVD version I got through Netlflix when I saw the movie the first time, but everything looks so crisp and bright that you can tell they really put a lot of effort into updating these movies. It helps, of course, that the original film was well shot by director Richard T. Heffron and company. I’ve seen a few Blu-rays that look really bad when there’s a lot of black on screen, but they’re mostly 80s horror movies that probably didn’t start their lives on the best of terms. There’s a few instances of graininess, but I don’t really know how much that can be avoided from a technical standpoint. The general brightness of the film takes over pretty quickly in most of those cases.
I will also note that Shout didn’t go into full-on special features mode with this disc. It’s pretty bare bones in that regard, featuring only the trailer, some radio spots and a still gallery. At the same time, the MSRP is around $20 — $16.98 if you want to buy directly from Shout in time for the March 26th release — so it’s not like you’re paying what you would for one of their more robust offerings.
I’m giving Shout Factory’s Blu-ray presentation of Futureworld a big old double thumbs up not only for unearthing a classic film and cleaning it up, but also for presenting it in such a way that doesn’t feel like it will break the bank to check out.