The Midnight Comic Club Episode 11 – Gateway Horror Comics

I call together this first meeting of The Midnight Comic Club in 2018 to order! This time around, I assembled a Frightful Five of gateway horror comics that are good for kids of various ages. As always, I recommend you read the books first before passing them to the young reader in your life, but I think there’s some solid options in here!

Here are the Amazon links for the first four which have both digital and analog versions to chose from: Scooby-Doo Team-Up Volume 1, The Creeps Volume One: Night Of The Frankenfrogs, Ghosts and Ghostopolis. And then here’s a link to the MyComicShop.com page for Leave It To Chance!

My Favorite Newer Horror Discoveries Of 2017

I watch a lot of horror movies, as you probably know. I stumble upon some of them on Netflix, Hulu or Amazon Prime, while others I’m given by friends or hear about on the fantastic Shock Waves podcast. In 2017, I also had the pleasure of writing for Blumhouse.com which lead to plenty of great viewings for fun and profit.

Continue reading My Favorite Newer Horror Discoveries Of 2017

The Midnight Comic Club Episode 10 – A Sinister Six Pack

Welcome to the tenth meeting of The Midnight Comic Club! After the extensive look at Frankenstein over the past three episodes (and a week off due to illness), we’re back with a new segment called The Sinister Sixpack wherein I grab a half dozen horror comics I’ve never read before and see how that goes.

Most of today’s entries happen to not be available in digital formats. However, if you’re interested in checking them out, I’ve provided the MyComicShop links here: Tomb Of Darkness #18, Night Force #1, Marvel Chillers #2, Secret Origins #15, Unexpected #166 and Vault Of Evil #7.

As I mentioned in the episode, the original Night Force series has been collected into a very handsome volume that I’m hoping to check out in the near future. For a less expensive taste, you could also try out the DC Comics Presents Night Force 100-Page Spectacular digitally which collects the first four installments. Finally, the Secret Origins issue featuring Deadman and Spectre can also be purchased on Comixology!

If you’re curious to read my series of Jack Kirby-related monster posts, you can check out the Unleash The Beasts archives on Marvel.com here.

I had it in my notes, but totally forgot to say that Modred would have made a delightful Amicus or Hammer horror feature in the 70s!

The Midnight Comic Club Episode 9 – Frankenstein Everywhere Else

Welcome to the ninth meeting of the Midnight Comic Club! In the third and final look at Frankenstein-related comic books we plunge into the waters of Dick Briefer, EC Comics, Warren, Image, Dark Horse and a variety of other companies. In this episode we see writers and artists experiment with all kinds of variations on the theme ranging from setting and sex to superheroics!

As always, I mention a lot of titles in the episode. I’ll link to them here and also show off some images below to help create a fuller experience. Frankenstein: The Mad Science Of Dick Briefer, The Monster Of Frankenstein By Dick Briefer, the Jack Davis-drawn “Mirror, Mirror On the Wall ” can be found in glorious black and white in Fantagraphics’ ‘Taint The Meat…It’s The Humanity, Creepy Archives Volumes 1 and 2, Eerie Archives Volume 1, Top Cow Monster War, Doc Frankenstein, Dean Koontz’s Frankenstein: Prodigal Son Volume 1, Madame Frankenstein and Frankenstein Underground!

The Midnight Comic Club Episode 8 – Frankenstein at Marvel & DC

As we come together for the eighth meeting of the Midnight Comic Club, we celebrate the November 32, 1931 release of James Whale’s Frankenstein starring Boris Karloff by looking at how Marvel and DC have integrated the character into their universes!

Starting with Marvel, check out Menace #7, X-Men #40 and the fantastic Monster Of Frankenstein trade paperback if you’d like to learn more.  Scroll on down for some images of those books as well as plenty of others mentioned in the episode. I also mentioned the Avengers: Legion Of The Unliving trade which you can check out here.

I should probably link to the episode, so here it is!

Here’s a few more of the Marvel books I mentioned: Nick Fury’s Howling Commandos, Howling Commandos Of S.H.I.E.L.D., Fear Itself: Deadpool/Fearsome Four and Punisher: Frankencastle.

Moving on to DC, these are some of the books I mentioned: Showcase Presents Superman Volume 2, The Demon By Jack Kirby, Showcase Presents The Phantom Stranger Volume 2, The Creature Commandos, Seven Soldiers Of Victory Volume 2 (though you should also check out Volume 1 as well), Frankenstein Agent Of S.H.A.D.E. Volume 1 and 2 and Elseworlds: Batman Volume 1.

The Midnight Comic Club Episode 7 – Frankenstein Adaptations

The seventh meeting of The Midnight Comic Club will begin a multi-part examination of one of horror’s most iconic characters: Frankenstein’s Monster! This particular episode will focus on five faithful adaptations of the story which showcases the mountains of despair that can fall on a human being — or monster — and still not fully consume them.

The five books I talk about in this episode are Bernie Wrightson’s Frankenstein, The Monster Of Frankenstein, Gris Grimly’s Frankenstein, Classics Illustrated Deluxe Frankenstein and Puffin’s Frankenstein The Graphic Novel.

And with that, you can listen to the episode here:

Here‘s that article I mentioned where Guillermo del Toro talked about Wrightson’s Frankenstein. It’s really good and insightful, give it a read.

If you want to read the Monster Of Frankenstein Spooklight on Marvel.com, you can! You can also read more about Marvel Unlimited here if you’re curious.

If you’re interested in the books I mentioned that I didn’t get a chance to read, this link will take you to the current printing of the Classics Illustrated take, this one will get you to Patrick Olliffe’s version and I’m still not sure what’s up with Junji Ito’s!

Ooh, I also mentioned the Larry Fessenden Blu-ray Collection which you can buy from Scream Factory!

 

The Midnight Comic Club Episode 5 – Halloween Comics

Well, Halloween is just barely in the rearview, so it’s the perfect time to not only call another meeting of The Midnight Comic Club to order, but also talk about comics based on one of my all-time favorite horror franchises Halloween!

I’ve written a ton about my relationship with these movies here and there on this blog, most recently here. That might help give a little more context to the episode as it goes. Also, if you’re curious, like I said in the intro, these issues are very hard to find for a reasonable price, so happy hunting if you’re interested. Without further ado, here’s the episode.

Here’s the Stefan Hutchinson JoeBlo interview I mentioned.

If you’re wondering why I don’t mention the artist of Halloween III: The Devil’s Eyes, it’s because he’s a gross dude whose name will not be mentioned here. I didn’t realize it when I recorded the episode itself, otherwise, I would have probably approached it differently.

The Midnight Comic Club Episode 1 – Super Scares!

Welcome to the first meeting of The Midnight Comic Club! A few months ago, I got an idea that just would not leave me alone: a podcast about horror comics. There are plenty of shows about horror and many about comics, but this cross-section seamed relatively uncovered. It’s time to fire up those flashlights and read some creepy comics!

This first episode focuses on some of my favorite Superman-related horror stories that I read not long after getting into comics in 1992. I cover everything from hugely popular stories like the Death of Superman to smaller, but still-hard-hitting tales like the sad story of Adam Grant.

Here’s  a series of Comixology links to some of the issues featured in the episode including The Death Of Superman and Adventures Of Superman #500, Superman #84, 85 and Action Comics #865. Superman Annual #7 doesn’t seem to be on there, but Action #692 is. You can check out DC Comics Presents #85 as a single issue or just go for the DC Universe By Alan Moore. I’m not seeing Adventures Of Superman Annual #6, Superboy Annual #1 or Action Annual #1 as digital issues, but the last one can be found in the Dark Knight Over Metropolis and Man Of Steel Volume 6 collections.  Finally, if you’re interested in Emperor Joker, here’s the trade. If you REALLY want to get your hands on the unlinked-to issues, MyComicShop.com has them: Superman Annual #7, Adventures of Superman Annual #6 and Superboy Annual #1 (scroll on down til you see them, they’re only $1.70 each!).

If you have any questions or want to suggest topics for future shows, hit me up in the comments! Also, if you like the show, tell your friends and head on over to Apple and rate the podcast!

My Favorite Things This Week: Tokusatsu, That 70s Show & Pure Cinema

This week I find myself captivated by a Japanese genre from the 60s, a sitcom set in the 70s and a podcast that spans all decades to bring listeners a variety of must-see films. That’s right, this week I’m obsessed with tokusatsu, That 70s Show and the Pure Cinema Podcast! Continue reading My Favorite Things This Week: Tokusatsu, That 70s Show & Pure Cinema

HDTGM Triple Feature: Jingle All The Way (1996), Street Fighter (1994) & Stop! Or My Mom Will Shoot (1992)

jingle all the way poster One of the highlights of my podcast-listening week is seeing a new episode of How Did This Get Made pop up. I’m a huge fan of this show about wacky movies hosted by Paul Scheer, June Diane Raphael and Jason Mantzoukas. Sometimes I watch the movie before the episode goes live, sometimes I’m pretty familiar with them already and other times, I just go along for the ride and check it out later. In the past few weeks, I’ve actually watched a trio of films inspired by the podcast and figured I’d group them all together. I also just realized that these three movies feature three of my favorite action stars, Arnold Schwarzenegger, Jean-Claude Van Damme and Sylvester Stallone in some of their most bonkers movies ever.

The gang covered the Arnold Schwarzenegger/Sinbad holiday comedy Jingle All The Way on their first Christmas episode back in 2011. I watched this one a few weeks back, but thankfully took notes to help jog my memory. The movie finds workaholic dad Schwarzenegger going crazy trying to find an action figure for his son, played by future Anakin Skywalker Jake Lloyd. Sinbad moves in an out of the movie doing the same thing. Meanwhile, it seems like Phil Hartmann is moving in on Arnie’s wife Rita Wilson and this is all leading towards a huge holiday parade in what’s supposed to be a snow-covered town, but is clearly a side street in LA in the spring.

I thought I had this movie figured out for the first 20 minutes or so. That part is basically a movie for kids with over-the-top, cartoony style gags. Heck, there’s all kinds of talk in the first 10 minutes that set up the entire film (toy, parade, snow, etc.). Cool, I got it, let’s roll. And then things start getting weird and dark. The whole Hartman thing was pretty crazy, plus Sinbad is a nutso postal worker (remember when that was a thing?) who actually hands a cop a bomb that explodes! Luckily, he’s okay because he’s apparently facing off against the Road Runner. The whole thing culminates in a big parade where Arnie dresses up as the action figure hero and has a pretty epic fight with Sinbad. I feel like I could use the word “bonkers” to describe roughly everything in this movie. I wound up watching the end with my kid and I’m pretty sure she didn’t pick up on any of the insanity, so maybe you can get away with this one with a tyke if you have one. Maybe just cover their eyes when Arnie punches a reindeer in the face. That might be damaging.

Before moving on, if you’re looking for any kind of message, don’t. The obvious and seemingly intended point is that commercialism is not the point of Christmas, but that being with people is. And yet, the ENTIRE MOVIE is actually about commercialism, getting things, taking them away from other people and keeping them. You can’t just tack on a nice moment from Lloyd at the end and flip the whole script, you know? Ah well, moving on…

street-fighter-the-movie-poster This spring, HDTGM covered one of the greatest bad video game movies around when they did Street Fighter starring Jean-Claude Van Damme, Raul Julia, Ming-Na Wen (who’s as wooden here as she is on S.H.I.E.L.D., zing!), Kylie Minogue and Miguel A. Núñez Jr. who was in both Return Of The Living Dead AND Friday The 13th: A New Beginning. I’ve probably only played a Street Fighter game for about an hour in my whole life and know next to nothing about the franchise, but it’s still clear from watching this movie that the writers didn’t really care about any of that as far as plot goes and instead decided to just shoehorn in nods to the games.

Basically, Julia plays a guy who wants to not so much rule the world, but his own country. JCVD isn’t down with that, especially after Julia captures one of his pals. Thankfully, JCVD leads some kind of UN-type military group that wears bright blue camouflage for no reason. I honestly can’t remember many of the details beyond that because every single character in this movie is lying about what they want or why they’re there. So many of them switch sides that you practically need a score card. Actually, that’s an overstatement as the good guys are clearly good and the bad guys, well, usually wear masks, hats or have crazy blades on their hands.

The funny thing about this movie is that, I was pretty sure I’d seen this back in my high school days or maybe when I lived with my buddy Rickey and we watched a ton of JCVD movies. When I went to Netflix to give it watch, I laughed because it asked if I wanted to watch again and the screen capture was of the end credits. Guys, I can’t stay away from a good-bad JCVD movie and this is one of the best-worst. If you do watch this movie, please do yourself a favor and listen to the episode. They point out so many awesome bits of craziness that I kind of want to listen to it again right now.

stop or my mom will shoot I realized yesterday that Netflix Instant is about to cut a ton of titles on January 1st. Turns out there are 25 of those soon-to-be-gone flicks in my queue so I figured I’d watch a few when I can. Stop! Or My Mom Will Shoot popped out from the batch because of one thing: How Did This Get Made (episode 61 to be exact). Since Lu had laid claim to the big TV, I actually broke out the Kindle Fire and watched that way which worked pretty well.

Sylvester Stallone plays a supercop in this one whose mom — Estelle Getty — comes for a visit only to witness a murder that she teams up with her son to solve. This movie is so all-over-the-place that it’s really hard to get a handle on. It starts off with a solid action scene which eventually leads into an airport scene where a group of stewardesses comment on his physique based on pictures — many of them baby pics — that Estelle showed them. One of them even says something about him being attractive in a diaper which is just so weird and gross that it’s hard to handle. In fact, there’s a lot of awkward sex jokes that leave you off balance.

Keeping you further off balance is a scene where Estelle — who is super annoying in that way that moms of this time were on TV and film — actually washes his gun with soap and water in the sink. Up to that point she was just overbearing, but at this point she’s dumb verging on insane. That gets compounded by the fact that she brought an entire suitcase of canned pineapple as well as another one with cleaning products. That’s obviously pre-intense airline security, but I’m fairly certain you can make something terrible with at least one of those cases.

Oh, I forgot to mention that his house is kind of crazy too. He’s got a ton of random stuff all over the place from a ceramic pumpkin and a rubber ducky to a bunch of board games and a tiny red gumball machine. And there’s a dream sequence where Stallone’s in a diaper. And Estelle Getty shoots a guy. And there’s a henchman thrown out a window. And, and, and. None of this is actually about story so much as the crazytown things thrown in to launch an admittedly silly plot over-the-top into bonkersville.

Again, do yourself the service of listening to this episode if you decided to watch the movie (or even if you don’t, it’s that good). They point out a lot of the elements I noticed but also so many more. And remember, while you’re watching this one, remind yourself that Stallone has an Oscar for writing.