By the way, I realized I talked about watching movies with my friends and didn’t explain how we do it. There’s a Party option on Amazon Video that we use most of the time, but you can also use Teleparty. For that one, you have to use Chrome, download the extension and everyone has to have an account on whatever service you’re using. Both of these options allow you to type to each other while the film syncs up on everyone’s computers. We thought about finding one where you can talk, but figured it’d get pretty loud.
I mentioned a few previous episodes throughout this one. Here are the links if you’re curious!
I usually start a post like this commenting on where or when I got the book I’m reading, which is, in this case, Phil Ramone’s Making Records: The Scenes Behind The Music with Charles L. Granata. Honestly? I can’t remember in this case. The book came out in 2007 and I’ve had it in my garage for a while, so maybe it came from the discount area of Barnes & Noble or…who knows? What does matter, is that I moved this to the top of the To Read pile because, well, I wanted to.
I love reading books about music like Sonic Boom or Off My Rocker because everyone who was super into music has wildly unique stories about not just the making of records, but the people they worked with. As it happens, Phil Ramone not only helped revolutionize how records were made, but also worked on records by some of the most iconic and beloved musicians in the history of music including Frank Sinatra, Ray Charles, Barbara Streisand, Aretha Franklin, Paul Simon, Paul McCartney, Billy Joel, Elton John and plenty of others.
As it turns out, most of the music I bought this year came from Amazon and their awesome $5 album (and under) deals. I’m a sucker for a deal and an even bigger sucker for paying a little for what I consider to be a lot. That’s the case for most of the five records on this particular list which features a soundtrack, the complete recording of a particular artist from one record label and three greatest hits packages. This is a good way to mainline lots of music from a particular artist on the cheap. I wrote about how much I enjoyed The Muppets earlier this year. That love translated into the purchase of the soundtrack as well, something that hasn’t happened in years. This one is a great mix of soundbites from the movie, original songs and a few known songs like Starship’s “We Built This City” and Paul Simon’s “Me and Julio Down By The Schoolyeard.” I would have probably bought this record just for the amazing “Life’s A Happy Song,” the fact that the rest is so awesome is gravy. I only really know ZZ Top from their singles, a greatest hits collection my dad had and seeing them live also with my dad. I do have one of their early records, but have to admit, it gets a little slow and I tend to lose interest. So, when I saw Rancho Texicano: The Very Best of ZZ Top — which features 38 tracks! — on Amazon for a fin? That was an easy purchase. The great thing about this collection is that it’s not just all the songs you know like “Tush,” “Cheap Sunglasses” and “Gimme All Your Lovin'” but also some deeper cuts that flesh this record out. A great example of what a greatest hits collection can be when not limited to a physical disc. Also, proof that this is one of the greatest damn bands around. Sometimes you just need some soul in your life. That’s why I snatched up Aretha Franklin’s 30 Greatest Hits. Also, Lu likes listening to music with some swing and jazz to it, so this was an easy buy. Listening through these tracks was an interesting experience because I didn’t realize that some of these songs were hers. That’s probably a reflection on my ignorance of Franklin’s career, but I enjoy getting educated. One of the reasons I shied away from greatest hits records in the past is because I like discovering some of the deep cuts on records, the ones you don’t hear on the radio. Now that I’m getting older though, I find myself becoming more “Get to the hits!” It’s not a feeling I like and one I’m trying to work beyond. Anyway, Willie Nelson’s Complete Atlantic Sessions is like the antithesis of those hits records I avoided as it contains all 61 tracks Willie recorded for them. I haven’t gotten all the way through this one yet, but I like what I’ve head enough to warrant the purchase and its spot in this list. For years and years I heard how great the Beach Boys’ Pet Sounds was. When I finally picked it up, I have to admit, I was a little disappointed. It’s a great record, don’t get me wrong, but it lacks the fun, surf rock songs I love (for the most part). It just wasn’t what I was expecting. So, when I saw The Beach Boys’ 50 Big Ones: Greatest Hits, it was another no-brainer. The beauty of this collection is that it literally has every Beach Boys song I know of. I’m sure it’s missing the deep cuts I talked about above, but I’m okay with that. The one downside to having so many tracks, though, is that I realized I’m not built to listen to 25 Beach Boys tracks in a short period of time, let alone 50. Those amazing harmonies they do can get a little annoying when listened to in a short period of time. However, I’m still glad I have this record because I can listen to what I want, in small chunks, whenever I want.
The Pitch Perfect soundtrack is exactly why I don’t post these list before the end of the year. I actually wrote the first draft of this post a week or so back, but saved it as a draft. I’m glad I did because my wife and I watched Pitch Perfect for the first (and then second) time recently and I kind of fell in love. As I mentioned in my post about the film, I was something of an a cappella fan in college, so this brought back some memories. It also reminded me of how good that B.O.B/Rivers Cuomo song “Magic” is, which I really appreciate. I’ve had that and a few of the other songs from the film in my head since watching the movie and I actually don’t mind it, so that’s a pretty good sign.
It doesn’t feel completely accurate to say that my wife and I like Christmas music. We freaking love it. We both come from homes that celebrated old school classics as well as newer material. As a result we have a pretty solid and impressive collection of Christmas music. In fact, we actually have an iPod dedicated specifically to Christmas music. When my wife got a new iPod, we took her old mini (which very appropriately is green), cleared out all the old stuff and loaded it up with holiday tunes. As soon as Thanksgiving’s over, we pop that bad boy on and dig those tunes until Christmas. I figured it would be a good time to lay down a list of some of my favorite records to listen to around this time. Hit the jump to dig these crazy tunes. Continue reading Christmas Stories: 12 Of My Favorite Christmas Records Of All Time
Okay, as promised, I’m finally getting around to writing about my favorite new-to-me records of 2011, just like I did last year. Of course, I’m not counting new old record by my favorite bands of the year, because that would just be redundant. As it happened there were a clean dozen records that really sparked my imagination and pleased my ears in various ways this year. I’m going to try and keep these short and sweet, but you never know when it comes to me. As you probably know, I can get a bit wordy. If you want to see all those words, hit the jump. Continue reading My 12 Favorite New-To-Me Records Of 2011
As I mentioned when I ran down my favorite new records of 2011, there were a handful of bands that I got into more so than just picking up an album of theirs this year. These are bands who I was either already diving into when a new record came out this year or just finally got around to listening to after years of neglect and ignorance on my part.
First off, I spent the beginning and much of the rest of 2011 listening to The White Stripes. I got most of the records I didn’t already have for Christmas 2010 and rocked out to them for a good part of the year. That band rocks my face off in such different and awesome ways, but I already wrote about Jack White extensively towards the end of 2010, so I’m just going to link to that post as it still sums up my thoughts. I also really got into the Foo Fighters this year picking up their records either digitally or at yard sales on the cheap, but I wrote about them already too. So, now on to the new stuff! Continue reading My Favorite Bands Of 2011
Had I been more organized, I would have had this post ready to go on New Year’s Eve or Day, but as it is, I was busy and just didn’t have the time or wherewithal to get it together. I have been doing my research over the past few weeks and have come up with not one, not two, but three music-related best of lists for 2011. Like last year, I will list my favorite new music of 2011 as well as the older records I discovered in the year, but I’m also adding a new section about bands that I really go into this year. I’ll get into more detail when I get to that post, but there will be some albums on that list that could or would have been on this list, so technically, I had more than 10 favorites this year. As always, this list is in no particular order, so here we go. Continue reading My 10 Favorite New Records Of 2011
I originally wanted to write this post the week leading up to this year’s Bonnaroo, but I got busy. As it turns out, though, I’m writing this on the 9 year anniversary of the first day of the very first Bonnaroo. Yeah, I went to there. It was the summer after my first year of college and earlier in the year, while I was home on break, my buddy Toth told me about this new festival in Tennessee. It was three days, tickets were $100 and that included camping spots. I wasn’t the biggest jam band fan in the world, but the line up seemed interested enough and I liked the idea of being able to tell people I went to the first of something I figured would wind up being a pretty big deal (I guess I was right on that point). To make matters better, Toth figured we could head down to Nashville for a few days and then drive the next hour to Manchester and watch the show. Seemed like a good plan to me.
Our days in Nashville were pretty fun, though would have been even better had we been 21. I have a very distinct memory of walking down the main street wherever we were and hearing all this different music coming out of the bars and clubs that we couldn’t get into. We did however find a Charlie Daniels museum (I love the Charlies Daniels Band), ate at a Hard Rock Cafe, went to a few record stores and also got some “rock star clothes” as Toth called them. I still have the redish pink 70s pants and bright green button down shirt I bought there. I also remember having a conversation about this new show called American Idol. Toth thought it was a big deal and I thought it was BS. Guess I was wrong about that one.
On the morning of June 21st, 2002 we packed our crap up, stocked up on food at a grocery store and then went to make the hour-or-so drive down to Bonnaroo. Seems pretty simple, right? Heh. No way. Instead of taking the hour that Mapquest told us it would, we wound up being stuck in traffic for 7 or 8 hours. I’ll be honest, I can’t remember the exact amount of time because it’s been so long and I was kind of losing it at the time. I don’t know if it was the wide open space, the insane gridlock or the fact that no one else seemed to think this was a big deal, but I was starting to have a serious panic attack as traffic all but stopped. I was very seriously doing the math in my head, trying to figure out how long it would take us to get home if I just turned around and started driving. How mad would Toth be? How would I pay him back? My better judgement won over and I wound up just sitting it out. To give you an idea of how slow the traffic was moving, people were getting out of their cars and tossing the frisbee around for 15-20 minutes spurts and only had to move a few feet to catch up to their car. It was insane.
Eventually we got in, though and went to our camp site. As you can see from the pic, they were basically as wide as a car and twice as long. Toth had a ton of camping equipment like the tent, chairs, a grill, the awning, the whole works, plus he knew how to cook on the camp stove, so we were pretty set. We had a pretty good set up across from some older biker-looking people from Chicago who I remember talking about quitting heroin,or “H” as they called it. That kind of freaked me out, but they seemed nice enough. Again, I’m relying on memories that are a decade old that were probably fuzzy to begin with thanks to poor sleep, a lack of showers and (I assume) some kind of contact high. While I didn’t partake in anything while there, there was plenty around being imbibed freely. I even saw a guy with two different colored eyes. I guess they could have been contacts, but he looked REALLY messed up.When we got to the actual gate, we were given a schedule and a map to help us find our way around. I don’t have it here in NY otherwise I would scan it. I believe the camping areas essentially surrounded the concert area which was split between four stages of increasing size. At least one–and I think two–were under huge tents while the larger two were just gigantic, open air venues. I remember having a general feeling of calm and ease while there even though it was beastly hot and really big. Everyone seemed cool and I saw all kinds of things I had never seen before, from the guy with the crazy eyes to some of the wildest frisbee catches I’ve ever seen. And that’s not even taking the music into account.
Thankfully, I wrote about my experiences at the show on my old website which is still around thanks to Angelfire (that’s also where I swiped all these pictures from). According to that, these are the bands I saw along with some modern day commentary.
Les Claypool’s Flying Frog Brigade
Widespread Panic (the first set)
Keller Williams Incident (kinda)
Karl Denson’s Tiny Universe (for a few minutes)
I couldn’t tell you thing one about Big Wu or Jim White. You’ll see me writing that a lot in the next few paragraphs, but I think it’s because I wasn’t familiar with most of the music going in, so there aren’t a lot of touchstones. However Umphrey’s McGee made a big impact on me. They really impressed me and I still remember their show as being my favorite. It was in one of the smaller venues and I think we got pretty close to the stage. We saw Frog Brigade from way back, but it was rad seeing Buckethead play. Gov’t Mule and Panic are mysteries, but I do remember sitting on the side of the tent for Keller’s show and peeking under to see what we could see. I actually really regret not sticking around for Karl Denson’s set. It was one of the late night ones and I actually had listened to one of his records, but I think I didn’t want to be on my own that late. Such a wuss…
Ben Harper (solo)
String Cheese Incident (I think)
Col. Claypool’s Bucket of Bernie Brains
moe (the first set)
Harper played the largest stage they had all by himself. I wasn’t really familiar with his music at the time, but that really impressed me. I don’t believe Jack Johnson was a big deal at the time I saw him, but I do remember him bringing out a 6 or 7 year old Australian girl named Scarlet to play drums at one point. I have no recollection of String Cheese Incident, but Jurassic 5 was awesome. That was my first and only hip hop live show experience. Maybe I was thinking of Bucket of Bernie Brains when it came to seeing Buckethead? moe was the late night show that night and it was pretty cool. Toth and I met some nice people while waiting for them to go on. I think the band was an hour or so late (which anal retentive me did not appreciate), but we all wound up talking bootlegs for a while which was cool. I think Toth stuck around for the second set, but I was exhausted and headed back to the camp site.
Bela Flech & Edgar Meyer
Phil & Friends with Bob Weir
Ween is another one I have zero memory of, though I know I was interested in checking them out because some dudes I worked with in high school were HUGE Ween fans. I remember being in the thick of things for Phil & Friends, but am not a Dead fan, so it was another “I have to say I was there” kind of a thing. I wandered away from all that craziness and hung out towards the back of the second biggest stage to check out the Superjam which I remember being really sick. The last show of the night was Phish’s Trey Anastasio playing with his then-new band. At the time, Phish had “broken up” and word around the festival was that Phish would be reuniting. That wasn’t the case, of course as Trey went on and played with his big band. I wasn’t all that interested in this particular show and really didn’t feel like wading through a literal sea of people, so I hung back at the camp site while Toth went and watched. I was able to get one of the camping chairs up on the roof of the van and wound up watching from there. It was actually a pretty awesome moment. I’d love to watch more concerts that way.
By Sunday, I was more than ready to get the hell out of Tennessee. I had had a good time, but that was a completely different kind of living than I was used to. I had spent the whole time in a uniform of cargo shorts (the same pair I believe) and white under shirts. The cargo shorts were important because I could put water bottles in the extra pockets. Man was it hot. Oh and showerless. There were a few rigged-up sinks that helped a little, but I had never been that sweaty and gross for so long.
We had decided–thanks to my prodding, I’m sure–to head home right after Trey’s set. My plan was to get out of there and drive for as long as I could before needing to get a hotel room and sleep.That’s not how it actually went down, though. It took Toth a while to get back because of all the people, but then it took three hours just to get out. My figuring was that that was still better than what it would have been like the next day. I only got an hour away from Manchester before needing to stop. The hotel we wound up stopping at must have made a killing that night because they charged us for a full night even though it was late and we had to be out by 10 or 11 the next morning and we were definitely not the only Bonnaroo attendees staying there. At the end of the day, though, we didn’t care because we got to sleep in an actual bed and even got to take showers. I’m fairly certain that was the best shower I’ve ever had. I also had the best chicken sandwich of my life the next morning at a nearby Cracker Barrel.
Looking back, I’m really glad I stuck with it and didn’t let my craziness get in the way of a really interesting and fun experience that left me with a lot of memories, even if most of them don’t have much to do with the music itself. Toth went back to Bonnaroo a few times after that, but I bowed out. I spent a ridiculous amount of money that summer between the Tennessee trip, visiting the future-missus in New Hampshire for a few weeks and buying a guitar (the last one I bought now that I think about it). Would I go back again? Yes. But only if I was taken in via helicopter or didn’t have to deal with all that traffic thanks to a parachute drop or some such.
THE PLAYERS: John Legend (vocals) and The Roots (everything else)
THE STORY: Inspired by his experience campaigning for Barack Obama in 2008, John Legend decided he wanted to make a record with The Roots that reflected how he felt at the time. They got together, recorded a series of covers and one original track and the results was the 2010 album Wake Up! (via Wiki).
Like a lot of posts, I’m going to kick this one off with a story from my past. It’s not too long, so don’t worry, I’ll get to the music shortly. Like a lot of colleges, my school Ohio Wesleyan University held a yearly concert on campus for the students called SpringFest. I never actually went to one because I either didn’t care or had something better to do (seeing Everclear with my buddy Jeff instead of watching The Counting Crows). But there was one year that I really wanted to attend and that was when The Roots were playing. I’d never actually listened to the funk/hip-hop group’s records at that point, but I knew of Questlove from that hilarious Chappelle Show skit with him and John Mayer and the band from my buddy Toth who’s always been a lot more tapped in than me. I was all set to buy my ticket after Easter, but on the way back to school after heading home for the weekend, I got a crazy speeding ticket. Money was tight in college and the speeding ticket completely wiped me out, so I couldn’t go to the show. Wah wah.
Fast forward to modern times. Jimmy Fallon scores Conan O’Brien’s old spot on Late Night and he makes the ingenious decision to hire The Roots as his house band. Not only did he instantly score the best band in late night, but also gave me and millions of other night owls the opportunity to become familiar with the group. After being so impressed by their chops I went out and bought one of their albums Phrenology, but it’s more of a slick hip-hop record and that’s not what I was looking for. I wanted something a little more soulful and funky. I didn’t have to wait too long because, soon enough, Jimmy was talking about a new record featuring an epic team-up of soul singer John Legend and the band called Wake Up!
I didn’t run out immediately and buy the album. In fact, it wasn’t until I saw the digital version on sale on Amazon for $5 that I bit. Man, what a fantastic use of a Lincoln. Like The Roots, I’ve long admired and appreciated John Legend from a distance either through live performances on TV shows or guest spots on other records, but I never jumped in and got one of his records. Wake Up! seems like the perfect entryway to both bands but also offers up all the soul/funk/rock/hip-hop stew that I could want from this collaboration. As far as supergroups go, these are two great tastes that taste great together, almost like they’d been playing together for years.
I even dig the fact that they went after lesser known songs to cover for the most part. I’m no soul/funk aficionado, but even I have heard “Wholy Holy.” The rest though are mysteries that feel both historical and fresh at the same time, making me want to check out the originals. It should come as no surprise that every track on the record had me bobbing my head along to the groove. Heck, it even calmed me down as I wrote this post in a coffee shop right next to a pair of teenagers who couldn’t keep their paws off of each other and kept playing with the girl’s hair RIGHT NEAR MY COFFEE. Okay, well, it didn’t calm me down too much I guess.
If you’ve never gotten into but always been curious about soul music of the 60s and 70s, The Roots or John Legend, Wake Up! is essentially the perfect mix of all three. The record can act as a gateway, but also stands as a fantastic, sometimes funky sometimes mellow but always sonically pleasing listening experience for pretty much any kind of mood. Feeling down? This record will cheer you up. Feeling good? You’ll feel even better. Seriously, the original track “Shine” is really helping to calm me down about those teenagers. They left by the way. Good thing too, or I was going to blare Husker Du in their ears. In conclusion, Wake Up! is a rad record, but it will not help you chase away teenagers who won’t stop playing with their hair. It will probably just make them want to make out, which is far worse. This ends the review as well as the cranky old man portion of the proceedings today.
I actually had a pretty good time compiling last year’s list of my favorite albums of the year and figured now’s as good a time as any to get around to this year’s. The funny thing about this year is that, while I probably acquired more CDs than I have in quite a while thanks to flea markets, garage sales and sales, I didn’t actually buy a lot of new music. New to me of course, but not new new. So, with that in mind, I’ll probably do another post about my favorite new-to-me discs of the year next week. Anyway, my favorite records of the year are a mix of smokey rockers, soul sisters, pop rock stalwarts, metal dudes, collaborators, introspective song writers and more. Hit the jump for the full list! Continue reading My Favorite New Albums Of 2010