I threw all my plans out the window when I got a very cool package in the mail from a cool PR person! As a result, you’ll have to wait to find out more of my favorite 2020 film experiences and instead dive into my all-time favorite body swap stories from TV, animation, movies and comics!
Last week, I showed you all a detailed view of half of the mostly-monsters toys I lined up in my office this year to get into the Halloween spirit. The first batch included a Masters Of The Universe Classics giant, one of Jack Kirby’s hottest creations, Buffy, a trio of Stranger Things characters, my guy Beetlejuice, a pair of Hellboys and horror icons like Frankenstein’s Monster, Freddy Krueger and Pinhead! Want to see who else made the cut [cue cleaver chopping sound effect]?Enter, if you dare…
I’m not sure about anyone else out there, but I’ve always found myself drawn to certain characters in comics and repelled by others based on nothing more than their designs. I’ve read very few Creeper comics, but can say that he’s absolutely one of my favorite characters based solely on design and aesthetics. As a kid coming up in comics fandom in the 90s, I saw a lot of darker themed characters that I did not want anything to do with. One of those characters was Venom. Back then, the large-tongued symbiote muscle man was the king of of the edgy miniseries and I was admittedly a bit nervous about his whole deal (which, as a die-hard DC fan, I only really knew about from looking at covers and reading Wizard). The great thing about being a human, though, is that we can grow past our early thoughts and evolve into new people who are ready, willing and able to read Venom comics (that’s what evolution’s all about, right?).
I’m returning to the well a bit with today’s Toy Commercial Tuesday. I’ve been writing about the Wall-Crawler a lot for Marvel.com lately and it reminded me how much I enjoyed the Toy Biz line in the 90s. So, having already covered the original line, Spider Force and even Web Splashers, I hope you enjoy this look at the Spider Wars line!
Of the figures shown in this spot I’ve got Hydro Man, Kingpin, Black Cat and Doctor Strange. Hey, since I have all of my toys here, I can now back that up with photographic proof and talk about them in a bit more detail!I still love the enormous Kingpin figure, Doc Strange and his bendy cape (it’s still in the garage somewhere) and, no kidding, everything about Hydro Man from his six pack to his water squirting action feature.
My daughter and I both like the look of the Black Cat figure, but she refuses to stand up. In fact, moments after snapping the picture, she and Kingpin both toppled over. The resulting pile is NSFW. I remember seeing that crazy Cyber Spider-Man and the Doppleganger figure in stores, but they didn’t really appeal to me. I do give Toy Biz credit for coming up with interesting takes on their lead character, though.
You wouldn’t know it to look at the blog here, but I’ve been reading a LOT lately. I’m working on a few posts that will cover my experiences reading Thomas Harris’ Hannibal Lecter books while I also watched the series Hannibal and then the films, but they’re not ready yet. However, after finishing the book Hannibal, I found myself not wanting to get into Hannibal Rising, but still needed something to read. A buddy had just recommended Ernest Cline’s Ready Player One from 2011 and I figured why not? I really enjoyed the book, but a few things stuck with me in different ways. Continue reading Book Report: Ready Player One By Ernest Cline
Here’s a statement I don’t often make, but I was super excited when the documentary Electric Boogaloo: The Wild, Untold Story Of Cannon Films popped up on Netflix Instant not long ago. Now, I love a good geeky documentary, but I usually stumble across them while looking around instead of knowing about them ahead of time. But, Electric Boogaloo comes from Mark Hartley, the same guy who made Not Quite Hollywood and Machete Maidens, the former of which is a masterpiece and the latter of which is highly entertaining.
Back in the late 70s and early 80s, Menahem Golan and Yoram Globus, cousins, bought a US film company called Cannon Films that would go on to make some of the best and worst action and sci-fi movies of the next few decades. They particularly dealt with stars like Charles Bronson and Chuck Norris, but also made movies like Cyborg, Superman IV, Masters Of The Universe, Texas Chainsaw Massacre II and more than I can even count.
The doc itself tells the story of how these two guys hustled, begged, borrowed and even stole their way to Hollywood success by making more movies than anyone could keep track of. Unfortunately (for them and audiences paying good money for a ticket) the movies tended to be pretty bad, but a goldmine for fans of less-than-perfect cinema like me and a lot of my friends.
Told at a breakneck pace, Electric Boogaloo feels like an open and honest recounting of a company that was neither. Everyone from producers and directors to editors and stars appeared on the film to talk about the slap-dash way some of their projects were put together and presented to the world in general. Ultimately, it’s a story of how quickly these two men and their company could rise and how fiery they eventually fell. The only downside is that Golam and Globus, who are both still alive, refused to appear in this film in order to do their own doc called The Go-Go Boys, which doesn’t seem to be available on Netflix. Actually, there’s one other downside: there’s no mention of James Cameron’s Spider-Man film which was set up there for a while. I’d like to have seen them talk about that, then again, maybe there’s a full doc in the works for that. I hope.
This one was supposed to go up yesterday, but thanks to some technical differentiates (I forgot the schedule the post), it didn’t! Anyway, here’s an amazing looking Remco Spider-Man toy that would have delighted me to no end had I been alive in 1979 (or found one in relatively good condition at a garage sale some years later).
This version of Spidey not only climbs up his own webs but also comes with a working flashlight? That seems a little odd, but as a kid, it would have seemed a lot rad. He also has Spider Sense which seems to translate into a hole in his head you could look through that would make external images look like they were moving in some way. All in all it’s a pretty damn cool looking — and enormous — toy that also fit perfectly on a Spider Copter. I had a Matchbox car-type version of that machine as a kid and think it’s still got one of the cooler heli-designs around. Webs for blades!
Longtime readers might remember a time when I was reading so many books a week that I would simply take pictures of them in a stack and do a quick hit kind of report on them. Well, I’m not knocking down nearly as many books these days, but I did read through a good number from the library and figured I’d return to that form for this post. Let’s hit it! Continue reading The Trade Post: A Big Ol’ Pile Of Library Books
Jason Aaron’s one of those comic writers whose career has interestingly intersected with my career as a writer about comics. When I first started at Wizard one of my buddies and an editor at the magazine was huge on his Vertigo series The Other Side. I didn’t read that one, but I did check out the Ripclaw one-shot he did as part of Top Cow’s Pilot Season not too long after that and the first few books in his Scalped series.
The first of his works that really captivated me, though was Ghost Rider. But it wasn’t until my second attempt at reading it. As I’ve written, I love the down-and-dirty, grindhouse-y tone of that book and the wild places he took it. I assumed for a while that that was pretty much his wheelhouse, but as I’ve learned recently from branching out into X-Men: Schism, Wolverine & The X-Men, Amazing X-Men, Thanos Rising, Incredible Hulk, Astonishing Spider-Man & Wolverine and Thor: God Of Thunder, this guy has more tricks up his sleeve than all the magicians in Vegas. Continue reading Jason Aaron Is Awesome
It might have been a few months since I wrote about how much I enjoyed Dan Slott’s Amazing Spider-Man, but I’ve been burning through every subsequent trade and issue leading up to Superior Spider-Man with a quickness and anticipation I haven’t felt in a long time. Since we’re talking about nine more trades here, I’m going to talk in a few broad strokes about this excellent piece of longform comic book storytelling.
As I wrote last time, I was emotionally blown away by what Slott did with ASM #655. He didn’t stop there. In fact, he got me again not much later when Spidey joined the Fantastic Four after Johnny Storm seemingly died. It’s been a while since I read those FF issues, but I was really moved by how Spidey honored his good friend and also worked with these new teammates.
In fact, Spider-Man’s team interactions are a real high point for me in these books. He’s a great superhero on his own, but he’s even better as part of the FF and the Avengers. Some solo books do their best to avoid the idea of calling in the teammates, but Slott has Spidey utilize them in ways that make sense and feel organic (they are all in NYC at the same time, after all).
I also love how complex, yet surprisingly easy to understand the villains are. These are characters older than your parents and yet Slott makes them feel fresh, new and yet filled with just the right amount of history (instead of info dump/continuity overload territory). He makes you love and hate characters like Lizard, Morbius and even Doc Ock in ways that make them real.
And then Slott goes and does the unthinkable, he made me love a story about everyone in New York getting Spidey powers. When I heard about this mini event, I kept thinking of things like JLApe, but it turned out to be an incredibly compelling crossover that felt big enough and important enough to keep me interested. Unfortunately, I can’t say the same thing about the “Ends of The Earth” story which finds Doc Ock threatening every living thing on earth as he gets closer to his deathbed. This was by no means a bad story — in fact, seeing Spidey, Black Widow and Silver Sable try to save the world is pretty rad — but I think I have had my fill of Big Two “the world might end” stories. Slott does a great job of getting me interested, mainly from the villain side, but the more of these stories you read the harder it can be to suspend your disbelief. Of all the books in this series, this one took me the longest to read.
And then BAM, I was right back into it with the amazing Lizard story which also circles back around to Morbius. It just so happens that I read and wrote about Morbius’ first appearance for Marvel.com last Halloween, so I knew the background on this particularly strange relationship. This added some depth to what I was reading and also gave me the slightest insight into how much fun this book must be for longtime, diehard Spidey fans.
Speaking of the fans, I’m sure they were pretty distraught when they read what happens to Peter Parker at the end of ASM #700. As someone who covers comics, I knew about the big reveal (which I won’t spoil here, but will in the next paragraph) so reading this whole run was kind of like watching Usual Suspects for the second time. I knew where it was going (to some extent) and could keep an eye out for the seeds Slott planted throughout.
Okay, SPOILER time. How amazing were those last few issues where Peter is just desperately trying to save himself, not because of ego, but because he’s worried that Doc Ock (now inhabiting Spidey’s body) will surely do some evil stuff with it? The way Slott figured out how to keep that from happening was great. I didn’t know about that specific bit, so it was a wonderful surprise that makes me incredibly excited about diving into Superior Spider-Man which is not something I thought I’d say after enjoying a character for over 50 issues and losing him.
I can easily say after reading this run on Amazing Spider-Man that it is one of my all-time favorite runs of comics and that Slott is a ridiculous talent when it comes to crafting these kinds of stories. Now on to the next nine-or-so trades!