In the inaugural installment of The Great Teen Titans/Outsiders Deep Dive, I got into Graduation Day and the short story “A Day After” from Teen Titans/Outsiders Secret Files & Origins 2003. Briefly, the former Titans and Young Justice teams called it quits after a time-traveling blue robot popped into the present and woke up a Superman Robot that killed Donna Troy. Of course, these being superheroes, they tend to flock to one another and two new books soon followed: Teen Titans and Outsiders. Today we’ll get into the first volumes of each series, which debuted in 2003! Continue reading The Great Teen Titans/Outsiders Deep Dive Part 2 – A Kid’s Game & Looking For Trouble
When Teen Titans by Geoff Johns and The Outsiders by Judd Winick launched in 2003, I’d been reading comics for about a decade. I still loved them, but my reading habits had changed, mostly because I was in college and diving into my to-read pile Scrooge McDuck-style when I’d come home on breaks. I still read Wizard when I could, but my actual exposure to comics was very different than it had been.
And then at some point in my junior or senior year, I discovered that a nearby hobby shop sold comics. I can’t remember if I found this out myself or if this one girl I knew mentioned it, but I started buying a few books here and there. I stuck to ones that I knew I wasn’t getting in my pull box. I think the two I started reading were Runaways and Outsiders. Not bad choices, if I do say so myself. Continue reading The Great Teen Titans/Outsiders Deep Dive Part 1 – Graduation Day & Secret Files 2003
I found myself with another pile of trades from the library recently and figured I’d write about all four of them. Two of the experiences were great, the others? Not so much. Let’s start with the good!
I’m a big proponent of anthologies in comics. At their best, they’re a great way to both test new talent and also give those with a lot more experience the chance to write or draw a character they don’t otherwise get to spend much time with. Sensation Comics Volume 1 does both and to great effect. This is one of DC’s digital-first books that allows creators to just go wild telling whatever kind of Wonder Woman story they want to from any of her many eras. It was nice to see the pre-New 52 costume so many times for this fan of that bygone era! Continue reading DC Trade Post: Sensation Comics Volume 1, Mad Love & A Few Others
I’m gonna try something a little different with this trade post: more books with shorter reviews. Let’s see how that works. As I mentioned when I read a bunch of the New 52 #1 issues, this book was one of my favorites. To me, the whole point of relaunching your entire universe is to offer readers something completely new. Some of the New 52 books don’t bother doing much of that from what I’ve seen, but Scott Lobdell does something really cool here. Instead of playing Batman’s sidekick, Tim Drake is running around as Red Robin in an attempt to save superpowered kids from N.O.W.H.E.R.E. This leads him to joining forces with fellow young costumed heroes like Wonder Girl (don’t call her Wonder Girl), Kid Flash, Bunker and Skitter. What I really like about this book is that Lobdell really just throws you into the story and doesn’t slow down too much, but still offers enough information to enjoy.
The whole book revolves around a series of mysteries large and small that continue to draw me in issue after issue. Why is the non-powered Drake so interested in helping super-kids? Why does Wonder Girl dislike being called Wonder Girl so much? Who is N.O.W.H.E.R.E. and what is their game? What’s the deal with these new characters? What’s going to happen with Superboy?
All of the above makes this a very 90s feeling book, but I don’t mean that in a negative way. People dump on the 90s a lot, but there was a lot of newness being explored in those books without getting too far wrapped around itself. And, even though this is technically a “putting the team together” story, it’s done in a less traditional way and it revolves around a less traditional team, so I don’t mind as much. Also in the 90s vein, I love Brett Booth’s art in this book. He’s got a huge amount of detail and never skimps when it comes to either background or characters. That kind of detail is fantastic and not always easy to nail.
I was less into Lobdell’s Superboy, though I’m not sure if I can exactly put my finger on why. It’s a completely different kind of story. While Teen Titans is an on-the-run, putting-things-together-as-we-go kind of thing featuring an aloof clone created in an attempt to make their own Superman who’s trying to figure out who he wants to be and what he wants to do with his newfound life and power.
I think one of the reasons I wasn’t as taken with the series is because it feels a lot more “monster of the week.” Superboy wakes up and they send him after King Shark, then they send him after another villain. When he’s talking to the woman who gets revealed as Fairchild (originally from Gen 13) and Ravager or is out in the world trying to figure out if he’s good or bad, those are much more interesting moments for me. Still, I like that this and Teen Titans lead up to a bigger story called “The Culling” that I look forward to reading eventually. He’s an interesting character with a lot in there to check out.
On the art side of things, I don’t know if Silva’s style is really the kind of thing I dig. It’s cartoony and stylized which I like, but at times it feels a little too un-detailed, like you’re just looking at shapes strung together without as much physical continuity.
I have an interesting history with Supergirl. I dug Peter David’s book, but never really read it on the regular (though I do want to go back and read the whole run in order). Then, when they brought a new version of Superman’s cousin into continuity, I was not into it because I was still a continuity nut at the time and wanted Kal-El to be the only Kryptonian around. I liked how they came up with interesting ways to have a Superboy and Supergirl in the 90s and didn’t want to see that change. Anyway, the idea of Superman’s cousin coming to Earth is one I eventually came to accept, but now that we’re dealing with an all new continuity (and I don’t care nearly as much about the details as I used to) I’m cool with it.
And I think Green and Johnson do a good job with this story. The whole thing is a fish out of water tale with Kara landing on Earth thinking she’s going to protect her younger cousin Kal, who is now Superman. It’s a lot to deal with for a girl who was kind of aimless on Krypton, especially because she doen’st speak the language.
Unlike Superboy, this book is much more of a journey story with Supergirl interacting with different characters offering her different pieces of information to help her figure out exactly what’s going on with her, ultimately leading to another planet. By the end of the journey presented in this trade Kara has a bit of an understanding as to what she wants to do with her weird new life. A life wonderfully drawn by Mahmud Asrar (for the most part) who has a cool kind of indie style that captures Kara’s fragility and strength while also balancing giant robots, monsters and pretty girls. After reading this book I decided that The Big Bang Theory‘s Kaley Cuoco should play Supergirl. Someone make that happen.
Unlike Supergirl, I had a much deeper relationship with Aquaman (also written by Peter David come to think of it). His lengthy run on that book is pretty much the be all, end all for me as far as that character is concerned. Still, when I heard that Geoff Johns, writer of some of my all time favorite comics (JSA, Green Lantern), was tackling the character I was definitely interested. And you know what, he does a great job which I’m sure is a shock to no one.
The New 52 version of Aquaman doesn’t seem all that different from the original, a much simpler, more streamlined version. He’s new to the surface world which is good timing considering a race of hyper violent humanoid fish creatures have risen from the depths to kidnap, eat and kill people. While that adventure is an interesting one, I really liked some of the book’s other elements. The waitress being surprised that Aquaman wants fish and chips made me chuckle, then you’ve got the whole issue of Aquaman in the desert which was a great idea. There’s also a lot going on with Atlantis and Mera that makes me curious about what’s coming up. And, man, Ivan Reis kills this art. He’ detailed like book, but with a darker edge that fits the book both thematically and environmentally.
Overall, I lucked out with this crop of New 52 backs. Each one took a different approach to introducing these new versions of old characters. It’s interesting to take a closer look at that aspect of the storytelling and analyze which ones I like better than others. I look forward to reading the second volumes of all of these books…eventually and if I can get my hands on them.
As I said over in my more in-depth reviews of DC’s relaunch titles Huntress, Batwing, Hawk & Dove and Deathstroke #1s, I came upon a stack of books from the relaunch and read them in the order they were piled in. I was going to spread these reviews out a bit longer, but first I got a little behind in posting and then I got my hands on even more comics I want to talk about, so let’s get these out of the way, shall we. Overall, I’m still not sure how successful the issues I read were at either roping in new readers with familiar stories or giving existing fans interesting things to sink their teeth into. I found myself really enjoying the weirder books, things like Deathstroke or Frankenstein or Justice League Dark, basically books that could be taken out of DC, tweaked here and there and feel like new, original creator owned concepts. There are a few revisions of existing franchises that I liked and one particular one that failed. If you’re curious to see what I thought in a few sentences for each issue, read on! Continue reading Picking Up The 52 – Everything Else