All in all, I had pretty great luck with newer horror films during 2017, as I wrote about in a post last week. When it comes to older films, especially horror ones, I tend to have lower — or at least different — expectations. If a movie’s off-the-wall bonkers, but made with effort, I’ll probably love it. That accounts for about half of the movies on this list. However, I also discovered a few that I now very much consider new-to-me classics that I hope to watch again and again. To find out which ones, you’ve got to hit that jump!
Towards the end of last week I was looking through my Netflix Instant queue and realized that a whole bunch of movies I wanted to watch were going to leave the streaming service on July 1st. That day has come and gone and I got to watch three out of 20 films, which is just about what I expected to get done.
One of those movies was Tom Savini’s 1990 remake of George A. Romero’s Night Of The Living Dead. I realized as I was cueing the movie up that this was actually my first foray into the world of Romero’s films (even if tangentially) and very well might have been my first straight-ahead zombie film. I remember getting the movie from my beloved Family Video and taking it over to my buddy Andy’s house for an overnight movie marathon. I didn’t remember too much, but that scene where Johnnie gets tackled into the grave stone has stuck with me forever because it came out of nowhere and looked so damn real.
This time around I might have been able to see some of the movie magic involved in that particular scene, I was actually much more taken with the plot of this film. I’m not saying that the remake will ever take the place of the original in my heart, but there is a whole lot to like in this version which goes a few different places the original doesn’t. Those differences are important and, as far as I’m concerned, the only reason to do a remake. You’ve got to have something new to say or do, otherwise, what’s the point?
The set-up of this film is the same as the original in that Barbara (Patricia Tallman) and her brother Johnnie (Bill Moseley) heading way out in the middle of nowhere to put flowers on their mom’s grave. While there they encounter their first zombie. Barbara escapes and runs to a farm house where she meets fellow survivor Ben (Tony Todd), basement dwellers Harry (Tom Towles), Helen (McKee Anderson) and Sarah Cooper (Heather Mazur) and young couple Tom (William Butler) and Judy Rose (Katie Finneran).The group must not only deal with the oncoming hordes of the undead, but their differing opinions on how to stay alive.
I won’t get into all the differences between the films because, honestly, my memory isn’t solid enough to do that without watching the original right after the remake and I had Death Wish sequels to watch, so that’s not happening. Plus, since I saw this one first, the details stick in my head more than the original even though I’ve seen that one far more times. But, the main difference that makes me think this remake has its own value comes in the form of Barbara. While the original version of the character is a screaming mess throughout most of the film, this new version goes through a fantastic metamorphosis that starts where the original character began and changes her into an incredibly capable, bad ass character.
I noticed while watching this time that her evolution can be documented by the clothing changes she makes throughout the film. In the beginning she’s wearing a dress. Not long after she meets Ben, she’s putting on socks and boots. Later she pulls pants on under her dress and eventually she ditches that garment altogether and rolls with just a white tank top. With each wardrobe change, you get the feeling that she’s adapting more and more to this crazy new world she’s a part of. Some people might read this as a kind of “man-ification,” but I saw the changes are coming from a place of pure practicality, but then again, I hate gender-based labels.
So, if you’re a Romero fan who shies away from the many (MANY) remakes of his films or just someone who missed out on this 1990 offering, I’d say give it a shot. Maybe wait until the original isn’t so fresh in your mind, but try to go in with an open mind and look for the good changes within. Plus, this being a Savini joint, it’s got some rad gore effects and actually looks really great all around. I wonder why he doesn’t direct more.
I get a lot of random PR emails. I’m not sure how I got on some of the lists and a lot of them wind up in the ol’ trash bin, but every now and then I get one I’m really excited about. Once such PR email asked if I’d be interested in a review copy of Machete Kills. Hell yes, of course I was! Life got a bit in the way so this review is going up later than I intended, but I really wanted to add my voice to the choirs praising Robert Rodriguez’s latest film.
I didn’t remember much about the first film and thought about going back and re-watching that one again, but a quick read of my own review helped fill in the blanks. This time around, everyone’s favorite former Federale Machete gets sent on a mission by the president (Charlie Sheen) to find out what bad guy Demian Bichir is up to. As it turns out, he’s about to launch a rocket and has hooked a dead man’s switch up to his own heart. Things don’t go so well for him, but his heart goes on Celine Dion-style.
Eventually we find out that Luther Voz (Mel Gibson) is the real bad guy who also has space-based plans. Guys, there’s a lot going on in this movie. Machete runs afoul of a face-changing killer called The Chameleon played by Walton Goggins, Cuba Gooding Jr., Lady Gaga and Antonia Banderas. Actors like Jessica Alba, Michelle Rodriguez, Spy Kids star Alexa Vega and Tom Savini return for the fun alongside Rodriguez newcomers Amber Heard, Sofia Vergara and even Vanessa Hudgens.
This film was an over-the-top smorgasbord of awesomeness that oozes with Rodriguez’s style and charm. Every time I watch one of his movies, I can feel how much he enjoys making these things. I can relate to his desire to make a variety of different kinds of art and envy the way he’s figured out how to bring those visions to fruition. He also has the uncanny ability to bring in a variety of famous actors who in this case don’t distract from the story because the whole thing is already ramped up to 11 to begin with.
I haven’t had a chance to go through the deleted and extended scenes at all but the Making Machete Kills featurette on the Blu-ray was pretty great. If you’re not familiar with how Rodriguez makes movies, this will give you a really good idea. If you are familiar, it’s a fun addition to what you already know with this specific cast.
Every time I finish one of Rodriguez’s movies I feel creatively charged and have a renewed respect for and love of movies. This guy is really doing it the way he wants to and I respect that. Plus, he makes super fun movies of which Machete Kills is a great example.
I don’t think I’ve ever really given George A. Romero’s Day Of The Dead a fair shot. I’m not quite sure why. Back in my VHS-renting days at my local Family Video, I remember watching both versions of Night, Dawn and Day. Eventually I got one of the cheapo copies of the original movie on DVD and became a huge fan of Dawn to the point where I got that four disc DVD set several years back. But what about Day? Why had I only ever watched that movie once?
One reason might go back to a snafu at a video store in college. I went to school at Ohio Wesleyan in the small town of Delaware. There’s a nice main street that has (had?) a guitar store, a record store, several restaurants and a lot of other little places to check out. While walking around my freshman year, I saw a privately owned video store that was going out of business and therefore selling off its stock. I walked through and picked up a quartet of movies: Mom, Leprechaun In Space, Hot Potato and Day Of The Dead. The first three were just curiosities, but I was excited to own this Romero film. When I got back to my dorm, though, I slid the tape out of the cover and realized it was actually Dawn. I wound up falling even harder in love with that movie, to the point where I would have it on while studying or working on a paper and even fell asleep to it several times.
It’s funny to think of how my favorite horror movie list might look these days had I had easier access to Day. And, thanks to my buddy Rob passing me the recently released Scream Factory Collector’s Edition Blu-ray of Day Of The Dead, now I do. Romero’s third zombie film was originally going to be a giant, big-budget, explosion-filled action film, but instead he decided to split up his deal to also make Knightriders and Creepshow. In the excellent documentary included on the disc, Romero says he loves the finished version because he distilled the original script into a smaller, more claustrophobic script that focused on a group of scientists and soldiers in an underground research facility trying to figure out what’s going on with the risen dead.
One of the things I love so much about Dawn is that includes a little bit of everything, but not to the detriment of anything. Day, however, is a much more focused, angry film that focuses on the tensions rising not only from these people living in a world where one of the basic realities of life has been abolished, but also the ones that come from their shared task which includes wrangling zombies for research purposes. It’s not like these survivors are holed up and focused mainly on living like they were in Dawn, they’re constantly staring death in the face, which means they can’t ignore it no matter how many RVs you set up with tropical decorations. There’s a lot of emotion in the works here and it’s amazingly well conveyed by the assembled cast.
And, man, Tom Savini and his crew absolutely murdered the effects in this film. The gore gags are fantastic — made all the more realistic thanks to the use of actual pigs’ blood and entrails — and the zombie make-up and appliances are just insanely good looking. As much as I love Dawn, I like how the zombies in Day look less neon-y. And, of course, the best of the bunch is Bub, the zombie we see learning (or remembering) how to use some common household items. This is a theme Romero wanted to include more of in this film that gets picked up on in Land Of The Dead and probably the next to films Diary Of The Dead and Survival Of The Dead, which I haven’t seen yet. It such a cool theme that I never really thought about before, but why wouldn’t zombies begin to evolve after a fashion the longer they’re around, especially as they become the dominant life form.
If you’re a fan of Day Of The Dead or haven’t ever seen it, I highly recommend checking out the Scream Factory offering. The movie looks fantastic and I had a good time going through a few of the special features. The documentary has just about everyone involved with the film talking about what it was like to make the movie. Since I came to horror so long after this movie came out, I didn’t realize how reviled it was when it debuted in theaters. I’m glad to hear that it’s gone on an upswing in fan popularity over the years because it really is a complex film that says a lot about society without being ham-fisted and still including some of the all time best special effects of all time. What are you waiting for? Go watch it already!
As a big fan of both George Romero and Stephen King, I’m not quite sure why I haven’t seen the two installments of Creepshow the horror duo worked on (neither had anything to do with Creepshow 3). I remember my pal Rickey Purdin had a copy of the first Creepshow hanging around our apartment when we lived together and I think I tried watching it once, but either got bored or fell asleep and haven’t revisited since. When I decided to check the sequel out on Netflix Instant last night I had forgotten this fact, confusing this King-based horror anthology for another, Cat’s Eye. It’s not like it really matters, though, as they are both anthologies and don’t have anything but casual references to one another in common.
Creepshow 2 features three stories. The first is about a killer cigar store Indian (“Old Chief Wooden Head”), the second about a water monster in a lake (“The Raft”) and the third about a woman being terrorized by the man who shit hit with her car (“The Hitchhiker”). There’s also a wraparound story featuring a kid who loves the EC Comics-like Creepshow comic book buying beans to take care of the bullies who mess with him.
“Old Chief” might feature great actors George Kennedy and Dorothy Lamour who are excellent, but the three guys they got to rob the country store owners gave pretty boring, cartoonish, one-note performances and kind of killed the whole thing for me. Plus, the idea of a cigar store Indian coming together and killing dudes — most of which we see via shadows — isn’t super interesting or original.
On the other hand, I really liked “The Raft.” It’s a very Stephen King kind of story with a quartet of friends swimming in a remote lake that has an oily monster patrolling the surface. This is the kind of story that works perfectly in the anthology format. It’s a small story as far as who’s involved and the danger present, but for those people, it’s a very terrifying thing. It doesn’t really matter if you’re trapped in the arctic or on a diving raft in the middle of a lake, you’re still trapped and probably going to die. That’s encapsulated very well in this segment.
“The Hitchhiker” was less interesting to me and felt like an episode of Tales From The Crypt (yeah, I know the show came after these movies, but I experienced it first). Even though the story of the woman getting hounded by the dead man is eerie, it felt familiar and not in the way that “Raft” did where familiar elements were done on a different scale, this one just felt tired. I actually thought the wraparound stuff with the kid and the Creep were more interesting than this particular story.
I think another reason I haven’t gotten around to watching the Creepshow movies is that I’m just not that into horror anthology movies. They sound great in theory — more stories, possibly more creative talent for your buck — but most wind up feeling like this movie where there’s one great story surrounded by mediocre ones. Maybe I just haven’t seen the right horror anthologies. I think I might check the original Creepshow out today, but are there other ones that do a really great job? I’m also thinking of looking at Twice Told Tales and/or Tales Of Terror from my Vincent Price box set, but I might just be horror-ed out for a while after this month.
There are two things I’ve gotta say right off the bat when it comes to this straight-to-DVD, 20-years-too-late sequel to Lost Boys. First, as I’ve mentioned before, Lost Boys isn’t the kind of movie I saw as a kid and have a long-time love for. I saw it for the first time just a few years ago and appreciate it on a fun level, but I’m still not so sure it’s such a great movie. 2. I was NOT paying attention to this movie while it was playing on NetBox. I was reading or on the computer or something because, well, everyone said it was a dumb movie, so who cares?
Anyway, here are my brief thoughts that I wrote down while kindasorta watching:
*Gotta love the Tom Savini cameo in the beginning. That guy’s awesome.
*The sax guy is back!
*Listening to Feldman do his terrible Dirty Harry impression as an older dude is just kinda weird and sad.
*”Hey, a lot of good information can be learned from reading comic books” – paraphrase cause I drank too much wine.
*Haha, “Warriors, come out and plaaaay.”
*I’m pretty sure if I became a vampire, I would take up x-treme sports too.
*I’m not a fan of the Lost Boys mythology which says you’re a partial vampire, but can get rid of it or whatever after just drinking a cup of blood.
*This movie’s not so bad when you’re not a huge LB fan and not really paying much attention.
*The “we’re vampires” beach bonfire moment is kinda cool and awesomely bloody.
*I like how the vamps puke blood Red Lantern-style after getting impaled.
*Everything Feldman says is a ridiculous pun or sounds like it should be one.
*Vampire + drill = awesome. Why is his face melting? who cares it looks cool.
Well there you have it. I don’t know if I even saw the whole thing. At one point it was just over. I didn’t see the cameos by the other Frog Brother or Corey Haim, but I wasn’t about to rewind or stop what I was doing.
Did anyone else watch The Two Coreys? The episode where Feldman breaks it to Haim that there’s already been talk of a sequel, yet no one contacted Haim is freaking heartbreaking. Seriously, you can see the man’s heart break. Here’s the clip:
Last night Em and I got back from Wizard World Philly and, as always, it was a trip.
After picking up Justin and Rickey , we got to the show Friday morning and got right to work after getting some lunch after checking in. The highlight of my day was sort of moderating a Q&A panel with Tom Savini, a man whose work I’ve been enjoying since I started watching horror movies. I say “sort of” because Tom handled the thing pretty much on his own while I struggled with a laptop. For anyone in attendance, I swear I’m slightly more adept at computers than I appeared at the panel. Tom was a great sport though and once we got everything up and running he showed off the next installment of Chill Factor, which was a story he wrote and directed and had the students that work with him to learn filmmaking do the rest. It was pretty rad, so keep an eye out for it. Em was even nice enough to video tape the whole thing, so maybe I’ll get it up on YouTube at some point. I didn’t, however, get a picture with him because I was running around so much.
Later that day there was a big toy industry panel that was super interesting, just like last years’. Look for more information on that in ToyFare. Friday night we grabbed lunch at a place called the Field House (you can actually spend the full weekend at WWP without going outside if you want to because so many things are connected around there). After that we headed down the hotel bar and had a good time. It’s always fun to sit there and see who you’ll run into. I ended up talking to guys like Shane Davis, Dennis Calero and Matt Serra, a fighter who was super nice. Plus, you always see random people walking through the lobby.
After a late night we got up and headed back over to the convention center. If you guys didn’t hear, Jesse Falcon showed off some potential future Marvel Legends for 2010 at his panel (X-Force Warpath, Lady Bullseye and Maddrox!). It was rad getting a peek at those and we’ll be getting more info at SDCC.
After that I headed over to Emma Caufield’s booth and escorted her to her panel room which was packed. For those of you who might not know, she’s Anya from Buffy. She did a great job and everyone really seemed to have a great time with it. As a Buffy fan, I was one of those people having a great time. I’m really hoping that the future projects she talked about come out quickly.
Right after that we had a really great Customizing 101 panel with Matt “Iron Cow” Cauley, Bobby Torres (why can’t I find a link?!) and Pierre “Airmax” Kalenzaga. I learned a lot about toy customizing and I really want to give it a go. Now I need a studio. Or a man cave. I’m still hoping for man cave.
But, the big event of the night for us toy guys was the second annual ToyFare Hall of Fame awards. It was great seeing most of last year’s winners along with this years’ (Jesse Falcon, Tim Bruckner and Aaron Archer from Hasbro for Transformers, Randy Bowen couldn’t make it). Justin did a great job with the presentation and I muddled through with my Power Point presentation. I think it went well and everyone was really happy.
That night Wizard threw a party along with Kaiju Big Battle at a place called The Trocadero that was a 130 years old. As you may be able to see from the picture we were up in the balcony looking down on the fight. It was pretty crazy, though a little slow. Tired from standing all day, a few of us migrated into the adjoining room where karaoke ended up taking place. But it took a while. A bunch of the people we were with filled out the slips to sing and we were sitting there waiting and the room got PACKED. Then some guy said something about Skeletor. I had no idea what that was about until freaking Skeletor showed up. This guy was great, but what no one knew was that it was a gong show. So, you got up to sing and he’d gong you. Sam got gonged unceremoniously early which was BS, but Justin, Alex and Jim all got up there and rocked the mic. I missed a full on, all dude version of “I Am The Man Who Will Fight For Your Honor” because Em and I had to bolt, but it was worth it cause I think I would have passed out if I stayed in that room any longer. Check out the slideshow below for some incredibly blurry photos of the creepy stairs up to the bar, the Kaiju battle, the karaoke area, Justin, Sam and Alex singing. Plus some shots of Skeletor. Maybe I’ll tell people I did all this in Photoshop.
After that we met back up in the lobby where I got to meet some more cool people, but the funniest thing was seeing a bunch of people who just got back from a wedding reception at about 12:30AM looking at Lou Ferrigno walking away and being absolutely shocked. I’m guessing they didn’t know anything about the con and that was a pretty awesome experience for them.
Sunday was slower because it didn’t last as long, which was good because I think most of us were pretty exhausted. Justin, Alex and I had a Twisted ToyFare Theatre panel that was a lot of fun. We got a lot of good questions and it’s funny because I’m starting to recognize the people that show up to the toy panels. I also plugged the blog after some cajoling, so hopefully one or two of you guys made your way over here and are liking the site.
The highlight of the day though was getting a sketch by Steve Dillon. I am a huge, HUGE Preacher fan and got him to do a Jesse Custer, which was well worth the donation to Hero Initiative. Heck, I would have probably paid my last paycheck (don’t tell Em). I don’t think Em had ever seen me geek out that much, I was super psyched. After that we got our things together, I had yet another cheesesteak (with whiz, this time, it’s way better that way) and we made the long trek back through New Jersey.
All in all, it was hard work, but a ton of fun as cons tend to be. The people I talked to all seemed to have a good time and I’m looking forward to the next one.