Wonder Woman

My Favorite Blockbuster “Discoveries” Of 2017

Posted on January 1, 2018September 23, 2019 by TJDietsch

Happy New Year everyone. I decided to celebrate by compiling a series of lists celebrating my favorite films and shows of 2017. Sounds like pretty standard stuff, right? Yup, totally. However, these lists will include not just new films from last year, but new-to-me ones that I enjoyed. This one celebrates the glory of big screen blockbusters, most of which I saw on the small screen because, you know, kids.

First off, I’d just like to reiterate how much I enjoyed Gareth Edwards’ Godzilla (2014) and San Andreas (2015) from director Gary Peyton. I had a great time watching both of those movies earlier this year and highly recommend checking them out if you’re looking for big budget disaster fare. I also had a silly amount of fun watching Vin Diesel in 2015’s The Last Witch Hunter helmed by Breck Eisner. I think this will make a great weekend movie tune-in type of movie.

Continue reading My Favorite Blockbuster “Discoveries” Of 2017

DC Trade Post: Sensation Comics Volume 1, Mad Love & A Few Others

Posted on April 13, 2016September 27, 2019 by TJDietsch

I found myself with another pile of trades from the library recently and figured I’d write about all four of them. Two of the experiences were great, the others? Not so much. Let’s start with the good!

I’m a big proponent of anthologies in comics. At their best, they’re a great way to both test new talent and also give those with a lot more experience the chance to write or draw a character they don’t otherwise get to spend much time with. Sensation Comics Volume 1 does both and to great effect. This is one of DC’s digital-first books that allows creators to just go wild telling whatever kind of Wonder Woman story they want to from any of her many eras. It was nice to see the pre-New 52 costume so many times for this fan of that bygone era! Continue reading DC Trade Post: Sensation Comics Volume 1, Mad Love & A Few Others

Grant Morrison Trade Post: JLA One Million & JLA Earth 2

Posted on August 5, 2015September 27, 2019 by TJDietsch

I’ve been slowly making my way through Grant Morrison’s mainstream DC Comics work starting with Animal Man and working up through The Flash and JLA. I’ve reabsorbed the first two JLA Deluxe volumes, but already reviewed those here and here, so it seemed like a good time to jump over and do JLA: One Million and JLA Earth 2.

DC One Million was an event that took place in November of 1998. The idea was that these characters from the far future — the 853rd century to be exact — would be around when the one millionth issue of Action Comics was published in “real time.” The heroes from the future came to the past to tell the originators that they were celebrating Superman Prime coming out of the sun after a long time. So, many of the JLA members went to the future where they were accused of being imposters while a plague ran through the present day. It was all pretty crazy and a tip off of the kind of event Morrison would create when he did Final Crisis a decade or so later.

I was a huge fan of this crossover drawn by Val Semeiks when it happened and have collected even more of the tie-ins in the ensuing years, though there is an omnibus that looks pretty rad. Anyway, I read the late 90s/early 00s trade that’s part of the JLA line and it’s a pretty weird reading experience thanks to the lack of covers between issues, slap dash creative credits and bouncing around between the main series and the tie-ins. The story itself is basically perfect for an event because much of the future stuff takes place in the tie-ins while the main series deals with the future heroes trying to save the present. The downside of that is that it feels like you’re reading about half a story when going through this particular trade.

As far as signature Morrison moments and ideas go, this book is jam-packed with them. You’ve got the idea that the superheroes we know and love essentially turn into gods who can not be forgotten, no matter how hard some try. That legacy idea is huge throughout his DC work. There’s also a quick appearance by General Eiling and his Ultra Marines who appear in JLA Deluxe Volume 3, but more than that Morrison takes equal time to shine the spotlight on the big guns as well as a ragtag group that includes Steel, Huntress, Plastic Man, Barda and Zauriel who are trying to save humanity. But more than anything — and the moment that stuck with me for decades after the fact — is the idea that he gives Superman a happy ending in regards to Lois. As a die-hard and longtime Superman fan, this meant — and continues to mean — a lot to me.

I was less enthusiastic about JLA: Earth 2 by Morrison and Frank Quitely, the team that worked on New X-Men and All-Star Superman together later on down the line. This 2000 graphic novel came out towards the end of Morrison’s run on JLA which ended that same year and reintroduced the idea of the Crime Syndicate — evil versions of the Justice Leaguers — to the post-Crisis continuity.

See, back in the day when there were multiple Earths, the Crime Syndicate came from Earth 3 where good and evil were backwards. Instead of Superman, Batman and Wonder Woman being heroes, Ultraman, Owl Man and Superwoman were big time baddies. In Morrison’s version, instead of coming from Earth 3, this gang was part of the Anti-Matter Universe. They referred to the regular DCU as Earth 2, hence the title.

The story itself follows Anti-Matter Lex Luthor (a hero) as he travels to the regular DCU reality to recruit the JLA into going back home with him to help out. They do so, but in an act of cosmic balance, the Crime Syndicate — which also includes Johnny Quick and Power Ring — gets transported to the regular DCU where they cause havoc. However, both soon realize that good and evil naturally triumph in each reality and return home.

Of all of the Morrison DC comics I’ve read so far, this one feels the most straightforward and “normal.” There aren’t any huge twists or mind-bending elements aside from the fact that certain universes only allow for certain elements to win out. It’s well-told and brisk, but not exactly what you’d expect from the man who had Superman fight an angel to a standstill. It also looks perfectly Quitely. It’s big and bold and mean at times (he draws the best sneers in the game). His is a style I wasn’t big on at first, but once I started seeing the incredible detail included, I completely switched around to uber-fandom.

I think part of the reason I didn’t really latch onto this story is that I just can’t get into stories where characters are just super, duper, completely and totally evil. And that’s exactly what the CSA members are. They murder and oppress citizens with impunity for no other reason than they can. In other words, they’re as far from a sympathetic villain as you can get. I’m guessing this was done as a way to shine a light on how good and amazing our heroes are, but I just wasn’t feeling it at the time. Still, it’s a fun, quick and oh-so-pretty adventure.

Wonder Woman Trade Post: Eyes Of The Gorgon, Land Of The Dead & Mission’s End

Posted on September 10, 2014September 27, 2019 by TJDietsch

Wonder Woman: Eyes of the Gorgon (DC)
Written by Greg Rucka, drawn by Drew Johnson, James Raiz & Sean Phillips
Collects Wonder Woman #206-213

About this time last month I made my way through Greg Rucka’s first three Wonder Woman books. It took me a little while to get the next volume from the library, but I finally did and had a ridiculously good time reading through it and the final two volumes of his run.

As I mentioned in the previous post, Rucka’s working on a longform comics story with this run and I think it’s one of the best ones I’ve read when it comes to this character. He not only had a solid take on the character, but also developed a variety of obstacles in his first few issues that all came to fruition as the series edged closer to its Infinite Crisis/One Year Later-mandated conclusion.

As you might be able to tell from this book’s title, the major obstacle this time around is the resurrected Medousa, the snake-headed Gorgon who turns people into stone if she makes direct eye contact with them (even via cameras). Medousa not only attacks Wonder Woman at the White House, but also turns the son of one of her staffers into stone before challenging her to a knock down, drag out battle for the entire world to see. In the process of defeating the inhuman monster, Diana blinds herself with hair-snake venom. The rest of this volume finds her dealing with her new condition, including a variety of tests from her teammates in the JLA.

Meanwhile, Dr. Psycho’s still causing trouble, Cheetah returns, the goddesses arrange to take over Olympus from Zeus and the United States is particularly worried about Paradise Island to the point where they won’t move their warships away.

Wonder Woman: Land of the Dead (DC)
Written by Greg Rucka with Geoff Johns, drawn by Drew Johnson, Justiniano, Rags Morales & Sean Phillips
Collects Wonder Woman #214-217, Flash #219

Land Of The Dead kicks off with a crossover with Flash that establishes a relationship between Diana’s longtime villain Cheetah and the Scarlet Speedster’s nemesis Zoom. These two baddies would go on to become a big part of Infinite Crisis as members of the Secret Society, specifically and the group that attacked and murdered most of the Freedom Fighters.

After that, though, the book circles back around to deal with its own problems, specifically Diana, Wonder Girl and Ferdinand traveling to Hell for Athena. This might be the shortest book in the bunch, but it does allow Diana to fix a few of her bigger problems. This is definitely SPOILER territory, so skip to the next paragraph if you don’t want anything ruined. First, Diana did all this so she could bring her staffer’s son back to the land of the living. Second, she gets her vision back because Athena’s so impressed with this selfless decision. Also, Wonder Girl discovers that her dad is Zeus, which was a mystery floating around since Geoff Johns relaunched Teen Titans and seemed to be hinting that it was actually Ares.

One of the interesting elements that Rucka played with in this book is comparing Diana in all her righteous, fair-headed glory to the machinations and overall pettiness of the gods themselves. This aspect is showcased in this volume, especially given Diana’s desire to fix a problem she saw herself as the source of and do the right thing by the people she cares about.

Wonder Woman: Mission’s End (DC)
Written by Greg Rucka, drawn by Cliff Richards, Rags Morales, David Lopez, Ron Randall, Tom Derenick, Georges Jeanty & Karl Kerschl
Collects Wonder Woman #218-226

This is it folks, the one where everything comes to a head! We find out the truth about Jonah (the entryway character from the first volume), Diana fights a brainwashed Superman and does what she thinks is right to stop him, she goes on trial and an army of OMACs attack Paradise Island.

Alright, so let’s break this down. More SPOILERS ahead for the next two paragraphs. As it turns out, Jonah was a Checkmate spy. I don’t remember there being any indications of this up until the previous book, but that’s where that is. Rucka also wrote the OMAC tie-in mini as well as the Checkmate comic, so maybe there’s more of that character in those books that I’m forgetting.

When Wonder Woman fought Superman it was because former Justice League backer and Blue Beetle murderer Max Lord was controlling the most powerful person on the planet with relative ease. As Lord went on about how he’d never stop coming back to take over Superman, Wonder Woman believed him and snapped his neck, which just so happened to be broadcast everywhere. From there, she turned herself in, intending to go on trial, but that all got scuttled by the OMACs attacking Paradise Island. Their leader, Brother Eye was all bent out of shape because Wonder Woman killed Lord and made her public enemy number one. A massive battle ensued that only concluded when Athena decided to leave that plane of existence and take all of the Amazons — save Diana — with her.

It’s interesting looking back at this run as a whole because, for the most part, it was a Wonder Woman story that would occasionally cross over with other characters when it made sense. But, as it wrapped up, this was fully a DCU story. Infinite Crisis rewrote some chapters in the DC book and Rucka was one of the architects involved at the time. I had forgotten some of the timeframe going into this, so that was something of a surprise, but overall I think it was all handled really well.

Above I mentioned that all of the balls Rucka got rolling felt like they were well paid off in this series, but that’s not entirely true. I realized while going back through these books for this post that Veronica Cale wound up a bit on the backburner. I think she’s a super interesting character, but probably got pushed to the side as the more major players revved up towards the series’ finale. She does show up in 52, though, which might help fill in some of the questions I have about her character.

Anyway, aside from a bit of a rushed feel at the end and the fact that I wish Drew Johnson had drawn the entire series — the multiple changes in artist per volume in these last three books is kinda crazy — I’d give this entire run of comics a huge, enthusiastic thumbs up. This is what a great example, not only of a fantastic Wonder Woman comic, but a long form sequential storytelling work that shows how solidly a writer can use the long game when plotting out his work.

Wonder Woman Trade Post: Guts & Iron

Posted on August 13, 2014September 27, 2019 by TJDietsch

Wonder Woman Volume 2: Guts (DC)
Written by Brian Azzarello, drawn by Cliff Chiang with Tony Akins
Collects Wonder Woman #7-12

While ordering the first batch of Greg Rucka Wonder Woman comics from the library, I realized I’d read the first volume of Brian Azzarello’s New 52 Wonder Woman series, but hadn’t gone on beyond that. So, I looked around, requested the second and third volumes and started reading. But before that, I went back and gave the first volume a re-read because my memory is deteriorating at an alarming rate.

The major information points from the first book involved Diana discovering that she’s not made of clay, but instead Zeus’ daughter, meeting a young woman named Zola who’s carrying another child of Zeus and some of the family drama and politics that come from being a member of the Greek god clan. But all of that was really set up for these two volumes. The great thing about all three of these books is that Azzarello finds fun and interesting ways of giving the heroes what they want and then almost instantly taking it away in a way that shuffles a lot of characters around.

In the case of Guts, Wonder Woman teams up with Lennox, Hermes, Eros and Hephaestus figure out a way to get Zola back from Hades who wants her as his bride. Basically, these are the good members of the gods who feel sorry for this poor girl who happened to fall for the wrong guy. Without giving too much away, Diana ensures Zola’s safety, gets herself out of Hell and essentially saves the day, but things don’t go well for Zola’s baby by the end when it turns out that one of the people in their camp is a traitor.

Wonder Woman Volume 3: Iron (DC)
Written by Brian Azzarello, drawn by Cliff Chiang with Tony Akins, Dan Green, Goran Sudzuka, Amilcar Pinna & Rick Burchett
Collects Wonder Woman #0, 13-18

As you might expect given what I said above, Wonder Woman’s new goal in the third book is getting Zola’s baby back to her. She’s still got most of her crew with her as well as Hera who adds a great deal of comic relief, but also a new comrade in the form of Orion of the New Gods. Along the way we also get to meet more of Diana and Lennox’s half brothers and sisters as they are all modern illegitimate children of Zeus. As with the previous volumes, there’s plenty of trickery going around on all sides, but at the end of the book we get something of a happy ending, but with another looming danger, which is exactly what comics should have.

One of the really interesting things Azzarello does in this book is doing something new and different with the Greek gods. These are characters who have been around forever and been interpreted in a myriad of ways, especially if you read Wonder Woman comics. I’ve seen them as the robe-wearing gods of myth, human-like business people and just about everything in between. Azzarello mixes some of that old mythology with his own new ideas and makes a family that’s often as interesting as the title character herself. Plus, there’s the addition of Diana’s fellow Zeus progeny and the connection to the New Gods that I assume gets fleshed out in later volumes.

As much as I liked these volumes there were a few odd sticking points for me, though I will admit right away that I might have just missed these points in Azzarello’s rapid fire dialog. I didn’t think the fact that Zeus had gone missing was very well conveyed. There was also the matter of Diana removing her gauntlets and being super powerful. Why didn’t she do this earlier when she was in danger? It was a cool move, but it kinda felt like something added in just to be a cool move. I also personally miss the majesty that used to come along with the character that’s basically gone in these pages, but were all over the place in Rucka’s run. Basically, these are two different takes on the character and each writer is doing or did their own thing which is great.

One thing that did surprise me is how completely separate this feels from the rest of the New 52 DCU. There’s next to no mention of any other heroes or villains, which is an interesting choice. Orion and Highfather of the New Gods show up, but I’m pretty sure they weren’t appearing anywhere else at the time. This is good and bad for various reasons. On one hand, this is a great story that should just do its thing. On the other, what’s the point of being part of a shared comic book universe if there’s no sharing? It’s a similar concern I have with Scott Snyder’s Batman, which is the other New 52 book I really love. As with Batman, I’m pretty much onboard for everything Azzarello wants to do with this character and I’ll keep checking in to see what’s going on in that particular book.

Wonder Woman Trade Post: The Hiketeia, Down To Earth & Bitter Rivals

Posted on August 6, 2014September 27, 2019 by TJDietsch

Wonder Woman: The Hiketeia (DC)
Written by Greg Rucka, drawn by J.G. Jones

Back in my Wizard days one of the editors was a huge Greg Rucka fan. I was familiar with his Batman work at the time, but not the variety of other comic and novel projects he’d worked on. Over the years I’ve become a big fan myself, both of his comics and the man himself. A few weeks back I was thinking about Wonder Woman comics and remembered that he did a pretty substantial run and headed to my library website to see if the books were available. As it turns out they all are, so get ready for a few Greg Rucka Wondy posts in the next few weeks. The Hiketeia, a 2002 graphic novel drawn by J.G. Jones is a pretty simple story that bridges Rucka’s Batman and Wonder Woman work by having a murderer from Gotham asking for sanctuary and offering her servitude (a ritual known as The Hiketeia) to Wonder Woman which she accepts. Having given her word, Wonder Woman is compelled to protect this woman even against her trusted ally and friend Batman as the Furies keep watch. I really enjoyed Jones’ artwork in this book. I didn’t enjoy him as much on something like Final Crisis, but in this case, he really nails Wonder Woman’s power, even when she’s wearing jeans and a tank top. He’s got a lot of dynamism too that works as easily when drafting the dark Batman and the light-loving Diana. I also like that we’re dealing with an established version of Wonder Woman. I don’t want to rag on the New 52 too much — especially because I like Brian Azzarello’s take on the character — but there’s just not as much history there. This book comes from the era of DC Comics I’m most familiar with and was most interested in, so it’s cool to see how well Batman and Wonder Woman respect each other, even if they don’t get along particularly well in this story. The Hiketeia acts as a great sampler for what I’ve read of Rucka’s Wonder Woman run so far. It’s appropriately steeped in Greek mythology and custom, which is exactly how a person built of clay from an island filled with mythological Greek women should be. You also get a sense of the majesty that surrounds Diana, which is a huge part of the upcoming run.

Wonder Woman: Down To Earth (DC)
Written by Greg Rucka, drawn by Drew Johnson
Collects Wonder Woman #195-200

Not long after The Hiketeia, Rucka took over as the regular writer on Wonder Woman. If you’re picking this book out of the blue, here’s a few things you need to know. 1) Wonder Woman was a goddess for a little while, but isn’t any longer. 2) Her home island of Themyscira is known to the world and has declared itself a country. 3) Wonder Woman is not only a solo hero and part of the JLA, but also the ambassador for Themyscrira to the United States.

Down To Earth is basically the first third of a movie that you don’t get the end of until later in the run. Rucka’s playing a long game here and gets a lot of balls rolling that pay off in various ways. Our entry character here is Jonah, a new embassy worker joining the team as Diana’s book, a collection of essays and speeches, hits the world. What they don’t know, though, is that a woman named Veronica Cale is gunning for Wonder Woman, going so far as to bankroll a slander campaign against her that involved right wing-esque complains of her Amazonian heritage, killers and Dr. Psycho.

This volume also sets up Ares machinations amongst the gods, Diana’s more nature-based sense of heroism, the return of the Silver Swan and the near-destruction of Paradise Island. If you’re looking for a one-off Wonder Woman book to read, this is not the one for you, but if you want to invest yourself in a classically plotted run of comics, this is for you.

Wonder Woman: Bitter Rivals (DC)
Written by Greg Rucka, drawn by Drew Johnson, Shane Davis, Steve Sadowski & Linda Medley
Collects Wonder Woman #200-205

Bitter Rivals basically carries over all of the elements from the previous book, adding a few more pieces of information — like Cale’s origin story and why she has a mad-on for Wonder Woman — to the mix while also keeping the larger mysterious interesting enough to keep me along for the ride.

With Wonder Woman’s deck shuffled pretty heavily in the previous volume with the uproar against her, the murder of one of her opposers, Circe teaming up with the Gorgons, Silver Swan’s potential recovery and Paradise Island being nearly destroyed.

In this one, Wonder Woman goes to Cale’s partner for help in figuring out what’s wrong with Silver Swan. Batman also shows up to let her know that Dr. Psycho had something to do with the death of the aforementioned opposer. The book ends with a fight between everyone and Dr. Psycho and the return of Medusa which basically makes it the mid season finale of the run.

Another chapter of Rucka’s overall story, Bitter Rivals is, again, not a good entry point book. It’s part of a larger whole. You could probably jump in here and figure out what’s going on, but that’s silly. We’re used to doing that as comic readers, but when it comes to Rucka’s Wonder Woman run, you’re dealing with five books and 30-some comics. It’s not such a big deal to track them all down and read the whole thing. That’s my plan, assuming I can ever get my hands on the third book from my library (I’ve got the other two sitting right here).

Before signing off here, I want to say a few words about Drew Johnson’s art. He’s not an artist that I had an opinion on going into these books, but I’ve got to say, I found his pencils to be really solid and majestic. Sometimes, things feel a little slight, which is a misstep when you’re dealing with a character like Wonder Woman who is supposed to be surrounded by a sense of majesty, but overall, he really got the hang of things as these first two books got going. His Dr. Psycho is super creepy, but I think his Veronica Cale is the best of the bunch because she’s supposed to have her own majestic quantity, but housed in a human form that’s got a darker interior than Diana. He nailed her right off the bat and I’m really excited to see how things go from here.

Books Of Justice: New 52 Volume 1 & 2

Posted on July 23, 2014September 23, 2019 by TJDietsch

Justice League Vol. 1: Origin (The New 52) (DC)
Written by Geoff Johns, drawn by Jim Lee with Carlos D’Anda
Collects Justice League #1-6

After years of the Justice League not exactly taking center stage in the grand scheme of things in the DC Universe, the company put them right in the forefront when they launched the reality-altering New 52. Justice League by Geoff Johns and Jim Lee not only boasted one of the biggest creative teams around, but also marked the new continuity’s birth as the very first New 52 comic.

Set five years in the past, Origin puts the team together as they all face the incoming threat of Darkseid and his Parademons. It’s basically a “putting the band” together story that doesn’t feel contrived or boring, like some of the ones in the old continuity. In other words, there are no meeting scenes where the big three look at photos or ones where a bunch of scrub characters talk about how they’re going to carry on the team’s legacy. We start with Batman meeting Green Lantern. They then meet and fight Superman which leads to GL calling his pal Flash in. Later Wonder Woman and Aquaman show up. Oh and Cyborg goes from football star to, well, Cyborg as the story progresses.

After all the introductions and set-ups, our heroes finally face off against Darkseid in a battle that is clearly another set-up, but also feels satisfying because they earn their victory. Clearly, the dark New God will return, but that’s a story for another time.

What I liked most about this book is the tone and interactions between the members. It sets up their characters pretty well — even if those personalities might not reflect across the line — and gives an interesting dynamic between them that could be fun to read about. I will say that I’m not a fan of the overall dark and mean tone of this new DCU, but I guess that’s just part of the deal these days. I haven’t heard great things about the huge crossovers that spun out of Justice League, but enjoying this book definitely piqued my interest in the second volume which I quickly requested from the library. I also got a big kick of of Flash’s line at the end where he calls their group The Super Seven.

Plus, can we just talk about how fun it is to look at a Jim Lee Justice League book? Even if it includes these weird, overly piped and paneled costumes, he’s just so good at drawing those big, iconic characters doing all kinds of crazy things. I’m down for at least looking at anything he does.

I actually picked this book up on a Comixology sale not long ago, but after my Kindle broke, I figured I’d check the library and see if I could get a hard copy. I will say that, while I like the convenience of digital comics, I still prefer actually holding the book.

Justice League Vol 2: The Villain’s Journey (The New 52) (DC)
Written by Geoff Johns, drawn by Jim Lee, Carlos D’Anda, Gene Ha, Ivan Reis, Ethan Van Sciver & David Finch
Collects Justice League #7-12

It took me longer than expected to get my hands on this second volume called The Villain’s Journey. I guess someone else in the library system was equally excited about giving it a read. This second book is set in the current time frame of the DCU where the Justice Leagues have become a pretty big sensation that seems to defeat anything the universe can throw at it. But, there’s still some mistrust from the government and a mysterious villain first seen in the previous book who proves to be a bigger threat than anyone could have imagined.

And yet, there was something that just felt off about these issues. A LOT of time is spent on Steve Trevor and how sad he is because he loves Wonder Woman and she doesn’t love him back. That’s exactly what you want from your Big Seven Superhero comic, right? I only complain about that because it felt like the team itself doesn’t get nearly as much time as they should. As much as I love seeing the League fight against impossible odds, I also like to see a little bit more of them hanging out together and interacting.

I still like the interactions between Batman and Green Lantern and how GL and Flash are pals, but those relationships get leaned on a bit too heavily. Sure we find out that Superman hasn’t revealed his identity to his teammate in those five years, but what the heck does Cyborg do all day? As the one character in this comic without his own solo book, it seemed natural to focus more on him, but that doesn’t happen.

Speaking of characters who get a lot of page-time, but aren’t on the team, Green Arrow gets a lot of time too as the US government tries to get him on the team. Arrow trying to get on the team is something of a Justice League tradition, but in an odd turn, he doesn’t make the squad. Instead, this is all a set-up for Justice League Of America, a book I haven’t read yet.

Back to the villain for a paragraph, I just didn’t care and I’m not sure why. SPOILERS follow. This guy Graves and his family were saved by the League in their first mission back in the first trade. Something about the incident wound up killing his wife and kids, but also turned him into a weird monster that looked an awful lot like a White Martian. None of this is very well explained and all felt like a really long way to get around to Graves being locked up in Belle Reve where Amanda Waller asks him to write down how to destroy the League. I don’t think I would mind all of this if it was a one or two parter instead of spread out over all these issues.

This book also features Green Lantern’s exit from the group, a big fight between the members, a big kiss between Superman and Wonder Woman and a lot of teases about what’s coming up after this volume. All in all, I would say that this book didn’t do much for me. I really enjoyed how the first one just got right into it, but this one felt more plodding. I felt like I could see the plot points more clearly, like there was a checklist being checked off in a slightly disjointed manner. Part of the disjointed feeling came from the various artist drawing these issues. I’me a big fan of all these artists, but their styles are so vastly different that you’re constantly made aware that you’re on to the next part instead of being absorbed by the story.

It also felt like something of a misstep to focus on a brand new villain while also mentioning all of these established League villains who don’t do much of anything this time around. I’m sure this all leads to the next big thing in the DCU, but as a one-off volume meant to be read in and of itself, it’s not very satisfying.

Books Of Justice Trade Post: Team History & Dark Things

Posted on November 20, 2013September 27, 2019 by TJDietsch

Justice League Of America: Team History (DC)
Written by James Robinson, drawn by Mark Bagley
Justice League Of America #38-43

Months ago I was looking through the two longboxes of unread trades in my closet and realized I had a lot of post-Infinite Crisis Justice League collections. I’d read many of the issues as they came out, but not since then. It seemed like enough time had passed that I could give them a re-read. I started with Brad Meltzer’s two volumes, then moved on to Dwayne McDiffie’s four books and am now up to the first two James Robinson offerings called Team History and Dark Things.

Guys, this trade is an absolute mess and it has nothing to do with the stories. When I wrote about McDuffie’s last book, I noted that there was zero context offered for what the heck is going on in the larger DCU. If these trades were only sold in comic shops to fans, that would be fine, because they would essentially be written for existing fans. But because trade paperbacks are out in the world, I feel like there should be some way to catch new readers up on what went on before it. I also fully support adding a few pieces of text between issues if something huge happened in a different book. Basically, these TPBs need to be as timeless as possible and they’re not.

Team History deals with all kinds of huge events that aren’t centrally located in Justice League Of America, so it’s super confusing. You’ve got an already depleted League that has to deal with Blackest Night and the Cry For Justice storyline, none of which are explained outside of quick dialog recaps in the books themselves. I read those other comics when they came out, but that was a while ago, so even I was confused when I got to Team History. And then, BANG, you’ve got the Cry For Justice team along with fill-ins for the Big Three. To be fair, Robinson does a great job of recapping past events in #41, but that’s already four issues deep in this trade.

All that being said, Robinson did a good job with what he was given. Can you imagine taking over the most iconic superhero team of all team and it consists of Plastic Man, Vixen, Dr. Light and Red Tornado? Sure Zatanna and Gypsy show up to help fight Despero, but that’s still about as far from a headlining team as you can get. But, they do make for an interesting group to deal with evil returned loved ones in the Blackest Night event. Like the other BN tie-ins that I talked about before, though, the problem with these stories as a whole is that, even though many of them figured out smart ways to deal with the Black Lanterns, none of it was used in the larger story so what’s the point?

Finally, towards the end of the book, Robinson finally got to do his own thing and it was…interesting. The League finds itself dealing with a group of New God wannabes and some devices found throughout the history of the DCU which offers some fun looks at the Metal Men, the Challenges of the Unknown and other heroes and groups. At the end of the day, though, it felt like a bit of a confusing ending that has to take time to explain why several heroes left the team and then move right into the next book, a crossover with Justice Society Of America.

Justice League Of America: Dark Things (DC)
Written by James Robinson, drawn by Mark Bagley
Collects Justice League Of America #44-48 & Justice Society Of America #41, 42

Unlike the previous JLoA/JSoA crossover handled by Meltzer and Geoff Johns, this one was written and drawn completely by Robinson and Bagley. The team in this book is a much smaller version of the one seen on the cover of the previous volume. You’ve got Batman (Dick Grayson), Donna Troy, Congorilla and Starman with Supergirl and Jade showing up as the story progresses. Basically, this story finds the JSoA teaming up with the tiny JLoA because Jade has returned to Earth and brought the Starheart with her. Its presence winds up driving her dad Alan Scott crazy and the rest of the book has the teams joining forces to first take care of some of the magic- and weather-related backlash and then stop Adam’s rampage.

There’s nothing wrong with this story, but it also didn’t blow my mind. This story has loose ties to Brightest Day, the Blackest Night follow-up that focused on some of the returned-from-the-dead characters like Jade, but it didn’t feel like there was too much information left out. At the end of the day, I think I’ve just read enough of these kinds of stories to be a little bit bored with them. I really enjoyed how this book incorporated the effects of the Starheart on the rest of the DCU with all kinds of cameos, but at the end of the day, this is another team-up based around, basically, the same heroes doing a lot of the same things they’ve done before. That’s less a complaint about the quality of the story and more about my general feelings about Corporate Comics these days.

And yet, I was still disappointed by both of these books for a few reasons. First off, I’m not quite sure why this team exists other than to sell Justice League comics. I don’t necessarily need to be inundated with “team business” type stories, but there seemed to be very little of that. Heck, there’s hardly a team throughout both of these trades. Additionally, I was disappointed by both creators. Robinson penned one of the greatest superhero epics of all time in Starman and this doesn’t even come close to that. Maybe my expectations are too high, but I just can’t separate my love of that book from my expectations for this one. It’s not fair at all, but that’s how it is. Meanwhile, Bagley’s art didn’t wow me nearly as much as I thought it would. I was as excited as anyone when I heard he was moving over to a Justice League comic as the regular artist. But the results just seem a bit too slight and sketchy. These are supposed to be big, bold heroes and that doesn’t always come across.

At the end of the day, I’m not sure what to think about these books. They’re important pieces of the post-Infinite Crisis, pre-New 52 Justice League series of books, but are they shelf or collection worthy? I’m going to hold on to them for now and see if I can get my hands on the last few to see how they work as a whole, but I’m not so sure these are worth holding on to.

Books Of Justice Trade Post: Second Coming & When Worlds Collide

Posted on October 2, 2013September 27, 2019 by TJDietsch

Justice League Of America: Second Coming (DC)
Written by Dwayne McDuffie , drawn by Ed Benes with Alan Goldman, Doug Mahnke, Darick Robertson, Ian Churchill & Ivan Reis
Collects Justice League Of America #22-26

Naturally, after reading Brad Meltzer’s two-book run on Justice League Of America and then Dwayne McDuffie’s first two, I moved right along into his last two. While The Injustice League and Sanctuary read like truncated tales, Second Coming actually felt like a full story that McDuffie wanted to tell that didn’t get interrupted by a larger DCU event.

As I said before, while Grant Morrison’s JLA deals with macro issues showing why the world needs the team, the Meltzer-into-McDuffie one seems more focused on why the team members need each other. While trying to fix Red Tornado again, Amazo shows back up and starts causing trouble for the team. Of course, they’re dealing with their interpersonal relationships which, like the threat itself, exist because this team exists. It’s a cool, organic process that does something a little different than I’m most used to when thinking of blockbuster JLA teams.

The trade ends with a crazier story than I remembered from my first reading. Vixen wants to get to the bottom of her new, wonky powers, so most of the team goes to Animal Man’s house. While there, a trickster god brings them into his dimension where he tells Vixen and Buddy about their true secret origins (if you can believe the god of lies) and also builds an alternate version of the Justice League by changing a few details here and there when it comes to hero origins. I’m a big fan of alternate reality stories, so this was right in my wheelhouse. I remembered this story being more confusing when it was coming out monthly, but felt it flowed a lot better with all the pieces in hand.

Art wise, this book is a little all over the place. Ed Benes is the main artist, but he’s still kind of in flux. The first issue of the collection has inks that are way too dark and heavy, but those back off as the issues progress. Alan Goldman came in and did a pretty great fill in and then you’ve got the cavalcade of killer artists from Doug Mahnke to Ian Churchill coming in to do a few pages here and there on one of the issues. All in all, both the art and story felt really pretty organic, not just for the few issues in this collection, but for the whole JLoA run to this point.

Justice League Of America: When Worlds Collide (DC)
Written by Dwayne McDuffie, drawn by Ed Benes with Jose Luis, Shane Davis, Rags Morales, Ardian Syaf & Eddy Barrows
Justice League Of America #27, 28, 30-34

The word I keep thinking of when trying to describe When Worlds Collide is: bonkers. This trade is all over the place. First, you’ve got a two part story dealing with the Milestone characters trying to steal something from the Justice League. This was around the time when those heroes and villains were first being integrated into the DCU, but not being very well explained. All of a sudden, we’re just supposed to accept that an entire comic book universe was shrunk down to one town, Dakota, and had always been in the DCU? Huh? Well, after adding to some of that confusion, McDuffie actually does explain what happened towards the end of this book and his run on the series. I don’t think I ever actually read all these issues when they came out because it was around the time I got laid off from Wizard and lost access to every comic ever, so it was a big question mark in my head until I finished this trade.

So, there’s this bonkers story about all these heroes you’ve either never heard of and don’t know or have heard of and don’t know why they’re around. Then a whole issue is skipped over. After that, Hawkman asks the team for help in fighting Shadow Thief. After that, there’s an issue where Black Canary’s talking to all these different people about why the League is basically over with next to no explanation as to what went on to cause all this. Finally, a team consisting of Dr. Light, Firestorm, John Stewart, Vixen and Zatana runs up against Starbreaker. This last story also brings in a few more Milestone characters (and explains why they’re here now) as well as the Batman from the alternate universe in the previous volume. Again, bonkers.

The real problem with this book is that there’s zero context or explanation for what’s going on in the greater DC Universe at the time. This was around Final Crisis which lead to the death of Martian Manhunter, the temporal displacement and apparent death of Batman, Superman heading off to live on New Krypton and Wonder Woman disappearing for some reason. Some of these things are mentioned in the book, but a simple text explanation would have been greatly appreciated.

That lack of interest in catching a reader up really bothered me while reading this book and the next one which also picked up after some pretty huge out-of-book events. There’s this assumption that you already know everything that’s going on in the entire world of these characters. Heck, even if you did read everything when these issues were coming out and owned the trades, it’s incredibly likely that you won’t a few years down the line when you want to give them a re-read (which, you know, is the point of friggin trades!). To keep new readers abreast of what’s going on around these stories, there needs to be a small amount of explanation for what the heck the characters are referring to. This is an incredibly easy comic related problem to fix, so someone needs to get on it!

Books Of Justice: The Injustice League & Sanctuary

Posted on September 11, 2013September 27, 2019 by TJDietsch

Justice League Of America: The Injustice League (DC)
Written by Dwayne McDuffie with Alan Burnett, drawn by Mike McKone, Joe Benitez, Ed Benes & Allan Jefferson
Collects Justice League Of America Wedding Special #1, Justice League Of America #13-16

After reading through the two Brad Meltzer Justice League Of America books, it just made sense to keep going and re-absorb Dwayne McDuffie’s run on the book which makes up four trades. While my negative memories of Meltzer’s run were somewhat vague, I had very specific memories of why McDuffie’s bummed me out. First and foremost, it went with the “a group of villains getting together” story which had been done plenty of times before and after. Then you had the fact that it seemed like there were editorial mandates that just kept coming down which truncated some arcs and interrupted others. One arc ends with a “Huh?” because it had to lead into Salvation Run while another reintroduces the Tangent characters for seemingly no reason.

At the time these books were coming out, I remember thinking that all of this just seemed wrong. The Justice League should have been the book steering the good ship DCU instead of feeling like something that was being back seat driven by someone other than the book’s writer. So, when getting back into these stories I tried to forget everything I knew — which turned out to be a bit easier than expected — and actually read this book as if it was in charge. How’d the work out? Continue reading Books Of Justice: The Injustice League & Sanctuary