Train-ing Video: Death Proof (2007)

I was incredibly excited for Grindhouse and planned on seeing it in the theaters, but it wasn’t meant to be. The marketing folks decided that this Robert Rodriguez/Quentin Tarantino jam fest should come on, when else, but Easter weekend? Well, I had to go to New England, so I missed it while all my friends, who were still here, went. Soon enough, Grindhouse wasn’t in theaters anymore and I had to wait until the movies came out on DVD as Death Proof (Tarantino) and Planet Terror (Rodriguez). I checked them out, dug Planet Terror and was left feeling lukewarm towards Death Proof, which bummed me out cause I’m a big Tarantino fan. I gave it another shot on the train yesterday and, unfortunately, was left with the same feeling.

The first time I watched DP, I actually fell asleep just before the big switch in main characters, so I didn’t realize how it would take a Psycho-like turn and follow completely different characters for the rest of the movie. Something very similar happened to me when I first watched Usual Suspects.

Anyway, I don’t have any problem with that switch, what I do have a problem with is the tone. I understand that the film was shot to look like an old grindhouse movie and is written to match, but the problem from me comes from the inconsistencies I noticed. See, the first group of girls all seemed pretty real and fleshed out even when they’re spurting out some of Quentin’s clunkiest and most repetitive dialogue. But then, the second group of girls flips the script and happen to be these caricatures of humanity who have no problem beating a man to death and leaving their fried by herself with a highly suspect individual in the middle of nowhere. I understand them wanting revenge and maybe the two stuntwomen being a little off their rockers, but why does Rosario Dawson’s character want to kill him so bad, going so far as to kick his head in? I didn’t get it. And the “It’s like a grindhouse movie, duh!” argument doesn’t hold up when the first half of the movie didn’t reflect that aesthetic.

I also found Kim to be incredibly annoying. I get it, she’s from the street, I don’t need to be reminded of it with every single piece of dialogue she spouts off. Other than Kim, though, I really liked the rest of the characters and would like to know what happened to Mary Elizabeth Winstead’s character (and why she was wearing a cheerleader costume throughout the whole thing, I don’t buy Dawson’s explanation).

But that’s not all, I also hated how much of a pansy Stuntman Mike turns into. Kurt Russell did SUCH a great job of making him likable at first, but then completely terrifying, but then, as soon as he gets shot, he starts crying? Seriously? I like the idea of flipping the script and putting him at a disadvantage, but seeing him be such a bitch just makes me want to see him dead NOW and you’ve got to sit through a long car chase to get there.

In a weird twist of fate, we got the fourth disc of Alias Season 1 today, which boasts a two part episode called “The Box” (2002) which stars none other than Tarantino himself. This was during a few year period where he would pop up with a different TV project every now and then. Anyone else remember his episodes of CSI where the dude who would voice Captain Atom in the JLU cartoon was buried alive? Good stuff. It looks like he only acted in the part in Alias, but I wouldn’t be surprised if he wrote his own dialogue as well because it definitely has that Tarantino vibe to it.

I’ll get more into my thoughts on Alias when we’re done with the first season, but this was definitely one of the better episodes and Tarantino does a great job of playing an unhinged man.

And, of course, even with all the above things I disliked about Death Proof I’m still crazy-excited for Inglourious Basterds which drops in a few. Never let it be said that I’m a fair weather fan!

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