Y: The Last Man Deluxe Volume 5 (Vertigo/DC)
Written by Brian K. Vaughan, drawn by Pia Guerra & Goran Sudzuka
Collects Y: The Last Man #49-60
I felt particularly motivated over the weekend and decided to bang out the last two volumes of the Y: The Last Man Deluxe editions and am finally ready to talk about it. I read the first, second and third volumes relatively quickly, but these two went by the quickest for sure. As I said in those other posts, the further I got into the story, the less I remembered which was nice because there were still some surprises even though I’ve read this complete story all the way through already.
The fourth book really breaks the world open in more ways than one. In addition to going international, word also gets out through a less-than-reliable source that there is actually a living male still on the planet. The proof? A naked photo on the front page. Meanwhile, the gang gets a new member thanks to Rose who we know is spying on the group, but also hope she can flip and maybe find redemption. This volume also sees a lot of older characters returning to the forefront including Alter who winds up killing another main character and Hero who finds Beth Number 2 (the woman Yorick had sex with) who just so happens to be pregnant! This leads to some drama with the Catholic Church and the reveal that her baby is a girl which of course changes a lot and continues the big mystery of whether a male can actually be born into this world in a natural way. Heck, there’s even a pair of origin issues, one that focuses on Agent 355 and another on Ampersand, even Alter and Dr. Mann get in on the action. The big push at the end of the story, though, was Toyota returning and making off with Dr. Mann’s mom which will take them to Japan in the fifth volume.
And, of course, the fifth volume wraps up the entire epic story. This is SPOILER TERRITORY if you haven’t read the book so stay away for the next three paragraphs. Even though it seemed like the silliest plot point in the book, Yorick finally reunites with the one, true Beth only to discover the most obvious thing in the world: Beth was about to break up with him over the phone when every man on the planet but him died. This does not end well for them.
But that’s not the only story to come to a head. Elder finally catches up to Yorick for real and we discover that she, much like Yorick, really wanted to die. She was a warrior who wanted to be killed in battle by someone worthy and since Yorick was the only man around he was the most worthy in her warped mind. I liked how this ended with Yorick not shooting her but turning her over to her people. This all comes after the SUPER DUPER SPOILER quick bang murder of Agent 355 after she and Yorick realize they love each other. I know this death might have bummed a lot of people out or seemed cheap, but isn’t this really the only way a character like her can go down? She’s like Batman, she has to be taken completely by surprise otherwise, she’ll figure out a way to take you down.
And then you have the final issue. Man, I’ve got to say, Y: The Last Man #60 might be one of the most elegant final issues of a comic book series I’ve ever read. Instead of doing your basic info dump explaining how everyone ended up, we jump 60 years into the future and are more casually told the information as Beth Jr., now President of France or something, explains some of the details to one of Yorick’s many clones. When that part’s done, new Yorick gets to meet young Yorick and we learn even more by way of flashbacks. What I love most about this ending is that it’s not what you’d expect. Yorick didn’t stick around with Beth 1, instead he went over to Beth 2 and Beth Jr. and became an actual dad while his DNA went on to help respawn the human race. There’s also a really nice balance to the issue where you hear something that bums you out and then something that raises your spirits a little. I had to hold back tears when I finally got my hands on this issue while working at Wizard because of that one scene with Ampersand. Man, that was sad.
Or at least it was the first time around. I was surprised to discover that I had very little emotional connections to the deaths this time around. I remembered most of them, but when I hit them in the reading, I didn’t feel sad at all. I’m not sure if I was just less emotionally invested on this reading, if those moments were simply less surprising or if they felt more necessary as far as the story goes. When I was in college I read Thomas Mann’s Death In Venice and while we were talking about the story in class, the professor — Dr. Biehl one of the best around — talked about the inevitability of the main character’s death and not just because it was in the title. I think there was something of that going on in this book. It’s not just that Vaughan wanted to give some characters sad endings while others got happy ones, but also that some of the deaths had to happen in a literary sense. Sometimes, if you’re a character and you’ve done everything you’re supposed to do, it’s time to go. For what it’s worth, I don’t believe in that idea in the real world, but it makes sense in fiction.
After finishing the book, I still think it’s a great piece of comic literature. Yorick has a real arc that turns him into the kind of character you wouldn’t mind hanging out with as do the other characters. They’re all very satisfying. I still think the characters got a little too fact-spouty in the second and third volumes and — this is going to make me sound like an old man — but I think there could have been less profanity, especially the near constant use of “bitch” and it’s various synonyms through the story. I don’t have a problem with profanity, but it kind of became white noise thanks to the over-use.
So, no, it’s not a perfect book, but what is? It’s still one of the better books around and benefits from being a well told, complete and satisfying story that you can give to someone all at once for whatever speed the consume their entertainment at. The fact that I read all five of these books — all 60 issues — in just about a month. And that’s with taking breaks to clear my palet with some less intense superhero stuff.