Alright, so going through the top half of this pile was pretty fun on the previous post. I had a great time with Lumberjanes/Gotham Academy, Batman ’66 Meets The Man From U.N.C.L.E. AND the first volume of Mockingbird so there’s no reason to expect I didn’t also enjoy the bottom half (mostly because I tend to follow the old “if you don’t have anything nice to say” adage). Want to hear about Shutter, Aquaman, Batman: Dark Knight, Dark City and the first volume of Gerard Way’s Doom Patrol? Then you know what to do! Continue reading Trade Pile Part 2: Shutter, Aquaman, Batman & Doom Patrol
I’m gonna try something a little different with this trade post: more books with shorter reviews. Let’s see how that works. As I mentioned when I read a bunch of the New 52 #1 issues, this book was one of my favorites. To me, the whole point of relaunching your entire universe is to offer readers something completely new. Some of the New 52 books don’t bother doing much of that from what I’ve seen, but Scott Lobdell does something really cool here. Instead of playing Batman’s sidekick, Tim Drake is running around as Red Robin in an attempt to save superpowered kids from N.O.W.H.E.R.E. This leads him to joining forces with fellow young costumed heroes like Wonder Girl (don’t call her Wonder Girl), Kid Flash, Bunker and Skitter. What I really like about this book is that Lobdell really just throws you into the story and doesn’t slow down too much, but still offers enough information to enjoy.
The whole book revolves around a series of mysteries large and small that continue to draw me in issue after issue. Why is the non-powered Drake so interested in helping super-kids? Why does Wonder Girl dislike being called Wonder Girl so much? Who is N.O.W.H.E.R.E. and what is their game? What’s the deal with these new characters? What’s going to happen with Superboy?
All of the above makes this a very 90s feeling book, but I don’t mean that in a negative way. People dump on the 90s a lot, but there was a lot of newness being explored in those books without getting too far wrapped around itself. And, even though this is technically a “putting the team together” story, it’s done in a less traditional way and it revolves around a less traditional team, so I don’t mind as much. Also in the 90s vein, I love Brett Booth’s art in this book. He’s got a huge amount of detail and never skimps when it comes to either background or characters. That kind of detail is fantastic and not always easy to nail.
I was less into Lobdell’s Superboy, though I’m not sure if I can exactly put my finger on why. It’s a completely different kind of story. While Teen Titans is an on-the-run, putting-things-together-as-we-go kind of thing featuring an aloof clone created in an attempt to make their own Superman who’s trying to figure out who he wants to be and what he wants to do with his newfound life and power.
I think one of the reasons I wasn’t as taken with the series is because it feels a lot more “monster of the week.” Superboy wakes up and they send him after King Shark, then they send him after another villain. When he’s talking to the woman who gets revealed as Fairchild (originally from Gen 13) and Ravager or is out in the world trying to figure out if he’s good or bad, those are much more interesting moments for me. Still, I like that this and Teen Titans lead up to a bigger story called “The Culling” that I look forward to reading eventually. He’s an interesting character with a lot in there to check out.
On the art side of things, I don’t know if Silva’s style is really the kind of thing I dig. It’s cartoony and stylized which I like, but at times it feels a little too un-detailed, like you’re just looking at shapes strung together without as much physical continuity.
I have an interesting history with Supergirl. I dug Peter David’s book, but never really read it on the regular (though I do want to go back and read the whole run in order). Then, when they brought a new version of Superman’s cousin into continuity, I was not into it because I was still a continuity nut at the time and wanted Kal-El to be the only Kryptonian around. I liked how they came up with interesting ways to have a Superboy and Supergirl in the 90s and didn’t want to see that change. Anyway, the idea of Superman’s cousin coming to Earth is one I eventually came to accept, but now that we’re dealing with an all new continuity (and I don’t care nearly as much about the details as I used to) I’m cool with it.
And I think Green and Johnson do a good job with this story. The whole thing is a fish out of water tale with Kara landing on Earth thinking she’s going to protect her younger cousin Kal, who is now Superman. It’s a lot to deal with for a girl who was kind of aimless on Krypton, especially because she doen’st speak the language.
Unlike Superboy, this book is much more of a journey story with Supergirl interacting with different characters offering her different pieces of information to help her figure out exactly what’s going on with her, ultimately leading to another planet. By the end of the journey presented in this trade Kara has a bit of an understanding as to what she wants to do with her weird new life. A life wonderfully drawn by Mahmud Asrar (for the most part) who has a cool kind of indie style that captures Kara’s fragility and strength while also balancing giant robots, monsters and pretty girls. After reading this book I decided that The Big Bang Theory‘s Kaley Cuoco should play Supergirl. Someone make that happen.
Unlike Supergirl, I had a much deeper relationship with Aquaman (also written by Peter David come to think of it). His lengthy run on that book is pretty much the be all, end all for me as far as that character is concerned. Still, when I heard that Geoff Johns, writer of some of my all time favorite comics (JSA, Green Lantern), was tackling the character I was definitely interested. And you know what, he does a great job which I’m sure is a shock to no one.
The New 52 version of Aquaman doesn’t seem all that different from the original, a much simpler, more streamlined version. He’s new to the surface world which is good timing considering a race of hyper violent humanoid fish creatures have risen from the depths to kidnap, eat and kill people. While that adventure is an interesting one, I really liked some of the book’s other elements. The waitress being surprised that Aquaman wants fish and chips made me chuckle, then you’ve got the whole issue of Aquaman in the desert which was a great idea. There’s also a lot going on with Atlantis and Mera that makes me curious about what’s coming up. And, man, Ivan Reis kills this art. He’ detailed like book, but with a darker edge that fits the book both thematically and environmentally.
Overall, I lucked out with this crop of New 52 backs. Each one took a different approach to introducing these new versions of old characters. It’s interesting to take a closer look at that aspect of the storytelling and analyze which ones I like better than others. I look forward to reading the second volumes of all of these books…eventually and if I can get my hands on them.
In the last few days word has gotten out that Fox did not pick up the Locke & Key pilot and NBC passed on Wonder Woman. Being a big fan of the first Locke & Key volume written by Joe Hill and produced by IDW and various incarnations of Wonder Woman, I’m bummed, but as someone who used to jones for bootlegs of unavailable comic book movies and shows, I’m kind of excited. When I was younger I got pretty jazzed whenever I heard about a show or movie that was never released. Whether we’re talking about the Roger Corman Fantastic Four movie, the Justice League TV pilot, the animated Gen 13 movie or anything else, I was interested and on the hunt at conventions. As such, I have shitty VHS dupes of all the above as well as the original Buffy pilot and a few other things.
It’s been a while since something like this has happened though. The last one I can remember is the Aquaman/Mercy Reef WB pilot that I got to see when I was at Wizard and even that was released on iTunes, I think. I know these things are more likely to be downloaded now instead of picked up at comic cons for exorbitant prices, but it does give me a tiny thrill knowing that two more shows might be added to the list of “shows you’re not supposed to see.” Of course, it’s possible that these shows will get picked up by another network or legitimately put out on DVD/Blu-ray/Netflix/iTunes. I’m all in favor of that too, I just want to see them, even more so because I’m not supposed to.
Forget about Big Apple Con and New York Comic Con, Collectorfest is where it’s at. The local Newburgh comic show was held this past Saturday at the Knight’s Inn about seven minutes from my house. Aside from not taking forever to get to like the aforementioned NYC shows, Collectorfest also wins the con wars because 1. it only cost $6 to get into, 2. there were no crowds to fight and 3. I actually got great deals on comics. One dude had about four short boxes I dug through and another had comics he was selling BY THE POUND! Aside from that admission, I only dropped $6 in the show and walked out with 65 comics. Not a bad day’s work. I’m pretty psyched to read most of the Nth Man run (a book I know nothing about), some pre-Peter David Aquaman, a few Reign of the Supermen-era Superman comics I missed, the Jack of Hearts mini and all those awesome licensed comics (M.A.SK.! A-Team). I’d been feeling kinda down all week, but buying several pounds of comics really lifted my spirits!
Between the cat being a jerk and Atom Smasher’s right leg popping out, this was a surprisingly difficult picture to take. But more on that in a bit. As I mentioned recently, the only figures I was missing from the Atom Smasher wave of DCUC figures were Booster Gold and Blue Costume Aquaman. I also recently came into some Target gift cards, which I figured I could put to good use by picking up at least the Booster figure. Last week the missus and I went to Target and I was shocked to see that that exact wave of figures was on clearance for the reduced price of $10.40. Now, that doesn’t quite reach back to my action figure heyday when I could get four figures for $20, but it was discount enough to get me to buy that damn Blue Costume Aquaman. The reason I hate that figure is because 1) there already are two Aquaman figures out there in the world that I already have and 2) he came with the torso of the Atom Smasher figure. It’s the only move of the DCUC line that bothers me. What not help us out a bit and have Flash come with the torso and not a figure stand? Because no one would buy him otherwise, is the answer I assume. In the end, I’m not too upset because, in my head, I spent the $10 for an Atom Smasher figure that came with an Aquaman figure. As you can see from the pictures (aside from the missus’ clear contempt for what I was doing in the background) I finally decided on the classic version of the Booster figure even though I really wanted the Skeets with Mr. Mind in it. I decided to go with the larger figure I preferred, which is the one with the collar. Anyway, Aquaman and Booster are both great figures. I like how Skeets attaches in the back in the same way that Mr. Terrific’s T Spheres do. I’m also a big fan of the Atom Smasher figure, though how much cooler would it have been if it was his previous identity Nuklon? As I mentioned his right leg popped out a few times, but overall, he’s a great build-a-figure and definitely the largest figure in my collection (I have the Giganta wave figures, but not Giganta herself or any of the equally large Marvel Legends ones).
I think the build a figure concept might be the best thing to come along in action figures in years. Why not give people a little extra value in their package with pieces to build a larger figure who looks awesomely cool when finally assembled? Metamorpho, Gorilla Grodd, Metallo, Solomon Grundy and Kalibak are all sick and I hope to add the other large figures to my collection, especially Kilowog. I love me some Green Lanterns.
I’ve been on this big kick wanting to get my single issue comics bound into larger volumes. I realized many years ago that I am way more likely to sit down with a book than a stack of issues that I have to take out of the bags and boards. I can’t remember when I first heard about getting comics bound, but I think it’s a great idea and finally got around to sending off some books last month to see how things turned out. The books I chose were issues #0-20 of Peter David’s Aquaman and HERO #7-22 (the issues not included in the one and only trade). I chose them because I had all or most of the issues (a quick trip to MyComicShop closed out a lot of holes in the books I’ve been collecting for years for short money) and because I figured they wouldn’t be collected anytime soon. I bought the Aquaman issues when they were coming out for the most part and really dug that series and then read HERO for the first time during my Wizard internship and am still shocked that it hasn’t been collected yet.
So, the first step to getting books bound–after figuring out the actual books–is deciding which place you want to use and how fancy you want your books to be. I’m a bare bones kind of guy so I went with the basic $15 plus shipping model from Library Binding in Texas using Media Male. I put the comics in the correct order, filled out the form and sent the books out. I had a box from something that had been shipped to me, sandwiched between some backing boards and wrapped them in a plastic bag. I meant to take a picture of that, but forgot. The whole process took maybe three weeks because media mail is slower. Anyway, I was really hoping to get them Friday or Saturday, but was still happy to get them today. Here’s what they look like. As you can see the covers are just a solid color. You’ve got your choice of cover and font colors (from a list, not every color in the world, but still a good number of colors). I went with blue for Aquaman with gold lettering and a green cover and purple lettering which are the colors the spine of the existing trade, but reversed. Here’s pics of the spines. I thought the text would have been bigger, but that could be on me and not them. I know you can pay extra to get the actual logo put on the spine, but, again, I’m cheap, so this is the bare bones version. I’m hoping to collect all of Peter David’s Aquaman, hence the 1 on the bottom and his name on the spine.
My concern with getting both of these collections of single issues bound was that there might be too many issues and there would be gutter loss because of the binding. Luckily that is not the case, as you can see in this picture. There’s some loss, but if you just open the book a bit more it’s all good. Plus it’s not like either of these runs have a lot of spreads.
I am incredibly happy with this transaction. The books turned out so well and I can’t wait to get some more shelf space and my hands on more of my collection in order to get most of it bound. There will definitely be some books that I just get the trades for (for instance, I’m trying to get my hands on the Daredevil Bendis hardcovers to replace my single issues). Sometimes it’s just easier and maybe even cheaper for me to get all the Green Arrow or Teen Titans trades than sending all my issues off to get collected. I would definitely use Library Binding again, but I’m also going to look around and see if there are any local book binders who can do the work without me having to ship them out. I might also be able to make a deal with a local place especially if I’m getting my nearly 20 long box strong collection bound (though there are some books my collecting geekiness won’t let me send off and other books I just won’t want to read again). Hopefully this will be the beginning of a beautiful relationship with comic binding.