Trailer Time: I, Frankenstein, 47 Ronin & Out Of The Furnace

After showing off that new image of Aaron Eckhart as Adam, the I, Frankenstein gang unveiled the first trailer which comes packed with winged monsters, fire, Bill Nighy and Yvonne Strahovski, all of which are very good things. The film opens on January 24, 2014.

The latest 47 Ronin trailer features a good deal of footage we’ve already seen, but a bit more of Keanu taking on the dragon. Still looks like a lot of rad stuff in this film which debuts on December 25th.

Out Of The Furnace finds Christian Bale delving into the world of underground fight clubs run by Woody Harrelson in Out Of The Furnace. The December 6th debuting dramatic thriller looks pretty intense if we do say so ourselves.

For Your Home Viewing Pleasure: September 24th, 2013

iron man 3 combo packThis week’s biggest release is none other than Iron Man 3 (Two-Disc Blu-ray / DVD + Digital Copy), the latest Marvel Studios film to hit home video complete with all kinds of special features for you to comb through until Thor: The Dark World comes out.The Dark Knight Trilogy Ultimate Collector's Edition

On the other side of the comic book movie side of the fence, Warner Bros. unleashed their The Dark Knight Trilogy: Ultimate Collector’s Edition [Blu-ray] which includes Christopher Nolan’s Batman Begins, The Dark Knight and The Dark Knight Rises as well as plenty of previously unseen special features.

What are the odds that two Explosions Are Rad favorites not only have straight to video movies debuting on the same day, but also feature the same word in both titles? Apparently pretty good as Jason Statham’s latest Redemption (also known as Hummingbird in the UK) dropped today…

As did Dolph Lundgren’s clunkily titled Blood of Redemption. This one also stars Billie Zane and sometimes-Statham collaborator Vinnie Jones. So many connections!dollman blu-ray

Dollman starring Tim Thomerson and directed by Albert Pyun (Cyborg) isn’t exactly a lost classic, but we’d definitely be interested in checking out the recently released Blu-ray from Full Moon.Movies 4 You - Timeless Military Film Collection

War movie buffs will jazzed to hear that Shout and Timeless Media have Movies 4 You – Timeless Military Film Collection available now. The set includes Hell Raiders, Lost Battalion, Tank Battalion and Go For Broke.

Bullet Points: Hot Rounds Of Information Goodness

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TheWrap reports that Vin Diesel has signed on to star in the sci-fi, alien-fighting thriller Soldiers Of The Sun at Universal. Written by Arash Amel (Erased, I Am Legend 2), the flick finds Diesel and a group of soldiers in a post-apocalyptic world trying to find a city of gold.

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World War Z writer Matthew Michael Carnahan scored Ray Liotta and Linda Emond to play the parents in his Godfather-inspired modern day mob flick Violent Talent, Deadline reports. Carnahan wrote the script and will also direct.

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Deadline broke news that Hard Candy and 30 Days Of Night director David Slade will direct the first episode of NBC’s pirate series Crossobones. The show was created by Luther‘s Neil Cross and stars John Malkovich.

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The CW’s Arrow will be adding a new character based on the world of DC Comics played by Teryl Rothery (Caprica, Hellcats). SpoilerTV says she’ll portray Jean Lorring, a lawyer who defends Moira Queen for the crimes she confessed at the end of the first season. In the comics, Lorring was married to the Atom and eventually went insane.

Variety says that Switched At Birth‘s Cassi Thompson is replacing Disney star Ashley Tisdale as Nic Cage’s daughter in the big budget version of Left Behind currently in the works.

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Warrior star Joel Edgerton is looking to play Ramses in Ridley Scott’s Exodus against Christian Bale’s Moses, Deadline reports. This sounds like a more serious film, but if these guys don’t throw down at some point, it’s everyone’s loss.

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Sullivan Stapleton, the star of 300: Rise Of An Empire, signed on for Krive Stenders’ Australian thriller Kill Me Three Times, a project that’s been in the works for a while now. [via Deadline]

Finally, if you’re interested in checking out the motion comic prequel to the upcoming Mad Max game,  just check out the videos above and below. The game hits next year, but  what the heck is the deal with Mad Max: Fury Road?

Friday Fisticuffs: Equilibrium (2002)

equilibrium I first discovered Equilibrium while perusing my beloved Family Video. Since it came out in 2002, I must have checked it out while home for the summer from college and was drawn in by Taye Diggs and whoever that Christian Bale guy was wearing Matrix-like gear holding guns. It’s not like I had heard anything about it and dug around for it, it just appeared one day, looked interesting enough and I remember enjoying it, but never really got back to it.

When I saw it on Netflix Instant I was pretty excited, remembering that there was a fairly interesting sci-fi future as well as some interesting marital arts action that cleverly used firearms (called “gun katta” apparently). Said future was an incredibly structured one that keeps humanity emotionally muzzled by forcing them to take a suppressant drug. The governing body has a group of warriors called Clerics who make sure that no one’s feeling. Part of that job involves tracking down works of art and destroying them along with vagrants who live on the outskirts of society, struggling to survive, but feeling every minute of it.

Bale plays a Cleric who winds up skipping a dose and becoming that which he’s sworn to persecute: a sense offender. As he regains emotion and feelings, Bale’s character uses his position in the organization to try and make up for some of the things he’s done.

Much as I remember liking this movie and did enjoy it this time around, I’ve got to say, there are some pretty silly elements. If you’re a government organization whose sole focus is to keep the populace under a metaphorical emotional blindfold, why would you put that in their hands? Why wouldn’t the drugs be administered by way of water supply or provided food? That seemed like the kind of plot point that only exists to move the story along. The movie also gets a little slow at times, but I think that’s only because I went into this movie with an action flick mindset and it’s a lot more of an emotional journey than you might expect. If you’re looking for more and more fights and gun katta, then a slower talking scene can feel like it’s going on way too long.

But, the point of this post is to talk about fight scenes in movies. Sometimes I’ll watch an action movie, thinking it’d make for a great FF entry only to discover that most of the violence in the film involves gun play. That’s the case with Equilibrium, but it just so happens that the film combines those two elements in a lot of fun ways. The idea behind gun katta is that the guys can not only shoot really well, but also knows all the best physical positions to get their bodies in to do the most damage as quickly as possible. He can also use his guns as blunt weapons and do all kinds of cool flips, picking up weapons and using them in several different ways.

The problem with some of these fight scenes is that, sometimes, they look a little too set-design-y. There’s a good deal of Power Ranger-like posing and whatnot as well as sets that seem only developed to look as cool as possible. I’m not sure whether my definition of cool has changed over the years or director Kurt Wimmer and I just don’t jive on that subject, but it seemed a little too overwrought at times.

But, I still thought it was an enjoyable movie. If you saw the poster or cover and avoided it because it looked like a Matrix rip, it actually has nothing to do with that film aside from the fact that they share the same taste in jackets. Plus the cast includes a lot of great actors like Bale, Sean Bean, Taye Diggs (he’s great in this, you guys), Sean Pertwee, Emily Watson and Prison Break vets Dominic Purcell and William Fichtner. So, if you’ve got some time, give it a shot and see how it makes you feel. PUNS!

The Dark Knight Rises Versus The Avengers

One of the hallmarks of the geek community is comparing things we love and seeing how they stack up. Of course, the problem with doing this is that we wind up comparing things that don’t even match up. Back when The Dark Knight came out the big question was whether it was better than Iron Man and I thought it was incredibly annoying. It’s like comparing Die Hard to The Usual Suspects, they’re both somewhat dramatic action films, but that’s where the comparisons end. One’s a balls-out auctioner while the other is a really serious, more cerebral outing…with punching and costumes.

The same thing happened this year when people started comparing The Avengers to The Dark Knight Rises and I thought it was an equally foolish comparison. However, while watching Avengers for the second time at the drive-in last night I realized a few things about the two movies that made me like one over the other and, seeing as how this is the internet, I figured I’d share them with whoever will read them.

Right off the bat (heh, PUN!), Avengers is more fun and a more enjoyable watching experience. It’s the perfect movie to check out on a Saturday or Sunday. It also has a lot of great moments that made me geek out, but I realized something while watching Avengers again. The moments in that movie that I dug the most (Iron Man reflecting his blasts off of Cap’s shield, Hulk sucker punching Thor after a team up) were great moments that reminded me of ideas from comics, but those same kind of things in Dark Knight Rises reminded me of specific moments from Batman comics. This is obviously completely subjective, but I can’t separate those very personal moments of awesomeness form my childhood, so why not embrace them? It doesn’t discount anything from Avengers, but just gives DKR a leg up in my book.

I know a lot of people thought DKR was bleak and sad, but I actually found it really uplifting. The character of John Blake completely embodies the never-give-up attitude that’s kept humanity alive for all these centuries. That same attitude is something Batman had to rediscover and use to his advantage to save the city he loves. There’s some of that in Avengers, but I never really thought they’d be in trouble. That wasn’t going to happen, but with rumors swirling that Batman would die in this flick and Christopher Nolan being an incredibly ballsy filmmaker, there was a small part of me that thought it might happen and even that it should have happened. I left Avengers feeling pumped up and fueled by geek-love, but I actually felt good about humanity after watching Rises.

So, Dark Knight Rises has the leg up in my mind, but that doesn’t mean I like Avengers any less. They’re both hallmarks of filmmaking that should be appreciated by all kinds of audiences. It’s amazing the kind of things that can come from comic book source material.

I Very Much Enjoyed The Dark Knight Rises

My wife has very kindly offered for me to head over to the theater and watch Dark Knight Rises a few times. I bowed out because it was too late one night, I wasn’t up to the three hour commitment and I just wasn’t feeling up for something so seemingly intense another night, but today I took her up on her very generous offer. As I tweeted before heading over to the theater, I actually can not remember the last movie I saw inside as the few new movies we’ve gone to since Lu was born 15 months ago have been at the drive-in.

Somehow, I’d actually been able to avoid any and all spoilers since the film’s July 20th release date. I might have written about Dark Knight Rises a few times a week for Spinoff leading up to the film, but since then any and all stories have been purely about box office. I’ve scrolled over tweets, avoided emails and even skipped some of my favorite podcasts to stay in the dark. I’m actually shocked it worked.

I don’t think I need to get into too much detail about the plot, but this film picks up eight years after the events of Dark Knight. Batman’s been out of commission since then, vilified thanks to his plan with Jim Gordon while Harvey Dent was turned into the city’s fallen knight. It’s been a good time for Gotham…until Bane comes to town and wants to knock everyone off their collective high horses.

Okay, the rest of the review until otherwise stated will take place in SPOILER country, so you’ve been warned. What I liked about this movie is the journey it took us on, even if it’s not one that’s necessarily the most original. Bruce is destroyed by the death of Rachel from the previous film and doesn’t know how he can go on living when she can’t do the same. This dovetails nicely with the plan he hatched with Gordon, giving Gotham the Batman they deserve. We also discover that Bruce’s distrust of humanity make him automatically deject any plans that might be used negatively even if their primary source could be good. That’s the kind of person her is at this point.

Bane is a whole different animal, one whose MO feels like a living breathing thing throughout the movie because we’re only hearing and seeing it from other peoples’ perspectives for the most part. I thought that was a really interesting take on him: you basically only know him by his actions and his speech, not because you know anything about him or his past. The way that his plan not only confirms the fears Bruce always had about the tech getting into the wrong hands but maybe also that you might as well get some good out of things even if they can be abused for evil (that’s not said anywhere on film, but something I thought while watching). I will say that the voice took some getting used to. It almost sounds like someone dubbed in a funny voice in that opening scene, but gets a little less cartoony as it goes on. I also had a hard time understanding him a few times, but that didn’t really bother me. You tend to understand the point he’s trying to convey.

I also want to talk about Joseph Gordon-Levitt as John Blake. Man, I loved this character and his arc. He’s Bruce Wayne if he wasn’t rich, an orphan who learned later how to hide his anger at what happened to him and his parents, but eventually decided to do good by joining the police force. How he goes from that to freedom fighter could have been a whole movie in its own right and one I would have watched. I also enjoyed Anne Hathaway’s performance. She really dug into her bag of actor tricks going from flummoxed demure maid to femme fatale in no time flat, something that could have felt slopping in the hands of a lesser actress. She’s the bad guy side of the Bruce Wayne/John Blake model: poor kid taking what she needed to survive and never really stopping, but wanting to.

Making the proceedings even more entertaining for me was the fact that some of the Batman comics I read growing up were the basis of this story. I’m seen lots of comic movies and really enjoyed them, sometimes going back later and reading the stories they were based on, but I really can’t explain to you how much a part of me the long form Bane story Knightfall meant to me. Those were the first Batman issues I ever collected. I devoured the parts of that story I could find and it lead me to buying Batman comics for the next 20 years almost. But that’s not all, the movie also includes elements from the No Man’s Land story that saw Gotham cut off from the rest of the country and even some of the Bane/Ra’s al Ghul stuff that came about in later issues. I was even retroactively remembering how things fit in with my comics after we found out who Miranda Tate really was (facepalm, of course it was her!).

The movie wasn’t perfect though. Like I said, Bane’s voice was pretty cartoony at times, to the point where I was trying to figure out what animated character he sounded like. It doesn’t help that I have no idea what Tom Hardy sounds like normally. I also thought some of the larger crowd fighting was a little weak, specifically outside city hall, though the bouts between Bane and Batman were always gnarly. OH, and how awesome was it seeing Batman and Catwoman fighting awesomely side by side?! Oh, right, I’m on complaints. Let’s see…oh, Batman took an awful lot of very previous time to stop and say goodbye to Catwoman and Gordon when flying the bomb out, didn’t he? It reminded me of a much less campy version of that famous scene from the 60s Batman movie where he’s trying to get rid of the bomb.

Speaking of the end, I thought it was very curious. Going in, I knew that this was going to be Christopher Nolan’s last Batman film (unless the famously tricky director is playing with us once again), but I was also assuming that this would be the last Batman movie set in his movie universe, like Warners would just scrap it and start over again with a new idea. But that’s pretty silly isn’t it? In comics, sometimes a writer leaves and blows everything up, leaving the next guy to pick up the pieces and sometimes there’s a really smooth transition. It seems like Nolan was giving whoever comes after him a very easy access point. They can clearly move forward with the John Blake developments or bring our hero back any number of other ways. Heck, Nolan could even still produce like he’s doing on Man of Steel, that would give him time to work on whatever his next original project will be. I don’t know any of the answers here, but I like having the questions running around my brain.

End SPOILERS. So, yeah, I really enjoyed this movie. It didn’t grab me right away in the beginning, but kept winning me throughout and by the end, I was completely in, rooting for Gotham and believing that one man really can make a difference. I was so pumped on the way home I had to make sure to watch my speed. I also bought in hard to the idea that you have to make sacrifices to help change things, you can’t just hide behind whatever’s safe or even your family because you’re just making a crappier world for your kid to live in if you’re not helping change things.

Quick Movie Review: Terminator Salvation (2009)

I don’t remember hearing anything good about Terminator Salvation, but I actually enjoyed the movie last night. Maybe it’s because my expectations were pretty low from the poor reviews or maybe it’s because I’m just not that big of a Terminator fan to begin with, but I took it for what it was: a stylish, action movie with lots of robots kicking ass and getting their asses kicked. Frankly, I liked it a lot better than Transformers 2, for whatever that’s worth.

The story takes place before the events of the first movie, so we see young John Connor and Kyle Reese, Christian Bale and Anton Yelchin respectively, fighting all kinds of Terminators. You’ve got motorcycle ones, plane ones, the first version of the T-800 (more on that in a second) and a big ass one looking to capture people, all of which looked pretty cool to me.

The movie is interesting because there isn’t necessarily a main bad guy. The enemy is the machines. And sometimes humans (not the only George Romero-esque theme in the movie, by the way), but you do get the good ol’ “boss fights” at the end, one of which SPOILER involves a very T1-looking Arnold Schwarzenegger. It’s not actually Arnold, but a stunt man with Arnold’s face composited on his, but I thought it looked awesome.

One other thing I wanted to mention was the camera work/vision that director McG brought to the party. Sure, sometimes basic four-shots seem a little bungled, but there’s this great moment early in the movie where Connor jumps in a helicopter, the camera follows him in, then swirls out to see the action and comes back into the helicopter while it crashes. It’s all one shot and I thought it was great.

Sure it’s a little overblown at times and some of the surprises weren’t all that surprising, though I’m not sure if the whole Marcus reveal was supposed to be TOO surprising (the missus actually guessed it as soon as he popped on screen), but overall I thought it was a pretty fun action movie. Definitely worth the rental and I think I would dug it on the big screen too.