Friday Fisticuffs: Equilibrium (2002)

equilibrium I first discovered Equilibrium while perusing my beloved Family Video. Since it came out in 2002, I must have checked it out while home for the summer from college and was drawn in by Taye Diggs and whoever that Christian Bale guy was wearing Matrix-like gear holding guns. It’s not like I had heard anything about it and dug around for it, it just appeared one day, looked interesting enough and I remember enjoying it, but never really got back to it.

When I saw it on Netflix Instant I was pretty excited, remembering that there was a fairly interesting sci-fi future as well as some interesting marital arts action that cleverly used firearms (called “gun katta” apparently). Said future was an incredibly structured one that keeps humanity emotionally muzzled by forcing them to take a suppressant drug. The governing body has a group of warriors called Clerics who make sure that no one’s feeling. Part of that job involves tracking down works of art and destroying them along with vagrants who live on the outskirts of society, struggling to survive, but feeling every minute of it.

Bale plays a Cleric who winds up skipping a dose and becoming that which he’s sworn to persecute: a sense offender. As he regains emotion and feelings, Bale’s character uses his position in the organization to try and make up for some of the things he’s done.

Much as I remember liking this movie and did enjoy it this time around, I’ve got to say, there are some pretty silly elements. If you’re a government organization whose sole focus is to keep the populace under a metaphorical emotional blindfold, why would you put that in their hands? Why wouldn’t the drugs be administered by way of water supply or provided food? That seemed like the kind of plot point that only exists to move the story along. The movie also gets a little slow at times, but I think that’s only because I went into this movie with an action flick mindset and it’s a lot more of an emotional journey than you might expect. If you’re looking for more and more fights and gun katta, then a slower talking scene can feel like it’s going on way too long.

But, the point of this post is to talk about fight scenes in movies. Sometimes I’ll watch an action movie, thinking it’d make for a great FF entry only to discover that most of the violence in the film involves gun play. That’s the case with Equilibrium, but it just so happens that the film combines those two elements in a lot of fun ways. The idea behind gun katta is that the guys can not only shoot really well, but also knows all the best physical positions to get their bodies in to do the most damage as quickly as possible. He can also use his guns as blunt weapons and do all kinds of cool flips, picking up weapons and using them in several different ways.

The problem with some of these fight scenes is that, sometimes, they look a little too set-design-y. There’s a good deal of Power Ranger-like posing and whatnot as well as sets that seem only developed to look as cool as possible. I’m not sure whether my definition of cool has changed over the years or director Kurt Wimmer and I just don’t jive on that subject, but it seemed a little too overwrought at times.

But, I still thought it was an enjoyable movie. If you saw the poster or cover and avoided it because it looked like a Matrix rip, it actually has nothing to do with that film aside from the fact that they share the same taste in jackets. Plus the cast includes a lot of great actors like Bale, Sean Bean, Taye Diggs (he’s great in this, you guys), Sean Pertwee, Emily Watson and Prison Break vets Dominic Purcell and William Fichtner. So, if you’ve got some time, give it a shot and see how it makes you feel. PUNS!

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