If you don’t buy my friend Justin Aclin‘s upcoming Dark Horse comic S.H.O.O.T. First, you suck.
I recently discovered a site called Humans Of New York that I can’t get enough of. A photographer walks around NYC, snapping pictures of people and asking them questions then presenting them on the site. Sounds simple, but that’s why it’s so interesting.
Oh my goodness, you guys, this Screen Junkies Honest Trailer for Batman & Robin is super-great-fantastic. Thanks to The Mary Sue for bringing it to my attention!
As a kid, I read The Giver more than any other book. The adaptation is shaping up to be quite a film. Jeff Bridges is in it and according to Deadline, Meryl Streep’s on board too. I will certainly see this flick.
Not quite sure what to think about the CBGB movie. If it’s got even a fraction of Please Kill Me in it, it should be alright. The Ramones look like gods in the first trailer over on THR, so that’s a step in the right direction.
Variety‘s telling me that there’s going to be a Disney Imagineering documentary. I went on the Behind the Magic tour at Disney World which was fascinating, so this should be even better.
Not too long ago, I talked about how much I enjoyed the concept of Centurions and wondered why it never made a comeback. Now there’s a killer custom of Ace McCloud by Hemblecreations as posted on ToyNewsI that looks all kinds of rad. That’s internet synergy, yawl.
Comedy Central’s Inside Amy Schumer is hilarious, you should check it out. I will definitely check out her Judd Apatow-produced film, Deadline reports.
Transworld Business, an action sports website I recently discovered, tells me that Oakley’s doing a 6-part web series featuring skateboarder Bob Burnquist showing off his own personal skatepark. The part where he skates around a helicopter made me super nervous.
Right after the X-Games, Nyjah Huston wrote this fantastic column for THR about the greatness of his sport and its potential for inclusion in the Olympics. I’ll throw my vote in for that idea right now.
Danny Way told ESPN might return to the X-Games, bringing a whole new gigantic ramp thing to the proceedings. Yes, make this happen.
I’ve always been interested in how Alice Cooper balances his normal life with his stage one, something he talked to Esquire about recently.
Web Urbanist posted these amazing pictures of a Texas Walmart that was converted into the largest single floor library in the country.
I picked up The Tom Tom Clubs’ latest record Downtown Rockers this year and have really grown to dig it, so I’m glad to hear they told Rolling Stone they’re likely to get back together and record later this year.
Brilliant physicist Neil deGrasse Tyson talked about science and how it needs to be more prevalent during SDCC. (via Spinoff).
If you’re like me and wondered why the producers on Real World and The Challenge don’t seem to be interfering as much when things get violent, Variety did an interesting write-up on why.
Finally, go check out the larger version of Sam Bosma‘s Lisbon drawing. It’s wallpaper-worthy, no doubt.
My pal Brett White has a new column at CBR called In Your Face Jam, check out the first post about Deadpool.Did you see Rickey Purdin’s drawing of Doc Holliday, Marty McFly and The Gunslinger? You really should follow him on Sketch Attack.
There’s gonna be a Bond documentary called Everything Or Nothing: The Untold Story of 007, count me in on that one. (via SHH)Speaking of Bond, I want to get this book that features 50 years’ worth of 007 movie posters. Looks so rad. (via Illustrated 007)
If you’re not following Maude Apatow on Twitter you’re really missing out. I really dug her piece on Hello Giggles about the love/hate relationship with the social network site.
Bryan Grazer’s producing a documentary about Jay-Z’s upcoming festival that will also be directed by Ron Howard? That’s an amazing team-up. (via Rolling Stone, THR)I love this Lego Mad Love interpretation posted on Covered. Go look at the comparison.
I really enjoyed Ron Marz’s recent Shelf Life column on CBR about stealing as well as the one it inspired from Darren Kappauff. I’ve never understood how people don’t get that it’s stealing to have something you didn’t pay for or weren’t given. There are serious moral implications here even if it doesn’t seem like it.
I love this quote from Hugh Hefner about how current polities are threatening the sexual freedom he helped champion so many years ago, via my buddy Jim Gibbons. Go read it, now. Have you guys seen Doctor Who Yahtzee? Pretty rad. (via Doctor Who Merch)
RZA’s teaming up with the Black Keys on The Man With The Iron Fists soundtrack? Let’s make that a bigger thing, please. (via THR)
I’m really happy for Tom and Lorenzo. They’ve got a book coming out. Don’t know if it’s the kind of thing I’d buy, but I love browsing their site. DST‘s Star Trek Select figures look so rad they make me wish I was more of a Star Trek fan.
Speaking of action figures, this fake commercial for a line of G.I. Joe-like action figures based on The Thing is pretty amazing. (via Topless Robot)
As you can surely tell, I’ve been saving links up for a few weeks on this one. Still, I think there’s some goodness in here amongst me hyping my own stuff around the nets.
Meanwhile, my pal Josh Wigler got to interview TV’s Ron Swanson for MTV. I am jealous.
My other pal Brett White wrote about event fatigue in regards to Avengers Vs. X-Men for CBR. Like most big comic book events, I will ask my friends who read regular comics how it is and if they like it, I’ll maybe give it a look in a year when it’s in trade.
Dave Rapoza’s Masters of the Universe art on The Autumn Society‘s blog is so good it’s scary.
In case you were wondering, yes, Courtney Love is still batshit crazy and apparently Hole is filled with assholes. Shocker. (via Rolling Stone)
In other Rolling Stone-derived news, Black Sabbath will be recording a record with Rick Rubin. I will buy that.
If anyone wants to contribute to me seeing Roger Waters perform The Wall live this year, please contact my wife. (via Rolling Stone)
Wired‘s Relic Hunters talked to Richard Molesworth the Doctor Who detective! It’s fascinating how he’s helped get so many lost series’ back from the great beyond.
I really enjoyed Write Place, Write Time‘s look at Joe Hill’s office. I hope to have one like it in the future, though I’m thinking I’ll have a overboard before that these days. I wish I could live in Dan Hipp‘s brain sometimes. His Psycho/Adventure Time mash-up is wonderful.
It’s strange that bands that were relatively new when I was a kid are making their way into the Rock and Roll Hall of Fame. Congrats to the Chili Peppers, Beastie Boys and the Faces. (via Rolling Stone)
I Watch A Lot Of Movies will most likely be a recurring feature here on the blog because it’s a plain fact. Because I work from home and I like to have something on to either watch or listen to while I do so, I go through a lot of movies, shows, podcasts and records. Sometimes I give them their own write-ups, but sometimes I don’t have as much to say. So, IWALOM will be a kind of catch-all for the things I want to say a few words on. As it happens, I’ve been on a bit of a documentary going back to when I watched and wrote about Too Tough To Die and Conan O’Brien Can’t Stopa few weeks ago.
One of the more curious documentaries I’ve seen on Netflix Instant has to be Dalekmania (1995) which I assumed would be about the history of the Doctor Who baddies. Instead, as the subtitle explains, it’s actually the story of Daleks and the Doctor on the big screen. Back in 1965 Peter Cushing starred as a tweaked version of the character in a big screen flock that remade one of the few serials I’ve actually seen: The Daleks.
Much like the 1996 Fox-produced Doctor Who movie, the movie and it’s sequel, the awesomely named Invasion Earth: 2015, neither film is in cannon, but that doesn’t mean they don’t look interesting. Seeing a documentary based on a pair of films I’ve never seen was cool because it’s not like I had heard any of these stories before. The downside? The movies aren’t on any kind of Netflix so I can’t check them out, which is a little frustrating. It seems like everyone involved (and living) was interviewed and you also get to see a cool collection of Dalek and Who memorabilia from a husband and wife collector team. Worth checking out for Who fans even if they don’t HAVE to know about these flicks.
I was kind of disappointed by American Grindhouse (2010), especially after being so impressed by essentially the Australian version of this doc called Not Quite Hollywood. While Not Quite really seemed to just jump in and celebrate their schlocky movies, Grindhouse seems to take an almost clinical approach which saps some of the fun out of the proceedings. A big contributor to that feeling is how specifically they define “grindhouse.’ Instead of being about low budget movies sent to drive ins or cheap theaters, we’re told that an actual grindhouse was a theater that would never shut down or stop showing movies. Uh, okay. It’s the equivalent of someone telling you in great detail that what you’re blowing your nose in isn’t actually a Kleenex, but a facial tissues.
The opposite side of the specificity coin is that you actually get treated to lots of different kinds of movies than you might expect, going all the way back to the early days of film. The movie points out that, almost as soon as people figured out how to use movie cameras, they started pointing them at naked ladies. I actually learned this in either high school or college and was blown away at the time because you kind of assume that everything was super prudey back in the day, but in reality people are people and are always curious about things like that.
The film also boasts a quality group of talking heads including John Landis, Joe Dante, William Lustig and plenty of others. Everyone brings something interesting to the table, it’s just a broader table than I was expecting when I turned it on.
I probably wouldn’t have given a movie called Trumbo (2007) if not for the awesome image on this poster. A dude writing in the bathtub? I love it! The story found in the documentary is even more interesting. Dalton Trumbo was one of the infamous Hollywood Ten, a group of writers who were blacklisted for communist leanings thanks to McCarthy and the ridiculous red scare. He wrote movies like The Devil’s Playground, Roman Holiday, Spartacus, Johnny Got His Gun and plenty of others, some of which were credited to other writers who fronted for him and some of the other Hollywood Ten.
The doc has an interesting style that takes many of Trumbo’s writings and has famous actors do dramatic readings. I didn’t realize what was happening at first when people like Michael Douglas, Brian Dennehy, Paul Giamatti and others started doing these monologues in dark rooms, I was confused, but I soon caught on and enjoyed the method. Apparently, this film is based on the stage play of one of Trumbo’s sons, which makes that all make a lot more sense.
I like that Trumbo never lost faith or face, really, kept writing and later on didn’t seem too bitter about what happened. He definitely answered some questions with a sharp wit, but he didn’t seem bitter, which is inspiring considering the mountains of bullshit heaped upon him.
Like a lot of things on Netflix, I didn’t really know what Mayor Of The Sunset Strip (2003). For some reason I thought it was about a guy who was influential in the 80s metal scene on the Sunset Strip. It’s actually about Rodney Binginheimer, a dude who started out as a groupie in the 60s, met practically every rock star, got nicknamed in a Beach Boys song, became one of the most influential DJs in music history and is still kicking.
I found this story so fascinating because Bingenheimer is ridiculously damaged. Yes, he’s met every single important rock and roll musician since the medium was practically invented and yes he has (or at least had) a great deal of power in his business, but he is also a sad, lonely man with mom issues. The portrait painted is that of a man who prefers not to be in the spotlight, but absolutely expects to be just on the fringes now. It’s also the story of a man whose time as come and gone, though that’s not the main focus. Towards the end of the movie, the man with ridiculous hair tells the camera that he’s only got one night a week as a DJ on KROQ which clearly bums him out. The only time he expresses any real, obvious emotions happens in a scene where his radio protege finishes a show and Bingenheimer is pissed because he thinks the younger man has basically stolen his entire schtick.
For me, Mayor has two lessons to be learned. First, it shows me that anyone can become important. There was nothing truly special about Rodney Bingenheimer, nothing that would make him an obvious maven of a culture movement. But, he physically got himself where he needed to be and worked his way up to becoming ridiculously influential. That’s the American dream, right? Well, the second lesson shows what can happen if you don’t balance your life out. Even with all his power and influence, something about his personality didn’t allow him to capitalize on it too much and he has essentially faded out of prominence. The lesson is to both keep working even after reaching prominence, but also that all the importance in the world doesn’t fix your problems. You’ve got to work on that stuff on your own and it didn’t seem to me like Bingenheimer has done that.
If you don’t buy my friend Justin Aclin‘s upcoming Dark Horse comic S.H.O.O.T. First, you suck.
