Even though this week’s Trade Pile isn’t quite as robust as others, I still wanted to get a few thoughts down on three books that I read this week that I thought were pretty darn spiffy. One set an established character out on his own in a way that really worked for me while the other two featured brand new characters, one set in an equally new world an one rooted in a far more familiar one!
I was on a pretty bad streak when it came to trades from the library. Unfortunately, a lot of them just weren’t my cup of comic tea and then I got the first two Velvet trades by Ed Brubaker and Steve Epting, the team that launched the iconic and fantastic Captain America.
This Image series follows the title character, a spy-turned secretary-turned fugitive named Velvet who gets framed for the murder of a secret agent she had a history with. As the two volumes progress, we find out more and more about Velvet, the people chasing her and what happened in the past to lead to all this chaos. Continue reading Rad Lady Trade Post: Velvet, Gotham Academy & Hellcat
Thanos Rising (Marvel)
Written by Jason Aaron, drawn by Simone Bianchi
Collects Thanos Rising #1-5
I’ve been requesting a ridiculous number of trade paperbacks from the library recently. I’ll sign into the system with an idea about one book to put on hold and the next thing I know, I’ve got a dozen or so books in the hold section and am getting a few messages a week from the library telling me my stacks are in. In an effort to put my thoughts down and get these books back into the system, I’m going to do some brief reviews here and move along.
First up we have Thanos Rising, an origin story for one of Marvel’s most powerful villains (and the driving force behind the fantastic Guardians Of The Galaxy) written by Jason Aaron and drawn by Simone Bianchi. I think this is probably the first interior work by Bianchi that I’ve actually read and I think he did a stellar job bringing the intensity and detail seen on his covers to the interiors.
Of course, it also helps that Aaron wove a compelling story about the bad guy who’s in love with death. This story starts with Thanos’ birth and travels with him as he grows into the genocidal maniac we’ve all come to know and love in Marvel’s cosmic adventures. Heck, there were even times when I felt bad for a character who almost killed Captain America. This feels like a great book to pass to someone who’s seen a Marvel movie and might be interested in getting into comics because it’s very much unattached to the more complicated universe.
Silver Surfer Vol. 1: New Dawn (Marvel)
Written by Dan Slott, drawn by Mike Allred
Collects Silver Surfer #1-5
When I’m sitting on the computer trying to think of books to look up, I try to remember which runs everyone seems to love. Dan Slott and Mike Allred’s Silver Surfer popped into my head and not long after, I had it in-hand. I’ve only just started reading Slott’s excellent Amazing Spider-Man work, but Allred’s an easy sell for me because I love Madman and his work on iZombie (I reviewed volumes one, two and three and have four waiting for a read).
Silver Sufer is an Allred-illustrated book that felt more like an Allred-penned comic, which was an interesting experience. The Surfer is on a vast vacation world, hanging around with a young quirky girl who could easily be played by Zooey Deschanel and having trippy nightmares about being trapped on Earth again. There’s also an awesome appearance by SS’s Defenders teammates Dr. Strange and Hulk. The story itself wasn’t my cup of tea, but how cool is it seeing Allred draw those characters? The answer is that it’s very cool. Overall, this story didn’t really latch onto me, but I liked the art enough that I’ll probably give the second volume a look just to see where it goes.
Avengers vs. X-Men (Marvel)
Written by Jeph Loeb, Brian Michael Bendis, Jason Aaron, Ed Brubaker, Jonathan Hickman & Matt Fraction; drawn by Ed McGuinness, Frank Cho, John Romita Jr., Olivier Coipel & Adam Kubert
Collects Avengers Vs. X-Men #0-12, Point One #1
Back in my days at Wizard I was fully up to date when it came to the big time Marvel and DC events. But, it’s been about five years since I got the axe and a whole lot of craziness has gone on since then. DC implemented a complete reboot and Marvel rolls out an event roughly every year (plus more character or team-based side events). As I’m trying to catch up and dive into some X-books, it seemed pertinent to check out Avengers Vs. X-Men.
And I’ve got to say, I really enjoyed this book. I worried going in that it might feel like Civil War which, no matter how hard any of the writers tried, always seemed very much in favor of Captain America’s side, but in this case both Cap and Cyclops have pertinent points. Better yet, Cyke gets possessed by the Phoenix Force, so you don’t have to worry about his side making sense. More impressively, though, were the little bits and pieces that hit home. The second issue does a great job of framing these events that might seem commonplace and making them seem cool and huge.
I was also impressed with how well these issues flowed considering six different writers and five artists were working on the issues. I’m not always the biggest fan of events because they can easily get bloated and plot-driven, abandoning character along the way, but that wasn’t the case here so it gets a big thumbs up from me. Oh, also, it resulted in more mutants, so that’s cool!
Leading into the new year, I was on a big Captain America kick. After organizing my trades in my new office I realized that I had all of the trade’s covering Ed Brubaker’s run up through Reborn and decided it was time to give the whole run a read-through. This won’t be a traditional trade post going volume by volume, but I did want to take a bit of internet real estate out to write down some of my thoughts on this epic undertaking (Brubaker’s, not mine).
This run kicked off in late 2004. At the time of launch, I wasn’t aware of what was going on aside from what I read in Wizard. At the time, I was in my last year of college and not reading too many books, aside from Runaways and New Avengers which I was picking up at a local hobby shop (when I went home for vacations, I’d mainline my regular books). I can’t say for sure, but I probably didn’t even know who Brubaker was at the time. He was working on a run of comics that easily became not just a favorite of mine, but I believe, a definitive one for one of comics’ longest running heroes.
And it all started with a bit of continuity craziness. For as long as I’d read and read about comics, the adage was, “No one stays dead in comics except Uncle Ben and Bucky.” But Brubaker noticed something interesting: Bucky never died on panel. The event was referred to and remembered many times, but readers never actually saw it happen “in real time.” With that in mind, he set out on a series of events to bring Bucky back, first as the villainous Winter Soldier and then as a potentially more interesting man-out-of-time than his partner. Around all that, Brubaker created an espionage-filled tale of intrigue that involved Red Skull, a new villain called General Lukin, the Cosmic Cube, S.H.I.E.L.D., Arnim Zola, Agent Carter, Falcon, World War II adventures, murder, Civil War and falling through time.
By pitting the seminal hero against a variety of villains old and new and also teaming Cap up with the best heroes the Marvel U has to offer, Brubaker shows how great of a person Steve Rogers really is. This is a man who never, ever gives up. He won’t just fight until he can’t fight anymore, but he will also believe in the goodness of his friends, even when they’ve seemingly done terrible, awful things. At the same time, Brubaker gives fantastic treatment to characters like Sharon Carter, Bucky Barnes and Sam Wilson that feel equally weighted, and sometimes even more important than what’s going on with Steve.
Of course, as anyone who read this book or paid attention to comics in the past 10 years or so already knows, Steve Rogers was not the star of the book after getting apparently murdered after the events of Civil War. This allowed Bucky to step into the costume and become a new kind of Captain America. This allowed Bru to continue exploring Bucky as a character while also showing how great Steve is in comparison.
Even with Steve out of the picture, though, that doesn’t mean the bad guys aren’t still planning and plotting against anyone wielding Cap’s shield. But, as we learn — and you’ll notice upon a new read through — this particular gang of miscreants has been planning something huge for YEARS. That’s one of the many reason I enjoy going back and doing these larger read-throughs, I pick up on so many of the seeds planted that I wizzed by the first time around. Of course, it helps when you already know where the story is going.
All of this comes to a head with Road To Reborn and Reborn. When I first read these books, I was working at Wizard and we’d snatch the issues up when they were available. That meant I read through them pretty quickly, usually while eating lunch, and getting them back to the stacks so someone else could read them. Actually being able to take my time with these, savor and study them a bit made for a much richer reading experience.
I’ve talked a lot about Brubaker in this post, but I also have to give huge props to regular series artists Steve Epting, Mike Perkins, Luke Ross and Butch Guice who did an amazing job of keeping a consistent tone throughout these issues. Epting’s the hero for me, but all of these artists came together to create a general idea of dark, yet bold superheroics that look just as good in the daylight as they do in the shadows. I also give a lot of credit to series colorist Frank D’Armata who kept things consistent across the board. I think his work on this book was actually the first time I really noticed how important a colorist’s work can be.
I read these 11 trades in pretty short order, but hit a roadblock because I didn’t have many of the trades after Reborn. I requested a series of books from the library — including these other Brubaker-penned volumes — but went off track in my read-through when I got some extra Christmas money and purchased the Trial Of Captain America Omnibus for about half price. I returned the Cap books I’d gotten from the library and waited for my killer hardcover to come in, but in the mean time, I went a little crazy with the library requests and haven’t cracked the brand new big book.
I’ve calmed down a bit with the requests and hope to get back to Captain America pretty soon. Not only did I have a great time going back through these issues, but we’re getting to a point in the book that I’m not nearly as well-versed in. In fact, I haven’t read a good deal of these issues, so this will be a whole different, reading experience!
Daredevil By Ed Brubaker & Michael Lark Ultimate Collection – Book 1 (Marvel)
Written by Ed Brubaker, drawn by Michael Lark, Stefano Gaudiano & David Aja
Collects Daredevil #82-93
About a month or so back I decided to give Ed Brubaker’s Captain America run a full read-through. While I’ve been enjoying that experience, there have been a few gaps which I decided to fill with more Brubaker comics from the library.
Up first is this collection of his first 12 issues of Daredevil. If you’re not familiar, Bru picked right up where Brian Michael Bendis left off which involved a story element that saw Matt Murdock being outed as the vigilante and a case being built against him. That of course meant he had to go to jail, but how would that work?
Brubaker’s first arc deals with Matt’s slow descent into madness in a place where such things are common. Believing his best friend has been killed because of him, Matt plunges headlong into prison fights and unlikely team-ups with Kingpin and Punisher. After using a prison riot to mask his escape, our hero then heads out of the country to find out who had his friend murdered. Continue reading Ed Brubaker Trade Post: Daredevil Ultimate Collection Volume 1, X-Men: Deadly Genesis & The Books Of Doom
Batman: The Man Who Laughs (DC)
Written by Ed Brubaker, drawn by Doug Mahnke & Patrick Zircher
Collects Batman: The Man Who Laughs, Detective Comics #784-786
I’ve gone a little crazy requesting trades from my local library network. It’s been a lot of fun searching for all kinds of books I may have missed over the years or haven’t read in a while. Batman: The Man Who Laughs actually combines both of these because I somehow missed Ed Brubaker’s take on the Joker in the 2005 Man Who Laughs one-shot, but did read the three issue run on Detective Comics from 2003 also included in this collection.
I remember Man Who Laughs being a pretty big deal when I started working at Wizard in 2005. The prestige format book had come out before I got there and Brubaker’s star was definitely on the rise. A few of the guys on staff were huge fans of Gotham Central, which Bru co-wrote with Greg Rucka and so there was a lot of buzz about his then-new Captain America run and his other projects including the excellent Sleeper. Because of this, Man Who Laughs was a tough book to get your hands on in the Wizard library as people were constantly asking about it. Plus, one book like this can be very difficult to find in a huge, fairly unorganized library like that.
Basically, MWL is a story about the first meeting between Batman and the Joker. It acts as a nice sister story to Batman: Year One because, up to this point, the Dark Knight has only really faced off against mobsters, criminals and street thugs, but the appearance of the Joker takes things to a whole new psychotic level. In true Joker fashion, he comes on the scene like a bomb, presents rules for a game that he has no intention of following and eventually finds out exactly what kind of adversary he has in the form of Batman. Like I said when I wrote about the Lex Luthor-centric run of Action Comics recently, this is one of those stories that helps define a hero by the villains he attracts. Plus, as I’ve said in many a Books Of Oa post, Doug Mahnke is just the best and should draw everything ever.His Joker is waaaay creepy.
After that you’ve got a three issue arc from Detective Comics that teamed a pair of Gotham’s protectors up to solve a series of murders with roots back in the post-WWII era. Green Lantern Alan Scott tried to find a serial killer back in the day who carved “Made of Wood” into his victims. When a new killer with the same MO pops up in modern times, he joins forces with Batman to figure out what’s going on. This is a pretty straightforward whodunnit with a retired Jim Gordon working the case from a different angle. This is the kind of crime solving tale Bru became known for in Gotham Central, but with the added flare of seeing a par of superheroes working the case that makes stories like this set in a shared superhero universe fun.
I got pretty nostalgic reading these issues of Detective Comics because they came out when I was in college. I would come home for a break and my mom or dad would have my pull list waiting for me. I’d spend a good deal of time organizing everything and then putting them in a desired reading order before diving in. These comics reading experiences were much further and farther between than I was used to, but they were a lot more intense because it was such an immersive, deep-dive experience. When we get into a house one of the many things I’m looking forward to is getting my comic collection all in one place so I can go back, re-read books like this and see what’s worth keeping.
Back when I was still at ToyFare, I got a pretty epic box of books including the first two volumes of Dark Horse’s Creepy Archives reprints. I’m a bit embarrassed to say that they’ve been sitting in my closet pretty much ever since. I might have pulled volume one out a few times, but never really dove in properly until this year. Not only was I excited to get into these stories as part of the Ambitious Halloween Reading List, but I was also able to make some money off of it by working on a fun list over at Topless Robot called The 10 Best Stores from the Early Days of Creepy.
I talked about some of the history over there, but basically, back in the mid 60s Warren Publishing figuratively picked up the mantle of EC Comics and rekindled quality horror anthology comics with books like Creepy, Eerie and Vampirella. Many of the old school EC guys came over and did art while most of the stories in this volume were written by editor Archie Goodwin. After reading a few EC collections, I wasn’t quite sure what to think of Creepy, but I’m glad to say I had a wonderful time reading these stories.
The big problem I had with the Tales From The Crypt and Weird Science books I’ve read is that, while the art is often amazing, the stories are hokey, boring or built in such a way that the twist ending is just so obvious it’s not even entertaining. I was worried that the Creepy tales would be along those lines and was delighted to find that that wasn’t the case.
In fact, this book had some incredibly unique stories that I’ve never seen anywhere else which is really saying something. In that regard, these stories reminded me of The Twilight Zone because there was such a variety of stories being told, which is all the more impressive when you think that one guy was writing most of them.
But, the real eye-opening aspect of this book was introducing me to some classic comic book artists that I’m not very familiar with. Classic guys like Al Williamson, Jack Davis, Angelo Torres and Joe Orlando came in ready to rock as did Frank Frazetta whose gnarly style fits perfectly with those vets (not that he was any rookie by this point, but you get my meaning). The one artist that really blew me away, though, was Gray Morrow. His work has such depth and quality to it that you almost wonder if these were more modern stories slid into these others from the mid 60s. I’m so intrigued by him that I want to check out books like Orion and Space: 1999, which both happen to be on my Amazon Wish List if anyone wants to get me a little something.
Anyway, as you can tell, I’m pretty darn far away from reviewing these supposedly Halloween-themed books in a timely fashion, but I’m enjoying this mix of books still and will continue on until I find myself distracted by something else. I’m partway through the Wally Wood book and about a third of the way through The Fall right now, so maybe I’ll actually finish this one out before the end of the year (but probably not).