This week I find myself captivated by a Japanese genre from the 60s, a sitcom set in the 70s and a podcast that spans all decades to bring listeners a variety of must-see films. That’s right, this week I’m obsessed with tokusatsu, That 70s Show and the Pure Cinema Podcast! Continue reading My Favorite Things This Week: Tokusatsu, That 70s Show & Pure Cinema
Like any hopeful reader, I have boxes of books just waiting to be read in my garage and even a fair number waiting in the digital realm. There’s not much rhyme or reason to which ones I choose or why they take me so long to read, but I figured I’d put a few thoughts down about these four books I’ve finished in the relatively recent past including books by Joe Hill, Erik Larson, Tina Fey and Roger Moore. Continue reading Four Books I Liked By Joe Hill, Erik Larson, Tina Fey & Roger Moore
Whenever possible, I like to theme my reading or at least the posts I write here on the blog, but sometimes I just wind up reading a lot of disparate trades that have nothing to do with each other. That’s the case with this mix of books I pulled from my To Read boxes and the library. Let’s get into it! Continue reading Trade Post: Wimpy Kid, Shade, Mind MGMT & Robocop Vs. Terminator!
As I mentioned in my Stranger Things-inspired post, I’ve been watching a lot of horror films lately. And you can’t have a mention of that Netflix series without thinking of Mr. Stephen King, now can you? Well, I read and listened to a crazy number of his novels earlier this year (and am still sloooooowly working my way through The Stand) but I’ve also watched a few of the films he’s worked on.
While flipping through movie options on TWC On Demand I saw Maximum Overdrive as an option and immediately turned the film on. Usually, I spend a ridiculous amount of time thinking about my choices, but this was nearly instantaneous. Continue reading Riding With The King: Film Edition!
Hey, look, it’s nearly October and I’ve already watched a bunch of great stuff! Like the rest of the world, I fell in love with Stranger Things and even wrote a list for CBR about a dozen other movies and shows you should check out if you liked it as much as me. Regular readers won’t be surprised by how much I responded to the idea of a bunch of kids trying to stop something far beyond their natural abilities. Plus, it gave me a great reason to re-watch the likes of The Gate and Cloak & Dagger. Continue reading Halloween Scene: Stranger Things & The Like
No one’s more surprised than me that I’m writing a post about not one, but two Archie books I love, but that just goes to show that I was previously being close-minded about this company AND that they’re pretty awesome right now. Continue reading Riverdale Trade Post: Archive Vol 1 & Archie Vs. Predator
Like a lot of people, I heard about Robin Williams’ passing last night. As it happened my dad, who just moved out here to New York on Sunday, was sitting here as there was a special report breaking in on a Jeopardy rerun with the sad story. Thinking about it, this seems strangely appropriate because one of my fondest memories of the comedian involved driving around with my dad.
When I was younger, as I’ve said many times, my dad introduced me to the world of 70s and 80s comedies like Caddyshack, Blues Brothers, Fletch and the like. But the comedy education carried over into the world of stand-up records, specifically Robin Williams’ A Night At The Met record. The experience was so surreal. Not only was it hilarious and opened my eyes to even more of this man’s talents, but was also a cool grown-up moment where he shared this thing from the adult world with me.
But my love of Williams and his films goes much deeper than that. I had a vague understanding of Mork & Mindy from childhood when that era of TV was a lot more accessible in reruns, but by the time I could really understand entertainment he was everywhere. I don’t remember seeing Good Morning Vietnam, but my folks had it on tape and parts of it just live in my brain. Between that and Dead Poets Society, he solidified himself as an actor who could handle mile-a-second comedy in addition to intense dramatic emotions.
As a child of the 80s and 90s he was everywhere thanks to Aladdin, Hook, Toys (so weird), Mrs. Doubtfire, Jumanji, The Birdcage, Jack and Flubber and on and on and on. Even if you didn’t see some of those movies, they were so ubiquitous that you couldn’t help but for what seemed like a solid picture of this man, but clearly there was a lot more going on, a darkness that seems unfortunately common when it comes to incredibly funny people.
That darkness came to light with the underrated dark comedy Death To Smoochy and thrillers like Insomnia, One Hour Photo and The Final Cut. Good Will Hunting and What Dreams May Come also took some of those similar turns and came out during my most intense theater-going period. Some people weren’t down for this change in tone for the comedian, but I thought he pulled off these parts incredibly well. Many of these movies really stuck with me, even though I’ve only seen most of them once.
I’m not nearly as familiar with his more recent work, but I still feel a very strong connection to this Williams and the entertainment he created during my formative years. He was always there and he was always funny, even if the content might not have been what I was looking for personally. I’m sad to hear he’s gone and even sadder that he might have taken his own life, especially after making so many people happy for so many years.
I’ve been pretty scattershot with my book reading choices these days. I’ve given up on the pre-planned Ambitious Reading Lists this year and have just been grabbing things willy nilly from the ol’ to-read pile and my growing collection of Kindle ebooks. In the case of Nick & Norah’s Infinite Playlist, which I’ve had in a bin for three or four years, it jumped to the front of the pack for one simple reason: it’s short.
Back in 2009, my wife and I checked out the film based on this book co-written by Rachel Cohn and David Levithan. I dug it and when I saw a copy of the novel on sale for a few bucks, snatched it up. But, I knew nothing about it going in, so the fact that the book is actually split between two POVs was a surprise. Basically, Nick gets a chapter, then Norah gets one written by Levithan then Cohn respectively.
The story itself finds Nick, a bass player in a band playing in New York City, asking a stranger to be his pretend girlfriend for five minutes so his ex won’t think he’s a lonely loser. As it happens, the girl is none other than Norah, a young woman who’s also recently broken up and trying to figure her life out. The two weave in and out of each others’ lives for the rest of a long NYC night filled with bands, secondary characters, exes, cab rides, burlesque nuns, Yugos and failed sexual advances as told by the two primary members of this burgeoning couple.
I really enjoyed the back and forth nature of this book and how it relates to relationships. From a writing perspective, it was nice to see each writer give the character such a unique and personal-feeling voice even if Norah gets a little Juno-y at times. But the approach also works well from a storytelling perspective. Obviously, in the real world, you only have your own experiences to go on, so it’s fun in fiction to explore this kind of story where you’re living the same events through two different, very articulate brains. While the movie got more into the adventure of the night by way of finding their favorite band Where’s Fluffy? and a few other devices, this one just gets into their heads and rides out the evening.
Aside from the dual narration and dual authorship, I was surprised by how graphic the book is. I wouldn’t say it’s lude or anything like that, but it’s filled with F bombs and a wide spectrum of sex talk. I wasn’t offended by any of this, mind you, it just wasn’t what I was expecting from a young adult book. Then again, I’ve had very little experience in that realm since I stopped reading Christopher Pike books.
I was also surprised with how the movie informed my reading of this book and at times worked against me. The filmmakers nailed it when they hired Kat Dennings. My mental concept of the actress perfectly reflected this character in my mind. In fact, her 2 Broke Girls character seems even more in line with Norah than my memory of the film. But, Michael Cera as Nick just wasn’t working for my brain. He’s described as tall, dark haired, disheveled and kind of muscular. It wasn’t until I finished the book that an actor really came into play in my head to fill the Nick role: a young, lean Jason Segel with the intensity he brought to the role of Nick on Freaks and Geeks. Oddly, when Norah’s ex Taj came into the picture, I was kept thinking of Superbad-era Martin Starr because I thought he played the part in the film, but it was really Jay Baruchel.
Anyway, I not only enjoyed the tale told within the pages of Nick & Norah’s Infinite Playlist, but also appreciate the reading momentum it gave me. It seems like I start and lose interest in books pretty quickly, even if it’s something I really want to read by a favorite author, but finishing a book always makes me want to read another. I’m hoping I can ride this wave back into Neil Gaiman’s Anansi Boys and finish that sometime this month. We’ll see though, I’m always getting distracted by something whether it be a trade or Candy Crush.
As I’m nearing the end of this Ambitious Reading List, I find myself looking forward to the next one and have even started assembling that stack. The problem with that is that I want to burn through the four books I have left with a quickness. While I did return to Devil In The White City and am working my way through it, I started getting a little antsy and wanted some immediate gratification, so I grabbed Steve Martin’s 207 page Born Standing Up and read it in a few days. And you know what? I got exactly that.
The first time I read Crime and Punishment, I was in high school and someone in the class said they wanted to know what happened to Raskolnikov after he was SPOILER imprisoned and the teacher responded that the book would need a new title then. He went on to make the point that stories need to have a focus. Raskolnikov’s story could go on until he died, but Dostoevsky was telling the story of Crime and Punishment, not Crime and Punishment and Whatever Happens After That Until He Dies. Steve Martin took a very similar approach to Born Standing Up. This is not a complete history of the man from birth to the stage, through movies and on to his current turn as a concert banjo player, it’s just about his life and performing career up to the point when he left stand up in the late 70s/early 80s.
I appreciate that kind of focus and while I would definitely be interested in reading another biography about more of his film work and recent endeavors, this book does a great job of telling what feels like a complete tale with beginning, middle and end, something Martin says he liked to bring to every one of his performances. The only real problem I had with Laurie Lindeen’s Petal Pushers was that it didn’t feel like a complete story because she glossed over the break up of the band. I did not have similar problems with this book.
One problem I thought I would have is that I wasn’t sure how serious Martin would be. His comedy lies in the realm of the absurd, so I wasn’t quite sure. Many years ago I borrowed Leslie Nielson’s supposed autobiography The Naked Truth from the library in hopes of learning more about a comedy icon I held in great esteem only to discover a few pages in that it was all a joke, one that I wasn’t in on or expecting. Though I had heard good things about this book, I did have the nagging feeling it might not be as honest as I wanted it to be. Again, that wasn’t a problem.
Martin offers a poignant, honest, real memoir here that not only proves that anyone who works hard can have a chance at making it, but also presents show business in a very truthful light (it ain’t all great). It sounds cliche, but this book really does have it all, ti can make you laugh and cry and really think about life. It’s refreshing to see someone who achieved such huge success — at the time he was the most comedian of all time between ticket and album sales — look back on his life and give a balanced account of what he did and went through. If you’re a fan of Martin’s stand-up and films or the real life portrayal of the life of comedians expressed on Marc Maron’s WTF podcast, do yourself a favor and read this book.
With Born Standing Up out of the way that leave me to finish Devil In The White City and then read The Particular Sadness of Lemon Cake and Please Kill Me which I plan on reading in that order. Devil is one of those weird books that I enjoy reading while I’m reading it, but once I put it down it’s almost like a mind wipe and I don’t want to jump right back in, a feeling that grows the longer between reading sessions. I’m dedicated to getting back into it the rest of this week and deciding once and for all if I’ll keep on with it.
Super awesome excellent congratulations to my buddy Sean Collins and his wife Amy for welcoming in their daughter Helena to the world!
I worked on a piece for Marvel.com about Black Panther’s costumes, go check it out.
Someone needs to show the Spider-Man Turn Off The Dark people The Producers. There’s a way out, guys!
John Cryer went on Conan in response to Charlie Sheen’s “troll” comments. Good stuff.
I wish Doug Mahnke was doing interiors on Flashpoint: Frankenstein and the Creatures of the Unknown as well as pretty much every other comic. Flashpoint is getting curiouser and curiouser. (via The Source)
After watching nearly every Bond movie (I’m SO close) and disliking the 1966 Casino Royale it’s interesting to hear that an earlier version of the script would have been a lot more faithful to the book. (via /Film)
Alec Baldwin gives Charlie Sheen some advice over on HuffPo. Thanks to the missus for the link!
NME laid out the set list for the upcoming Foo Fighters cover record (actual vinyl) called Medium Rare. Looks like an interesting mix, if I can track a copy down and dig my turntable out, I’ll bite.
Finally, I’m not sure what to think about Sublime putting out a new record. I’m kind of not sure what the point is, especially if you’ve already got Long Beach Dub All-Stars. Anyone hear or see them live? (via Rolling Stone)