A while back when DC announced their new line of comics based on classic Warner Bros.-owned comics, I was intrigued. You’ve got Scooby Apocalypse, Wacky Race Land, The Flinstones and, the one I was most excited about, Future Quest! Frankly, I was completely sold by the art above which features characters from Jonny Quest, The Herculoids, Space Ghost, Frankenstein Jr., The Impossibles, Birdman, Mightor and more. Even thought they all debuted and were cancelled decades before I was born, these shows meant a lot to me because of reruns hitting when I was a kid. I’m such a devoted fan that I didn’t allow myself to watch Space Ghost Coast To Coast or Harvey Birdman for a while because I didn’t know if they were being disrespectful or not! So, how did the first half of Future Quest hit me? Hit the jump and find out! Continue reading Cartoon Crossover Trade Post: Future Quest Volume 1 & Lobo/Road Runner
Guy Gardner: Warrior Volume 1 (DC)
Written by Beau Smith & Chuck Dixon, drawn by Mitch Byrd & others
Binding Order: Guy Gardner: Warrior #17-24, 0, 25-28, Green Lantern #60, GGW #29, Action Comics #709, GGW #30-31, Guy Gardner: Warrior Annual #1, Detention Comics #1 & Showcase ’96 #1
This one’s a little bit of a cheat because it’s not an actual trade that you can go out and buy, but a pair of hardcovers I had made through Houchen Bindery. I had gotten some extra cash for Christmas and my birthday that I put aside for a binding project and got to work amassing whichever books I was missing, having my parents bring out stacks from home and getting everything together. I soon focused in on two areas: the Kyle Rayner Green Lantern comics and Guy Gardner: Warrior, both books that had a huge impact on me in my formative comic-reading years that I continue to enjoy this day. I spent a good deal of time designing three different covers for the GL books, but decided to go with the more traditional, solid-colored covers for the Warrior books partially because I was tired of staring at computer screens and Photoshopping like crazy (something that proved very difficult with most of the GGW covers) and because I got a kick out of the idea of seeing my Guy Gardner comics covered in a way that makes them look like classy library books.
For a book that I love so much, I don’t actually remember why I picked up my first issue of Guy Gardner. I think I had read an adventure or two of his in random issues of Justice League I’d acquired along the way (this was before my massive post-Crisis JL collection idea), but wasn’t overly familiar with the character. Anyway, some time in 1994 I picked up Guy Gardner: Warrior #17, 18 or 19 and was instantly hooked. This was towards the end of Chuck Dixon’s run on the character where Guy — who was sporting Sinestro’s old yellow ring at the time and no longer a member of the Green Lantern Corps — was going through all kinds of costume changes from the leather-loving dude in the cover above to a ringless armor-wearer to the eventual morph meister he would soon become. These are all concepts that probably seem silly now, but were like crack to an 11 year old.
So, I’ve been a fan of the character going back nearly 20 years at this point and, aside from some of the Geoff Johns-era Green Lantern Corps, most people don’t seem to get the character. Many have the impression of Guy that he’s just a jerk with powers, but if you’ve read Dixon and Beau Smith’s run on the book, you know that it’s a lot deeper than all that. Sure, he’s kind of a jerk, but these writers also got to the underlying bedrock of the character, examining why he was a jerk and also showing all the ways that he’s so much more than that by getting into his relationship with his mom, dad, brother and on-and-off-again girlfriend Tora (better known as the superheroine and fellow Justice Leaguer Ice).
Smith has talked about how his run on the book came about in a two part post over on Westfield Comics’ blog, how it began life as a DCU-hopping adventure featuring Buck Wargo and the Monster Hunters and soon turned into that but with a sci-fi/fantasy element incorporating morphing abilities like the ones seen in the then-popular Mighty Morphin Power Rangers series. The books that I put in this volume feature Guy dealing with those new powers, questioning his origins in regards to the newly discovered Vuldarian DNA doing its thing inside him and also setting up his new life which includes funding from Wargo (a scientist-adventurer-millionaire) and a bar called Warriors that’s equal parts hero hangout and headquarters which happens to be the most long-lasting element of this run.
I decided to include a few crossovers like Green Lantern #60 and Action Comics #709, but also the first annual which was part of the Year One line that year. It’s an interesting take with some not so great art that shows how Vuldarians used to do their intergalactic policing back in the day. I also threw in the Detention Comics one-shot which features Guy substitute teaching as well as two other stories featuring Robin (Tim Drake) and Superboy and Showcase ’96 #1 which includes the first part of a two-parter featuring Guy teaming up with Steel where we learn that they used to play football at the same time. Fun stuff. The second half of that story kicks off the next book.
Guy Gardner: Warrior Volume 2 (DC)
Written by Beau Smith, drawn by Mitch Byrd, Marc Campos & others
Binding Order: Showcase ’96 #2, GGW #32, Justice League America #101, Hawkman #22, GGW #33, JLA #103, Hawkman #23, GGW #34-36, Darkstars #37, GGW #37-44, GGW Annual #2, & Mr. Miracle #7
Towards the end of the previous book Guy realizes his Vuldarian powers are going out of control because his peoples’ natural enemies the Tormocks have returned to the cosmos. In an effort to save himself and his planet from the impending invasion, Guy goes to the Justice League (who he’s pissed at for their shoddy treatment of him when Ice died fighting the Overmaster) and asks them for help. They agree to help him which launches into a seven part crossover called The Way Of The Warrior that also included Justice League America and Hawkman.
Unfortunately, this story is a bit of a slog because it felt like three different, yet concurring stories being told at the same time featuring some of the same characters, but not necessarily mattering so much to one another. The JLA are dealing with all their internal bickering while also facing off against some space bad guys while Hawkman returns to Thanagar for the first time in a long while. It’s all stuff that makes sense within the contexts of those books, but doesn’t really have much to do with Guy’s mission which eventually gets wrapped up so he can return home, but only after a few more issues where he appears in Darkstars and one where his clone attacks his pals at Warriors. Basically, it felt like it took way more time than it should have to return Guy to the setting and supporting cast that I find so enjoyable. Still, it’s cool seeing Guy fighting alongside fellow badasses like Lobo, Probert, Hawkman and Wonder Woman, even if the latter two appear in guises that might not look familiar to modern readers.
The rest of the run focuses on those elements by doing the traditional superhero stuff and other fun stories like a superhero-filled Christmas party and the end of the book which accumulates most of the bad guys Guy’s faced during his time as Warrior and throws them at him all at once. He also deals with his mother moving in, a possible romance with Ice’s best friend Fire and Buck’s decision to turn Guy into both a cartoon and an action figure. While there were some plot lines that were left dangling as the series came to an end with #44, I still really enjoy what Smith did with his whole run and how he set Guy up to be a bit of a different kind of hero in the DCU. Of course, that didn’t really happen, but he tried.
My book ends with a Legends Of The Dead Earth annual that features tales of post-Guy Vuldarians throughout the galaxy long after the Earth has ceased to be. This one actually makes a really good bookend to the Guy Gardner: Warrior story that I hadn’t read before putting this book together because I never really understood what the point of LOTDE was. Finally, I included Mister Miracle #7 because I saw online that Guy appeared and he does, but it’s not really important to anything. Had this one costed more than a buck or two, I probably would have skipped it, but I was doing okay within my budget and had enough space, so there it is.
Back when I had the first 20-or-so issues of Peter David’s Aquaman bound I actually read through all the issues before sending them out which I actually regretted upon getting the books back from the bindery. I wanted to make sure I still liked the comic, but when I got the actual books in the mail — something that’s always super exciting — I knew I wasn’t going to dive right back in because I just read them a month or so ago. I’d actually read through this run back in college so I knew I still liked it and didn’t go through it again before mailing them off. This time I was able to carry the excitement of getting the package in the mail over to actually reading the books, which I probably did in about a week (subtracting the week we were in Disney and I didn’t have much time to read).
My continued adventures with the longbox of comics my pal Jesse sent me for my birthday from Cardsone took me back into the world of Bloodlines, the history of one of the coolest G.I. Joes around and into the first of many CrossGen comics I’ll be reading.
My first pick up was Lobo Annual #1 from 1993 written by Alan Grant and drawn by Christian Alamy. It was actually a pretty interesting one as it’s an early chapter in the saga that would become Bloodlines, an effort to bring some new, edgy blood into the DC Universe by way of some aliens based on the seven deadly sins who eat people with the metagene. Back when Bloodlines was actually coming out, I didn’t have enough cash to purchase annuals at their whopping $3.50 cover price. Add the fact that they had no real real importance on what happened in the ongoing series’ and I skipped out.
The interesting thing about this issue, in addition to teaming Lobo up with a female character named Layla who took no guff from him, this issue explains how the invading parasite aliens wound up getting their human looks: by mimicking the looks of some L.E.G.I.O.N. agents they took out.
Lobo’s the kind of character you either dig or you don’t, I do so this was a fun issue. I’m also a bit of a fan of L.E.G.I.O.N. and R.E.B.E.L.S., though it’s more of a curiosity since I didn’t read the books when they came out. On it’s own, the issue actually works pretty well and it also holds some sort of importance on the oncoming Bloodlines story, but it was worth the read, though maybe a little long as these things tend to be.
Up next came Snake Eyes: Declassified #2 from 2005 which I did not have nearly as much fun with. The Devil’s Due book was written by Brandon Jerwa with art by Emiliano Santalucia and Robert Atkins. I had a pair of problems with this comics not including the fact that I’m not a die hard G.I. Joe or Snake Eyes fan. First off, the story is very obvious. The man who would become Snake Eyes winds up hooking up with a guy who is clearly using him. As a reader you get this nearly immediately, so the following pages wind up being kind of pointless. My other problem is one that I’ve had with several comics and that is that the art just doesn’t feel up to snuff. It’s not bad by any means, but it’s not as good as you would expect from a professional comic book you theoretically would have paid three bucks for. The backgrounds are boring, the figures vary between strong and weak and the coloring feels very faint which makes the characters feel less bold and imposing.
At it’s heart, though, this is basically just a comic about two dudes running around committing crimes. That’s all well and good, but when you know one of them is going to become the greatest ninja warrior around, you kind of don’t care and just want to get to the good stuff. One of the problems with prequels is that we all know the foregone conclusion, so we know when risks are involved. This felt like it could have been told in a simple flashback instead of taking up an entire issue.
Lastly I came out of the box with CrossGen’s Crux #6 by Mark Waid and Paul Pelletier. This was a bit of a difficult issue to pick up on out of nowhere because it directly deals with an important event that happened at the end of #5. It’s well recapped–as are the characters and their abilities thanks to a recap page on the inside cover–but you do miss a bit of the emotional impact of something when you’re reading about it in text or in recap.
Of course, this is an ongoing comic book and that’s the trick to them. I was filled in enough to understand the story and follow along. This book is about a bunch of super type beings waking up on an Earth that’s empty and they’re trying to figure out why. There’s a few revelations that pop up, but again, since I’m not as invested in the characters or the story, they don’t hit as well for me.
Probably the most confusing element of this book and most of the other CrossGen comics I read, though, comes from the fact that a very disparate number of books on all kinds of different worlds are supposed to be connected by the sigil symbol some of them sport that looks unsurprisingly like the CrossGen logo. I still feel like CrossGen could have been a success had they not flooded the market too quickly and labored so intensely to connect all these comics that didn’t need to be connected.
By the way, Paul Pelletier is an awesome artist.
Not a lot goes on in my mind when I’m going through cheap comics at shows. If something looks even remotely interesting and has a low low price, it’s pretty much a sure thing I’ll buy it. This issue of Starman struck my fancy for three reasons: it’s a Mike Mignola cover, Lobo’s in it and I’ve wanted to check this series out ever since I read James Robinson’s Starman series. This issue–which was written by Len Strazewski and drawn by Vince Giarrano in 1992–is actually the second part of the four part story “Star Shadows.” As if needs saying, I haven’t read the previous or following issues, but I didn’t have any trouble following the story.
We start off with Lobo drunk in a space bar (what better way to start the story?). A text box tells us that this action takes place earlier in time from whatever happened at the end of the previous issue. Lobo’s drunk and board, so when a space turtle offers him a bunch of money to killed Eclipso on Earth, he very quickly accepts the job and bails.
But, this is no ordinary space turtle, it’s actually a Lord of Chaos masquerading as a space turtle. See, the Lords of Chaos are angry at Eclipso because he failed to destroy Earth, which should have been a small task. We get a little recap about a Phantom Stranger mini that these events take place in, a mini I didn’t even know existed. Soon enough, things are picking up where the previous issue apparently left off with Starman trying to get to Bruce Gordon in what looks like a fighter jet in space. Lobo’s peeved because Starman wrecked his space motorcycle, so they start fighting.
As it turns out–and it came as no surprise even though I’m not very familiar with this version of Starman or his powers–Starman isn’t much of a match for Lobo, even when he’s really pouring on his light power. While they tussle, Bruce Gordon digs out the ol’ purple gloves, black gem and becomes Eclipso once more. According to Eclipso’s thought boxes, this Starman was created as a way to feed Eclipso. I’ve never heard that before, but it makes a strange kind of comic book sense. Just as Lobo’s about to beat the living tar out of Starmna, Eclipso blasts them with some dark light and the issue ends.
Overall this was a pretty interesting issue and, for the most part, I wasn’t too lost even though I’m not super familiar with Eclipso or Lobo and I’m hardly at all familiar with this version of Starman. When I got to the page revealing that Lobo was going after Eclipso, I actually thought this was going to tie into Superman Annual I read a few weeks ago, but it’s a few years too early for that. I wonder if Lobo’s past with Eclipso (presumably shown in this story) was referenced at all during The Darkness Within. I’m still very curious about this Starman series as a whole and hope to pick up some more issues on the cheap in the coming shows.