Over the weekend I found myself in an increasingly rare place: looking for something to watch on a Saturday night. Of course, I flipped through Netflix, Amazon Video and Hulu trying to figure out what to watch, but it was a trip to my trusty DVD rack that finally helped me figure out what to put in my brain: Vincent Price flicks!Continue reading Halloween Scene: The Raven (1963) & The Tower Of London (1962)
For the past few weeks things have been kinda crazy around here. Thanks to a procedure our cat had, the kids couldn’t be in the same house as him for a while so we switched places with my folks (everyone’s aces now). That lead directly into a trip up to New Hampshire to see my wife’s parents and also attend her best friend’s wedding. In other words, I haven’t had much time to sit around and watch movies. Since I’ve got one day working from home this week with the kids gone, I figured I’d make good use of it and check out a double feature! Continue reading We Want Action: Fighting Mad & Moving Violations
If you’re keeping track, and I’m not sure why you would be at this point, I’m still muddling through Stephen King’s The Stand. And yet, I stray away from time to time to check out other books like Jason Zinoman’s Shock Value, which I stumbled across while looking for various horror films in my library’s database. With a subtitle like How A Few Eccentric Outsiders Gabe Us Nightmares, Conquered Hollywood, And Invented Modern Horror, how could I not bite, especially around Halloween! Continue reading Halloween Scene: Shock Value By Jason Zinoman
Not Of This Earth wasn’t exactly my first choice for horror movies to watch from 1988, but as it turns out, I’ve already reviewed or didn’t have access to some of the bigger ones. So many of the big franchises debuted sequels that year — Halloween 4, Nightmare 4, Friday 8, Poltergeist 3, Phantasm 2, Hellraiser 2, Fright Night 2, Return Of The Living Dead 2 and Sleepaway Camp 2 — but I had reviewed those, couldn’t get to them on short-ish notice or just didn’t feel like it (sorry, Pinhead).
Other notable releases include Scarecrows (so boring), Serpent And The Rainbow,Waxwork, Pumpkinhead, Night of the Demons, Monkeyshines, Maniac Cop, Killer Klowns (which deserves a more in-depth review), Dead Heat, Child’s Play, The Blob remake (which I thought I reviewed) and Black Roses. I couldn’t believe how many of the biggies from that year that I’d seen and reviewed and then I stumbled upon a good one: Jim Wynorski’s remake of Roger Corman’s Not Of This Earth starring Traci Lords and Arthur Roberts. What made it the right movie? Well, I had it on hand thanks to Shout Factory’s Corman Classics line of DVDs from a few years back! I’ve also got the original, but that might have to wait until 1957 week.
Not Of This Earth is about a race of aliens scouting out Earth to see if they can feed off of its blood. They send a representative — Mr. Johnson (Roberts) — who immediately visits a blood bank to make a withdrawal only to find out that’s not really how they work. Using his mind powers, Johnson gets the doc to assign Nurse Nadine Story (Lords) to be his in-house aid along with his valet Jeremy. When the whole blood bank thing doesn’t work out for Johnson, he starts sucking the life out of people who theoretically won’t be missed like hookers and strippers. Another of his race also comes over, goes nuts and becomes a slasher for no apparent reason (other than they already had that footage from Hollywood Boulevard). Speaking of which, this movie has the most bonkers credits scene of all time because it basically consists of insane monster shots from previous Corman movies that have NOTHING to do with this one.
Anyway, since this is a Corman picture, there’s a fun story behind it. Apparently, Wynorksi bet the producer that he could make this movie in 12 days. Part of it was a challenge because Corman directed the original, but Wynorski walked away the winner completing it in 11.5 days! I was actually surprised because I thought this was a pretty well put together movie that didn’t feel rushed. In fact, it’s got a lot going for it. Lords’ casting was obviously a stunt as this was her first non-porn part, but she did a great job as did everyone else. The only times it gets overly campy is when the hookers and strippers are on the scene. Oh, there’s also the crazy lady on the bench and the long-haired, bearded alien who looks like a hung over DJ, but they’re not overly distracting.
Wynorksi, who also made films like Chopping Mall, Return Of Swamp Thing, Munchie and Ghoulies IV, is known for mixing T&A with genre flavors resulting in some pretty fun 80s and 90s films before segueing almost completely into the soft core zone. I love Chopping Mall and owe it a full review, but I think this is the best of his movies that I’ve seen. In a way it feels similar to Phantasm in that the mysterious older man is trying to send humans back to another planet that get all shrunk down, but the horror-humor tone is much different. I also appreciate how Not Of This Earth takes old school sci-fi and horror tropes, views them through a modern lens, mixes in some 80s slasher conventions and comes up with something new and different that’s pretty enjoyable even if it was shot very quickly and reuses footage from other Corman movies.
After the generally dark nature of Green Arrow: Hunters Moon and tomorrow’s Friday Fisticuffs offering it was nice to experience the lighter side of 1988!
Last week the weather turned gray and all I wanted to do was sit down and watch a marathon of Val Lewton, Universal Monster and Vincent Price movies. Of course, I have two small kids, so I only got to watch one of them, but it was still a great experience. A few months ago I got my hands on the excellent Scream Factory Vincent Price Collection II set and have slowly been making my way through it. As it happens, I’ve only seen a few of these movies before — House On Haunted Hill, Dr. Phibes Rides Again and Last Man On Earth — so the others have been a nice surprise, like Tomb Of Ligeia.
I knew nothing about this film going in aside from the main star, but it also happens to be directed by Roger Corman and adapts an Edgar Allen Poe story. This was Corman’s last Poe film and, instead of shooting all of it in the studio, he actually went out and used the gorgeous crumbling British abbey you can see in the film. This not only opens the world up, but also brightens it and adds a sense that everything’s about to crumble around the main characters.
The story follows Price’s Verden Fell, a widower who hangs out in a mansion next to the crumbling abbey. His dead wife Ligeia said that she would never really die, but that doesn’t stop ol’ Verden from flirting with the delightful Rowena (Elizabeth Shepherd). The two have a whirlwind relationship, that ends in marriage and a honeymoon. While away, the super-serious Verden lightens up (and even takes off the strange sunglasses he’s always wearing), but upon returning he goes back to his old, strange ways. The longer they’re in the mansion, the more Rowena realizes that it might be haunted, the pet cat is a jerk and her husband is clearly up to some craziness that most likely involves his seemingly deceased former love. All of this comes to a head at the end of the film in a delightfully crazy manner.
At 82 minutes, Ligeia moves at a quick clip and covers quite a bit of ground in a short time while also taking time to show off some beautiful scenery before returning to the darkness within the castle (and Verden). I highly recommend giving this movie your full attention if you’re going to watch because it’s very easy to miss a few key details here and there. You might think the horse riding scene or long shots of the honeymoon are going to take a while, but as soon as they lull you into wondering what’s happening on Twitter, you’ve already missed a major explanation. I rewound a few times thanks to brief distractions from my phone and am glad I did because otherwise I would have been pretty lost.
As far as the Blu-ray transfer goes, this one looks spectacular, enhanced by the real locations used to shoot about half of the film. You really get to see that abbey in all it’s creepy glory. The pops of red from the flowers and blue and purple from the candles can all be properly seen and wondered about thematically. I haven’t listened to the commentaries (one by Corman, the other by Shepherd) but I do enjoy the intros and outros that Price recorded for this and some of the other films back in the 80s. They were part of a PBS Price marathon series and the kind of awesome find that Shout/Scream Factory has become famous for in the film fan community. Kudos to them for that and for this amazing set. I hope to get my hands on the first one at some point, but am also looking forward to watching The Raven and the rest of these movies in this rad-looking format.
I was looking at the calendar last week and realized that there wouldn’t be another Friday the 13th until November. I celebrated last month’s by watching Funhouse and The Shortcut, but wanted to go all out for this one. So, here are a review I’ve been thinking about for a few weeks along with a few new ones! Continue reading A Feast Of Friday The 13th Frights!