All in all, I had pretty great luck with newer horror films during 2017, as I wrote about in a post last week. When it comes to older films, especially horror ones, I tend to have lower — or at least different — expectations. If a movie’s off-the-wall bonkers, but made with effort, I’ll probably love it. That accounts for about half of the movies on this list. However, I also discovered a few that I now very much consider new-to-me classics that I hope to watch again and again. To find out which ones, you’ve got to hit that jump!
I’ve been kicking around a recurring blog element here where I pick out a random movie or two on Amazon Prime and give it a review. The name Prime Time popped right into my head and seemed to spot-on to ignore. As it happened, I wrote a Prime Time post a little over a year ago that I never published for some reason. So, here’s the first installment as I wrote it in February of 2016.
My folks recently gifted us with an Amazon Prime membership. In addition to rocking out to a rad All 90s Amazon Music playlist on the regular and trying to figure out which Dash Buttons to buy, I’m also watching some pretty great movies on there. Well, “great” is probably too strong of a word, but I’m having a good time at least. Continue reading Prime Time: TerrorVision, Vicious Lips & Jack’s Back
Good golly, I watched a lot of horror movies this season. I actually kicked things off pretty early, sometime in September and pretty much watched only scare fare since then with the exception of many, many episodes of Daniel Tiger, the shows my wife and I watch and a few kids movies sprinkled in.
I found myself missing Topless Robot quite a bit this fall as that site offered the best place for me to knock out crazy lists about some of the longest running horror franchises around. I wound up not writing anything about new horror for pay, so I’m going to go through as many of the newer films as I can in this series of posts. Let’s start off with one of my favorite subgenres, the slasher movie! I watched four that I thought each did something fun an interesting. Continue reading Halloween Scene: New Slasher Round-Up!
Usually around the end of a year I take some time to go through my favorite albums of the year and I still might do that, but I also felt like looking back at my favorite horror experiences of 2015. Thanks to Netflix, the library and a gaggle of fun freelance assignments around Halloween I got to see a good mix of old and new films this year that I wanted to look back on one more time before moving on to the new year. Continue reading Halloween Scene: 2015 Horror Recap
Stung was actually a bonus tossed in the box without warning. At first I wasn’t super interested because it sounded like a bit of Syfy or Asylum craziness with a plot revolving around giant wasps attacking an upscale garden party. But this Benni Diez-directed, Adam Aresty-written film is actually pretty damn delightful.
Our heroes are the owner of a catering company and her slacker employee who can barely handle himself when she switches from one shirt into another on the way to the event. He’s a bit too much of a goofball for my personal tastes (haven’t we seen enough of this character?) but he gets tangled up in the craziness of the events around him and starts adapting in the process.
Anyway, they wind up working some local bigwig’s party when these insane wasps start attacking. The stings are bad enough, but they also make their targets transform into gigantic wasps. Our heroes are joined in their drive to survive by Clifton Collins Jr. (who starred in Capote) and friggin’ Lance Henriksen, both of whom play against type a bit and also last much longer than you might expect.
I give Stung a lot of credit for not only featuring some impressive special effects (yes, there’s a lot of CGI, plus a fair amount of practical grossness) but also playing with expectations with what many would assume is stunt casting. I also thought it worked quite well as a nature-run-amok movie along the lines of Frogs. My own personal scare factor was boosted because I’ve been dealing with wasps under our siding all summer and hate those damn things. Whether you have wasps diving bombing your table or not, I highly recommend checking out Stung. It just went up on Netflix Instant, so it’s even easier!
I also gave The Return Of Count Yorga a watch. I feel like I’ve always known about these movies (or at least the original one from 1970), but just never got around to watching either of them. I think I saw part of the first on Netflix a while back, but who can remember?
Anyway, in this film, Yorga (Robert Quarry) makes his come back because of the Santa Anna winds (sure, why not) and he soon gets to work turning the gorgeous Cynthia — played by Mariette Hartley — into a fellow undead minion. Along the way his vampire brides also turn an orphan boy who then leads them to Cynthia’s family. Soon enough everyone in the family is turned aside from a deaf woman. She goes to the police about the attack, but no one believes her because the vamps cleaned up the mess and the kid is on their side.
As I mentioned, Hartley is just captivating, but so is Quarry. When he’s just hanging out in slick guy mode — at a costume party no less — he’s mesmerizing. But when he’s in vamp mode? It’s a bit laughable. Instead of sneaking up on his victims, he puts both arms straight out and just charges at them (complete with white pancake makeup). Even with that, though, there are some pretty scary moments, though they mostly revolve around people telling the truth and not being believed or voices coming from nowhere potentially driving folks crazy.
So, yeah, it’s a little goofy at times, but there’s also enough cool in this movie for me to recommend it if you dig on early 70s movies with some psychological scares and great actors.
Last week the weather turned gray and all I wanted to do was sit down and watch a marathon of Val Lewton, Universal Monster and Vincent Price movies. Of course, I have two small kids, so I only got to watch one of them, but it was still a great experience. A few months ago I got my hands on the excellent Scream Factory Vincent Price Collection II set and have slowly been making my way through it. As it happens, I’ve only seen a few of these movies before — House On Haunted Hill, Dr. Phibes Rides Again and Last Man On Earth — so the others have been a nice surprise, like Tomb Of Ligeia.
I knew nothing about this film going in aside from the main star, but it also happens to be directed by Roger Corman and adapts an Edgar Allen Poe story. This was Corman’s last Poe film and, instead of shooting all of it in the studio, he actually went out and used the gorgeous crumbling British abbey you can see in the film. This not only opens the world up, but also brightens it and adds a sense that everything’s about to crumble around the main characters.
The story follows Price’s Verden Fell, a widower who hangs out in a mansion next to the crumbling abbey. His dead wife Ligeia said that she would never really die, but that doesn’t stop ol’ Verden from flirting with the delightful Rowena (Elizabeth Shepherd). The two have a whirlwind relationship, that ends in marriage and a honeymoon. While away, the super-serious Verden lightens up (and even takes off the strange sunglasses he’s always wearing), but upon returning he goes back to his old, strange ways. The longer they’re in the mansion, the more Rowena realizes that it might be haunted, the pet cat is a jerk and her husband is clearly up to some craziness that most likely involves his seemingly deceased former love. All of this comes to a head at the end of the film in a delightfully crazy manner.
At 82 minutes, Ligeia moves at a quick clip and covers quite a bit of ground in a short time while also taking time to show off some beautiful scenery before returning to the darkness within the castle (and Verden). I highly recommend giving this movie your full attention if you’re going to watch because it’s very easy to miss a few key details here and there. You might think the horse riding scene or long shots of the honeymoon are going to take a while, but as soon as they lull you into wondering what’s happening on Twitter, you’ve already missed a major explanation. I rewound a few times thanks to brief distractions from my phone and am glad I did because otherwise I would have been pretty lost.
As far as the Blu-ray transfer goes, this one looks spectacular, enhanced by the real locations used to shoot about half of the film. You really get to see that abbey in all it’s creepy glory. The pops of red from the flowers and blue and purple from the candles can all be properly seen and wondered about thematically. I haven’t listened to the commentaries (one by Corman, the other by Shepherd) but I do enjoy the intros and outros that Price recorded for this and some of the other films back in the 80s. They were part of a PBS Price marathon series and the kind of awesome find that Shout/Scream Factory has become famous for in the film fan community. Kudos to them for that and for this amazing set. I hope to get my hands on the first one at some point, but am also looking forward to watching The Raven and the rest of these movies in this rad-looking format.