Whenever possible, I like to theme my reading or at least the posts I write here on the blog, but sometimes I just wind up reading a lot of disparate trades that have nothing to do with each other. That’s the case with this mix of books I pulled from my To Read boxes and the library. Let’s get into it! Continue reading Trade Post: Wimpy Kid, Shade, Mind MGMT & Robocop Vs. Terminator!
Months ago I was looking through the two longboxes of unread trades in my closet and realized I had a lot of post-Infinite Crisis Justice League collections. I’d read many of the issues as they came out, but not since then. It seemed like enough time had passed that I could give them a re-read. I started with Brad Meltzer’s two volumes, then moved on to Dwayne McDiffie’s four books and am now up to the first two James Robinson offerings called Team History and Dark Things.
Guys, this trade is an absolute mess and it has nothing to do with the stories. When I wrote about McDuffie’s last book, I noted that there was zero context offered for what the heck is going on in the larger DCU. If these trades were only sold in comic shops to fans, that would be fine, because they would essentially be written for existing fans. But because trade paperbacks are out in the world, I feel like there should be some way to catch new readers up on what went on before it. I also fully support adding a few pieces of text between issues if something huge happened in a different book. Basically, these TPBs need to be as timeless as possible and they’re not.
Team History deals with all kinds of huge events that aren’t centrally located in Justice League Of America, so it’s super confusing. You’ve got an already depleted League that has to deal with Blackest Night and the Cry For Justice storyline, none of which are explained outside of quick dialog recaps in the books themselves. I read those other comics when they came out, but that was a while ago, so even I was confused when I got to Team History. And then, BANG, you’ve got the Cry For Justice team along with fill-ins for the Big Three. To be fair, Robinson does a great job of recapping past events in #41, but that’s already four issues deep in this trade.
All that being said, Robinson did a good job with what he was given. Can you imagine taking over the most iconic superhero team of all team and it consists of Plastic Man, Vixen, Dr. Light and Red Tornado? Sure Zatanna and Gypsy show up to help fight Despero, but that’s still about as far from a headlining team as you can get. But, they do make for an interesting group to deal with evil returned loved ones in the Blackest Night event. Like the other BN tie-ins that I talked about before, though, the problem with these stories as a whole is that, even though many of them figured out smart ways to deal with the Black Lanterns, none of it was used in the larger story so what’s the point?
Finally, towards the end of the book, Robinson finally got to do his own thing and it was…interesting. The League finds itself dealing with a group of New God wannabes and some devices found throughout the history of the DCU which offers some fun looks at the Metal Men, the Challenges of the Unknown and other heroes and groups. At the end of the day, though, it felt like a bit of a confusing ending that has to take time to explain why several heroes left the team and then move right into the next book, a crossover with Justice Society Of America.
Unlike the previous JLoA/JSoA crossover handled by Meltzer and Geoff Johns, this one was written and drawn completely by Robinson and Bagley. The team in this book is a much smaller version of the one seen on the cover of the previous volume. You’ve got Batman (Dick Grayson), Donna Troy, Congorilla and Starman with Supergirl and Jade showing up as the story progresses. Basically, this story finds the JSoA teaming up with the tiny JLoA because Jade has returned to Earth and brought the Starheart with her. Its presence winds up driving her dad Alan Scott crazy and the rest of the book has the teams joining forces to first take care of some of the magic- and weather-related backlash and then stop Adam’s rampage.
There’s nothing wrong with this story, but it also didn’t blow my mind. This story has loose ties to Brightest Day, the Blackest Night follow-up that focused on some of the returned-from-the-dead characters like Jade, but it didn’t feel like there was too much information left out. At the end of the day, I think I’ve just read enough of these kinds of stories to be a little bit bored with them. I really enjoyed how this book incorporated the effects of the Starheart on the rest of the DCU with all kinds of cameos, but at the end of the day, this is another team-up based around, basically, the same heroes doing a lot of the same things they’ve done before. That’s less a complaint about the quality of the story and more about my general feelings about Corporate Comics these days.
And yet, I was still disappointed by both of these books for a few reasons. First off, I’m not quite sure why this team exists other than to sell Justice League comics. I don’t necessarily need to be inundated with “team business” type stories, but there seemed to be very little of that. Heck, there’s hardly a team throughout both of these trades. Additionally, I was disappointed by both creators. Robinson penned one of the greatest superhero epics of all time in Starman and this doesn’t even come close to that. Maybe my expectations are too high, but I just can’t separate my love of that book from my expectations for this one. It’s not fair at all, but that’s how it is. Meanwhile, Bagley’s art didn’t wow me nearly as much as I thought it would. I was as excited as anyone when I heard he was moving over to a Justice League comic as the regular artist. But the results just seem a bit too slight and sketchy. These are supposed to be big, bold heroes and that doesn’t always come across.
At the end of the day, I’m not sure what to think about these books. They’re important pieces of the post-Infinite Crisis, pre-New 52 Justice League series of books, but are they shelf or collection worthy? I’m going to hold on to them for now and see if I can get my hands on the last few to see how they work as a whole, but I’m not so sure these are worth holding on to.
I write about a lot of trades on this site, about two a week if I’m on my game. But, I actually read a lot more than that. So, this particular list is the 12 books or runs that I enjoyed the most reading or re-reading this year. Most of them have been covered on the site, but others have not. I’ll give the latter a few more words than the former, but hope you enjoy.
I read all of Judd Winick’s run of Outsiders this year, but didn’t write about it? Why? Well, it was a pretty big reading project, something that makes it harder for me to write about as a whole. But, I still really enjoyed this reading experience. Winick brings a realness to superhero comics without letting it get too in the way (if that makes sense). I know a lot of people think he forces issues into books, but I think these are the kinds of things that should be talked about and seen. Anyway, this was a fun superhero reading experience that made me remember how fun the DCU was back when this book and Geoff Johns’ Teen Titans launched. Good times. I haven’t written about James Robinson’s Starman because I haven’t finished the last omnibus yet. I haven’t finished it because I kind of don’t want to finish it and I also need quiet time to really sit down and finish it. This series is up there with Preacher and Sandman for me in my list of all time favorites. It lives in my heart and I was elated to discover that I still like it. This is what shared universe superhero comics could and should be. I know I just read the first two volumes of Grimjack, but the experience has stayed with me. I love that world and keep thinking of great ways it could be interpreted for different genres. Right now I’m thinking about a Crackdown/Amazing Spider-Man style video game set in Cynosure where you take on jobs or just spend your day drinking in Munden’s Bar. If you dig Hellboy, B.P.R.D. or 100 Bullets, I think you’ll enjoy Grimjack. I’ve had a lot of different feelings about DC’s New 52. At first I was upset that “my” versions of the characters would only survive in my trade shelves and long boxes. Then I realized that I don’t really read new issues anymore and I still have my collection (and books I’ve never read from that era) to enjoy. I also realized that I’m almost 30 and have better things to worry about. With that behind me, I was able to dive into various trades with a mostly clear head and enjoyed them for the most part. I appreciate how DC was attempting to hit all different kinds of genres and audiences, of course, not all of those attempts were successful. The least successful tries in my opinion, though, were the books that just failed to set up a basic reason why that book existed aside from “to make money.” I still have a pile of them to read and am getting a sense of the new U, which is kind of fun. Even though I read the second arc of Ed Brubaker’s Secret Avengers first and the first second, I had a great time reading this “black ops” take on superheroes. Bru writing Captain America/Steve Rogers is always aces in my book, but throwing in a lot of other street level-esque characters was even cooler. I’ve only read these first two volumes, but was satisfied with Brubaker’s ability to create an enjoyable sci-fi/spy mash-up story that felt well contained while still making me want to read more. Return of King Doug came out of left field for me. It was gifted to me by a pal and I knew nothing about it, but Greg Erb, Jason Oremland and Wook-Jin Clark reminded me so much of the kinds of stories I love from the 80s, but while also doing all kinds of new, funny things I enjoy. Read this now. I’ve said this before, but one of the things I miss most about not working at Wizard anymore is access to all of the Hellboy and B.P.R.D. comics that came out. I’m super behind, but I did get my hands on some B.P.R.D. trades this year for a little catching up (Hell On Earth: New World and Gods And Monsters). That’s still the best damn comic series around and has been for a while. I don’t mind playing catch-up on some books. I’ve been super happy re-reading things like World War Hulk and catching up on Hulk, Incredible Hulk and Red Hulk this year. Super fun, popcorn books mixed with well thought out ongoing superhero tales filled with monsters? Yeah, I’m all over that. I read the first iZombie trade in 2011, but was delighted to get my hands on the second and third volumes in 2012. I wrote about the second one here and have a post in mind talking about the third. Anyway, this series is the rare mix of intriguing characters, wacky situations, rock solid architecture and mythology I want to study PLUS one of the greatest artists the medium has ever seen. So, so, so good. I’m pretty surprised there are two Vertigo books on here. It seemed like for a while I was reading nothing from them. Now iZombie and American Vampire are two of my faves. Then again Chris Roberson and Scott Snyder are two of the best newcomer writers around, so that’s no surprise. In this case, Snyder takes two things that have become old and boring — vampires and American history — and makes them both super interesting and intense. Can’t wait to see where the rest of this series goes.Batman: Knightfall Volume 1 was pure, nostalgic joy. All of the Batman comics that got me into Batman in one place in one fat volume? Yes, yes and yes. I have the second and third volumes waiting to be read. Maybe next month after knocking off a smattering of random trades I want to check out. I don’t remember exactly why I didn’t write about Jeff Lemire’s Lost Dogs. It’s one of the few books I’ve bought through Comixology for my Kindle Fire. The long and short of it is that this story about a simpleton trying to save his family. It’s raw and rough and hits you in the gut. I don’t know if I liked the experience of reading this story, but it was certainly powerful. I can’t remember if it made me cry or not, but it came close.
I’m certain I missed a few books that I didn’t write about, but this is a pretty solid list by all accounts. I should probably branch out into more diverse trades and graphic novels — and I plan to — but what can I say? I love me some superheroes. I also happen to love all kinds of other comics, so let’s continue to make and talk about awesome comics.
Not a lot goes on in my mind when I’m going through cheap comics at shows. If something looks even remotely interesting and has a low low price, it’s pretty much a sure thing I’ll buy it. This issue of Starman struck my fancy for three reasons: it’s a Mike Mignola cover, Lobo’s in it and I’ve wanted to check this series out ever since I read James Robinson’s Starman series. This issue–which was written by Len Strazewski and drawn by Vince Giarrano in 1992–is actually the second part of the four part story “Star Shadows.” As if needs saying, I haven’t read the previous or following issues, but I didn’t have any trouble following the story.
We start off with Lobo drunk in a space bar (what better way to start the story?). A text box tells us that this action takes place earlier in time from whatever happened at the end of the previous issue. Lobo’s drunk and board, so when a space turtle offers him a bunch of money to killed Eclipso on Earth, he very quickly accepts the job and bails.
But, this is no ordinary space turtle, it’s actually a Lord of Chaos masquerading as a space turtle. See, the Lords of Chaos are angry at Eclipso because he failed to destroy Earth, which should have been a small task. We get a little recap about a Phantom Stranger mini that these events take place in, a mini I didn’t even know existed. Soon enough, things are picking up where the previous issue apparently left off with Starman trying to get to Bruce Gordon in what looks like a fighter jet in space. Lobo’s peeved because Starman wrecked his space motorcycle, so they start fighting.
As it turns out–and it came as no surprise even though I’m not very familiar with this version of Starman or his powers–Starman isn’t much of a match for Lobo, even when he’s really pouring on his light power. While they tussle, Bruce Gordon digs out the ol’ purple gloves, black gem and becomes Eclipso once more. According to Eclipso’s thought boxes, this Starman was created as a way to feed Eclipso. I’ve never heard that before, but it makes a strange kind of comic book sense. Just as Lobo’s about to beat the living tar out of Starmna, Eclipso blasts them with some dark light and the issue ends.
Overall this was a pretty interesting issue and, for the most part, I wasn’t too lost even though I’m not super familiar with Eclipso or Lobo and I’m hardly at all familiar with this version of Starman. When I got to the page revealing that Lobo was going after Eclipso, I actually thought this was going to tie into Superman Annual I read a few weeks ago, but it’s a few years too early for that. I wonder if Lobo’s past with Eclipso (presumably shown in this story) was referenced at all during The Darkness Within. I’m still very curious about this Starman series as a whole and hope to pick up some more issues on the cheap in the coming shows.
STARMAN OMNIBUS VOLUME 2 (DC)
Written by James Robinson, drawn by Tony Harris, Craig Hamilton, John Warkiss, Steve Yeowell, Matt Smith, JH Williams, Bret Blevins, Guy Davis, Wade von Grawbadger, Chris Sprouse and Gary Erksine
Collects Starman #17-29, Showcase ’95 #12, Showcase ’96 #4-5 & Starman Annual #1
For the secret history of how I got to read Starman for the first time, check out today’s Ad It Up which features an ad for the Starman Secret Files & Origins. After having my mind blown so many years ago by the adventures of hip new hero Jack Knight and his journey from 90s hipster to legitimate superhero, it’s actually been since then that I’ve read Starman because of the terrible way the comics were collected (yearly issues pulled out to make their own themed trades, etc.). I was really jazzed a few years ago when DC announced they were going to give this beloved series the same treatment as Jack Kirby comics and reprint everything (and I mean everything) chronologically.
I thought about saving my reread for the day I had all the Omnibi in my hands, but couldn’t resist. I tackled the first one a while back and didn’t write about it on the blog and then much later I finally got around to reading the second volume. The task is a bit daunting and a little scary because what if I don’t like it as much this time around as I did back then? I had the same fear when I reread Preacher, but I wound up liking it even more. Would that be the same case for Starman?
Mostly yes with a little bit of no. Yes because it’s still a book of amazing quality and no because it doesn’t feel quite as special because this style of storytelling has gone on to become the norm at least at DC (you can’t swing a dead cat without hitting a legacy character these days) though not always done this well. While reading through this volume it hit me why the book has resonated with me so much: it’s a book that deals with all these crazy elements like supervillains and demons and magical posters, but it doesn’t let that get in the way of the characters who, after a time, don’t consider these things to be all that crazy. I don’t mean for that to sound like they see these things as blasse necessarily, just that it’s a part of everyday life for these characters, which is something that many superhero comics seem to forget. There’s a difference between boredly talking about a supervillain threat and having a normal conversation with your dad about all the villains you’re trying to keep track of.
Also, the fact remains that Starman is not really a superhero story. It’s a story about a son (Jack Knight) trying to find a relationship with his father (Ted Knight, the original Starman) and see where that relationship goes once they start having some things in common. Yes, those things happen to be fighting villains and keeping Opal City safe, but Robinson never lets that detract from the emotions and story taking place. It’s also about rehabilitation, if not redemption, especially considering the evolution of The Shade and this volume’s introduction of Bob Benetti, a villain for hire who just got out of jail and is thinking about going back to a life of crime.
The volume is jam packed with goodness, including our heroes facing a demon whose domain resides inside a poster, the first meeting between Golden Age Doctor Fate and the Shade, a pirate-themed Talking With David, Jack Knight teaming up with Wesley Dodds (the original Sandman) in modern times, the Legends Of The Dead Earth annual which was actually pretty fun, Jack doing a solid for the original Mist, a Christmas issue, the trippy origins of the blue skinned Starman Mikaal and the introduction of a lot of time-displaced citizens to Opal. There’s a lot going on, but you get the feeling that Robinson had a game plan from the get go. The poster story is introduced fairly early on in the book, but not really focused on and solved until a while later. Yes there are arcs and more finite storylines, but it’s not like a comic today where it feels like every six issues something new happens because it’s supposed to. This flows like a rive and takes all kinds of twists and turns that are a delight to follow. There’s also lots and lots of references to upcoming storylines.
And it’s not like just Jack Knight gets the best moments. The last two issues of this collection are some of my favorites and involved Mikaal in the 70s and Bobo Benetti dealing with a moral quandary that ends in a pretty great and unexpected way. This book contains one of the few occasions in which I didn’t want to erase the Royal Flush Gang from existence.
I can’t believe I’ve gone this far without talking about Tony Harris’ art. I mistakenly thought that he did all of the issues until he eventually left the book, but there are plenty of other artists jumping in here and there to do sequences, short stories, fill-ins or random other stories like the Showcase bits. Of course, seeing earlier Guy Davis and JH Williams III is a lot of fun. There are very few art missteps in this whole volume, which is impressive considering how much ground the book covers.
In addition to the reprinted comics which I love, the book also has a great deal of extras. There’s a forward by Harris (whose style has completely changed since the 90s) about his first meeting with Robinson while on a kind of press tour that’s really interesting and a nice look into the world of comic book collaboration. The back of the book has a series of journal entries by the Shade that I didn’t read through, a look at many of DC Direct’s Starman-related products (I want to get my hands on that Tim Bruckner statue) and then Robinson’s ongoing Time’s Past series of afterwards which include a story by story rundown of where he was coming from, what inspired him and/or what he was trying to accomplish with that story. I would anxiously flip to the back after finishing a story to get some inside scoop on the creative process and then jump back to read the next story.
It’s almost a little sad reading this book for a few reasons. First off, Robinson doesn’t seem to have been able to get back up to this high level of writing since, though I do appreciate him using Mikaal in Justice League, but that book’s got a mountain of problems well before Robinson came along. It’s also kind of sad to think that this comic probably wouldn’t get made today. At least not by DC or Marvel, though it is kind of funny that even Starman rolled out of a big event (in this case Zero Hour). Maybe I’m being pessimistic, but a book that’s so densely packed and featuring a cast that includes a hipster, an old man, a gay blue alien, a few Golden Age villains-turned good guys and a family of Irish cops doesn’t sound like the kind of thing the Big Two would sign off on now. You might say “Well, it could be an Image book,” which is true, but what makes Starman so special is that Robinson was able to carve out this little world for himself inside the greater DCU. He pulled from what else was going on around him, using new and established elements and wove them all together into this great thing that’s hard to really describe. Sure, it would have been cool as a book set in it’s own universe, but we wouldn’t have the Shade or the Scalphunter ties or the occasional visits with other heroes and, at least to this longtime comic book fan, that makes the book all the better.
One of my absolute favorite times of comic book discovery was when I was an intern at Wizard that one wonderful summer. During that time I found two of what would become my favorite comics series’ of all time: Starman and Preacher. It was a good time because part of our intern responsibilities included organizing comics which meant that at least some of the comics were where they were supposed to be (something I couldn’t say even when I started working there a little over a year later). I was lucky enough to read Starman in issues which meant they were actually in the right order (up until the Omnibi were released, the series was collected really haphazardly) and I instantly fell in love with the book. I guess I scanned this ad from 1998’s Major Bummer #8 just because I like the book so much. Oh, also, I just love Secret Files & Origins for their wealth of knowledge and pin-ups! Anyway, it works pretty well because I will also be covering Starman in today’s Trade Post, so stay tuned!
As I mentioned before, I’ve been watching a lot of Roseanne lately and loving it. I caught a few more episodes last night and couldn’t resist from snapping some more pictures with my camera. They’re pretty shaky, but still fun. Today’s picture is of Darlene’s basement room which is slathered in comic posters. One of the posters is of my beloved Starman comic which is in my top five comic runs, of course, I didn’t know about it back when I was watching the show the first time around. You can see most of the poster over Mark’s right shoulder below:I couldn’t find an actual image of the poster itself online, but it’s the same art as from the very first issue of the series (#0):Fun, right?