I’m liking this Trade Pile format I got some mileage out of last week with not one, but two posts. In an effort to post more here on the blog and also get my thoughts down on the stacks of trade paperbacks and graphic novels I’m reading, I’m going to keep it going. Plus, I like that header image. So, if you want to find out what I thought about Alex Robinson’s Tricked, Goldie Vance Volume 1, the third volume of Rai and the amazing Daytripper, read on! Continue reading Trade Pile: Tricked, Goldie Vance, Rai & Daytripper
I’ve been flying solo with the little dude for about a full week at this point while my folks are out of town. I haven’t had as much time to dive into awesome stuff as usual, but over the past few weeks, I have been diving into some goodness I want to talk about! Continue reading My New Favorite Things: Charley Varrick, Twin Peaks Season 1 & Archer & Armstrong
The last time I got my hands on a stack of Valiant trades, I initially sat down with the first two volumes of Matt Kindt’s Rai, even though I wrote about a few other books first. I had a great time with Welcome To New Japan (#1-4) and Battle For New Japan (#5-8), but wanted to get my hands on Eternal Warrior Volume 1 before moving on to Eternal Warrior Volume 2: Eternal Emperor because one of the handy graphs in the back of the trade said it was important for the story going forward. Was it? Well, we’ll get into that after the jump! Continue reading Valiant Trade Post: Rai & Eternal Warrior
After reading and really enjoying the first volumes of both Ivar, Timewalker and Eternal Warrior from Valiant, I was reminded that the first book from the company’s current iteration that I really fell for was Fred Van Lente’s Archer & Armstrong. This book stars the third immortal Anni-Padda brother Aman — now going by Armstrong, and Obadiah Archer, the teenage religious zealot sent out into the world to kill “He Who Is Not To Be Named” otherwise known as Armstrong.
For me, there’s a lot to love about this series. First and foremost, it’s about two new friends who not only have each others’ backs, but also bounce wonderfully off of each other in the longstanding Odd Couple tradition. Archer’s an uptight religious kid with zero worldly experience and a lot of amazing abilities while Armstrong has quite literally seen and done it all, but still strives to defend the truth and beauty of humanity whenever possible (ie, whenever he’s sober). Continue reading Valiant Trade Post: Archer & Armstrong
Even though I got into comics just as the Image Revolution helped usher in the Boom and Bust of the 90s, I didn’t know about much outside of DC. That was my jam and, while I’d see other books at the shop and eventually read about them in Wizard, I stayed in my line. Occasionally, I’d get a multipack or something with a random book, like Archer & Armstrong #16, but they usually just got flipped through, then slid into a bag-and-board and tossed in my “Other” box.
Of course, that version of the company eventually collapsed and, as it happened, lead to a number of former Valiant employees getting work at Wizard where I would eventually work with them. Now, Valiant’s back, Wizard’s gone and some of my former co-workers have gone back to working for the V. Comics is a small group.
ANYWAY, that’s all a long-winded way of saying that, though I haven’t written about them here, I’ve read my fair share of these trades. I’ll be honest, books like Harbinger, Bloodshot, Shadowman and X-O proved a bit too dark for me, but I’ve still found a lot to like from the company, including two related titled, Ivar, Timewalker and Eternal Warrior!
In a somewhat shocking revelation, I actually liked all three of the random comics I grabbed out of The Box for this week’s post. It helped that two of them were comics I purchased at a convention in the last few years, but hadn’t gotten around to reading, but it’s still nice to know that randomness can be a good thing.
First up, I checked out 1993’s Detective Comics #662 written by Chuck Dixon and drawn by Graham Nolan. This issues happens to be the eight installment in the Knightfall storyline that would eventually see Batman with his back shattered. I’ve said before on this blog that Superman’s death is what got me hooked on comics, but once I was in, the breaking of Batman helped keep me there and broadened my reading habits. I don’t exactly remember where I came in on this story, but it was after this issue because I didn’t already have it. It got me thinking of how shocking the end of this story must have been to people reading the event as it happened. Sure, Batman had been in some tough spots before, but he always made it out okay, that would happen again this time, right?
Nope. Anyway, this particular issue finds an exhausted Batman fighting Firefly at the zoo while Robin stops one of Riddler’s plots. This particular issue doesn’t do a great job of explaining what all is happening though, that Bane released all these criminals and has set them loose on Gotham with Batman trying to bring them all back in. You get the gist here and there and at the end, but if this was a Valiant or Crossgen crossover I wasn’t familiar with, I’d have been lost. Reading this issue made me want to get those new Knightfall paperbacks that came out recently as I realized I’ve never read the whole story from beginning to end as I just jumped in whenever I started reading.
Up next I pulled out another DC Comics, this one Suicide Squad #35 from 1989 by the creative team of John Ostrander and Luke McDonnell. This was interesting time as I’d just finished reading the first arc of the series in trade paperback form a few weeks prior. As I mentioned in that post, I’d read a number of the issues when my pal Ben lent them to me, but can’t really remember how far I got. I’m not sure if I got up to this issue, but the adventure did seem a little familiar, so maybe I did.
Anyway, this one finds the Squad — a group of criminals who go on crazy missions to help alleviate their prison sentences — stranded on Darkseid’s planet Apokolips fighting the Female Furies and doing a much better job than they probably should have been able to do if you ask me.
The issue feels like the middle of a three parter as it’s pretty much one huge fight scene, but there’s still enough explained that I didn’t feel lost. Lashina had been abandoned on Earth in an earlier issue and basically joined the Squad, but still wanted her revenge for being left behind. The issue ended on a cliffhanger that made me wish even more that this whole series was collected in trade. I guess I’ll just have to keep collecting issues like this one and read them all together down the line.
Lastly, I pulled out another issue of Magnus Robot Fighter, this one 1993’s #21 by John Ostrander and John Bock. Huh, just realized that I pulled out two Ostrander comics back to back. After reading Magnus #25 last week, I wasn’t super excited about reading this comic, but I went through with it and it was alright. Much like last time, I still don’t really know why Magnus fights robots, but the issues does have a dream sequence that recaps a lot of Magnus’ recent adventures (and contains lots of robot fighting).
There’s some presumably big reveals to people who had been reading the series for 2o issues before this one. For them, they might have been like “Holy crap!!!!” but I was like “Oh, okay.” That’s just how these things work. You’re not going to surprise a newbie with a revelation in the 21st issue, but you can do your best to set it up for them so they at least understand what’s being revealed and why it’s important. Ostrander did that here and that’s all I can really ask for.
Oh, also, Bock’s art is still awesome in this issue.
Man, what a batch of comics this week. I grew up in the age of die-cut, glow-in-the-dark, chromium and pretty much any other kind of crazy cover you can come up with. I gotta admit, there were definitely some cool ones, but Malibu’s Protectors #5 (1993) written by R.A. Jones with Thomas Derenick artwork, was actually kind of legendary. As you can see in the picture here, it’s actually got a hole punched through it. The blood is also shiny and embossed, so that’s a lot going on. I also thought that the hole was somehow incorporated into the story or artwork itself but that’s not the case at all, they only seem interested in mostly (not completely) avoiding characters’ heads and word balloons.
So, how’s the book? Eh. A superhero group called the Protects is going up against an armored Dr. Doom clone called Mr. Monday (?) who leads the Steel Army. A kid who took over the Night Mask identity from his dad winds up facing off against Mr. Monday and, well, you can see the cover, it’s actually a gigantic spoiler that undercuts the entire story (assuming you can really catch on to or know what’s going on).
The story doesn’t really try to bring new readers in, but it also doesn’t necessarily try to keep you out of it. It’s just hard to care, really. The names of these characters doesn’t help. You’ve got Man of War (not bad), the aforementioned Night Mask and Mr. Monday, Mighty Man, Air Man, Amazing Man, Eternal Man and Ferret. Woof. The art’s good though, Derenick’s doing a pretty serviceable Neal Adams-style riff, but he’s dealing with some pretty goofy costumes to match the names.
After my previous experience with a subpar issue of X-O Manowar, I almost threw this one right in the recycling bin, but then I noticed that Turok was in this issue. I actually liked the issue of Turok I read (the first) so I gave X-O #15 (1993) by Bob Layton and Bart Sears a read and it actually worked out that this lead right into that issue.
The issue finds X-O and Turok returning to the city after the big cosmic event I don’t seem to be privy to and don’t care enough to look up. Once there, they discover that the smart dinosaurs that Turok famously hunts are running loose in the sewers so a-hunting they go.
Unlike the other X-O issues I read, which was written by a different writer, this one doesn’t leave me confused and wondering what’s going on. X-O is from the past and has a cool suit of armor. Turok is from another dimension where smart dinos existed. They hut the dinos. I’m good. Layton doesn’t get too bogged down and offers a good solid look at both characters in a way that makes me interested in both of them.
I’m also a big fan of the Sears art. He did Justice League comics for a while, went on to do a ton of stuff for Wizard when I was a reader and seemed to have a lot of fun doing these Valiant book (he also did that first issue of Turok I dug). In this book the characters are big and mus thcly and stlyized, but it works when you consider who you’re reading about. Good stuff. I’ll keep this one around for a bit.
Lastly I came upon Marvel’s Brute Force #1 (1990) written by Simon Furman with art by Jose Delbo, a comic with an interesting history. Most people think it was a toy tie-in because Marvel was doing a lot of that in those days (and I’ll be coming across some in future installments of The Box), but the truth — as written over on Comic Book Urban Legends Revealed — is that Marvel came up with the characters in the hopes that one of the toy companies they were buddy buddy with at the time would bite. It didn’t work and the series wound up existing solely as four issues of a comic book.
So how is it? Not great. There’s a lot goin on here and most of it’s pretty ridiculous. The main bad guy sends clowns to steal a cybernetic bear, but said clowns are in the image of the fast food franchise he owns and runs. Not very smart. Anyway, the plot revolves around an environmentalist scientist who creates these cybernetic animals for some reason and then sends the remaining ones to bring back the bear. They each have a personlaity, set of skills and wacky way of viewing the world. It’s actually kind of fun. If this were a cartoon from the 80s I’d probably have a good time with it, but I think the act of reading makes me want the thing I’m exposing myself to to be better. Inetersting.
Anyway, the book is kind of like a nicer, far less violent and sad version of Grant Morrison’s Vertigo miniseries We3. I wonder if Morrison was a fan.