Alright, so going through the top half of this pile was pretty fun on the previous post. I had a great time with Lumberjanes/Gotham Academy, Batman ’66 Meets The Man From U.N.C.L.E. AND the first volume of Mockingbird so there’s no reason to expect I didn’t also enjoy the bottom half (mostly because I tend to follow the old “if you don’t have anything nice to say” adage). Want to hear about Shutter, Aquaman, Batman: Dark Knight, Dark City and the first volume of Gerard Way’s Doom Patrol? Then you know what to do! Continue reading Trade Pile Part 2: Shutter, Aquaman, Batman & Doom Patrol
2015 was the fifth full year that I worked as a freelance writer. It’s wild to think about. I got unceremoniously and somewhat surprisingly laid off from Wizard in September of 2009. With no idea what I would do with the rest of my career (a fun thought to have at 26) my friends jumped at the chance to set me up with freelance work. I wasn’t sure if it would stick, but dove in and am still rolling today.
That year I wrote for Marvel.com, Maxim.com, Topless Robot, Wizard, ToyFare, UGO, MTV Geek, Click and even a bit for CBR and realized I could actually do alright for myself with just my brain, a computer and a solid internet connection. Since then, a few of those outlets have gone defunct (I miss seeing my work on the magazine stand) and some completely changed directions since then. These days I find myself mainly working for three sites: Marvel.com, CBR and Geek.com and I’m digging it. Looking back at the past year, it seemed like an okay time to reflect a bit on the ups and downs of the year. Continue reading Adventures In Freelancing: Looking Back At 2015
Several years ago I started writing a pretty lengthy post about my brief time as a big-time X-Men fan. I never finished it, but am incorporating some of the ideas into this Trade Post. I loved the 90s cartoon, but that only ever read into me picking up the Fatal Attractions trade as one of the first collections I ever purchased. I also tried getting into the X-world around the time that Grant Morrison took over, but funds grew limited as did my attention span so that went out the window. Then I got a job at Wizard in the research department and wound up covering the X-Men beat for about a year. This might have stemmed from the fact that I’d interviewed Mike Carey for Newsarama about his impending Vampirella take-over between my Wizard internship and actually working at the mag. Anyway, I was the go-to guy talking to Carey about X-Men, the editors and lots of other folks. When you cover things like this extensively you feel the need to keep up on the books because, one, you will probably have to cover them again in the next few months and two, you’re curious to see how it turned out.
At this point which was after the mutant-limiting 198 even with Scarlet Witch, Ed Brubaker — who I dug as the writer on Captain America — took over Uncanny X-Men and Mike Carey was doing X-Men. I’ll get into some of the ancillary titles I also really enjoyed like Cable/Deadpool and New X-Men when I can get my hands on more of those trades, but I figured it’d be fun to go back and read the first years’ worth of both these books, starting with Bru’s Rise And Fall Of The Shi’Ar Empire story. This was one that a lot of people I knew weren’t that into and, if memory serves, it did feel kind of slow when coming out in single issues — this is a pretty epic story spanning 12 issues — but when you read it all together it has that concise nature that I love in his writing.
This story spins directly out of Brubaker’s Deadly Genesis miniseries which revealed that Professor X sent a brand new team of mutants to try and save the original X-Men before he put together the international group made famous in Giant Sized X-Men #1. Most of them died, but two — the third Summers brother now called Vulcan and a super adapter named Darwin — survived. Vulcan flew off into space to get revenge on the Shi’Ar who killed his mother and enslaved him. This prompts Prof. X — who’s not having a great time as all his dark secrets are finding the light of day — to put a team together and go after his one time student. Said group includes Havok, Polaris, Nightcrawler, Darwin, Rachel Summers and Warpath (who I did a fun Wizard Insider on and actually got really excited about as a different take on the Wolverine idea). They head into space, but the trip winds up taking a long time because Vulcan is destroying all the jump gates and winds up actually falling for Deathbird and becoming part of the Shi’Ar royal family.
There’s a lot more going on in the book, which also introduces Korvus, a Shi’Ar citizen locked up because his family line was touched by the Phoenix force long ago and a portion resides in a gigantic, anime-style sword that only he can heft. Oh, plus Skrulls, the Imperial Guard and the Starjammers all play important parts. There’s so much going on that the book actually feels like a really solid TV season with a few departures — every three or four issues Vulcan takes the spotlight in issues drawn by Clayton Henry to give regular artist Billy Tan a bit of a breather.
Not being the biggest X-fan in the world, I must say that I felt it was pretty easy to slide right into this story. I put X-Men up there with the Legion of Super-Heroes when it comes to figuring out how characters related to one another, so it can be daunting wading into a story like this, but Brubaker handles these ancient relationships in such a way that he gives you enough information to understand what’s happening without getting deep into continuity porn. I know very little about, say, the Havok/Polaris relationship or Rachel Summers’ backstory, but I was never confused by the elements being presented to me in this story.
I really enjoyed this trade and a big part of that is the big, bold artwork by Billy Tan. Henry does some fun fill-in issues, but there’s a clear difference in style with his looser pencils showing off how tight and clean Tan’s can be. They both create large, heroic looking figures, though, which unites the stories. I’m also going to give huge props to the ink and coloring team of Danny Miki (mostly) and Frank D’Armata. I remember around this time being really impressed with the house inking/coloring style that Marvel seemed to be fostering in a lot of their books. While not necessarily uniform, I felt like a lot of different books had a somewhat similar feel thanks to a dark-ish, yet bold tone. I don’t have either of them yet, but I’d like to get my hands on Deadly Genesis and The Extremists which bridges the gap between Rise and the Messiah Complex crossover, which I’m a huge fan of.
I’m going to say right off that bat that I wound up talking to Mike Carey quite a bit in my time at Wizard and grew to really enjoy those talks. He’s a very cool guy with a deep love of all things X-Men and comics whose enthusiasm always comes through. I will also say that I had a bit of a harder time reading his X-Men book because of a lack of familiarity with a few of the characters. The idea behind his book is that, in a post-198 world, Rogue will lead a team of mutants not connected to the school who go out and deal with problems. Her crew included Iceman, Mystique, Cannonball, Sabertooth (kinda), Cable (kinda), Lady Mastermind and Sentinel. Most of my confusion — both during my initial reading and the more recent one — came from a pre-occupation of who those latter two characters were. It’s not like Carey put a lot of importance on their backstory, but being almost completely unfamiliar with them and their abilities was distracting. It’s like knowing everyone at a party except for two people and becoming obsessed with who they are. I should have just looked them up on Wiki, but that info should also have probably been in the story.
Speaking of the stories, you’ve got a couple doozies here. First off, there’s a new kind of mutant who were created and evolved on a battleship who have woken up and want to take out the X-Men. They’re so tough that they scared the poop out of Sabertooth who makes his way to the X-Mansion in an attempt to take advantage of the locale’s mutant refuge. He’s kept captive for a while, but is also used as a weapon during various missions. This group of X-Men also finds themselves on the hunt for an evil scientist named Pan who can absorb and use mutant powers like Rogue, but for longer periods of time. He was experimenting on Lady Mastermind and Sentinel which is how they found their way into the story. Oh and they also help fix Northstar who was turned into a psycho killer in Mark Millar’s run on Wolverine. I like that Carey went with new villains because it adds to the sandbox while also allowing him to work within a far more limited cast of mutant bad guys.
While I did have some trouble with understanding a few of the characters, I really enjoyed getting to know some of the others better. Rogue is super-rad in this book, taking charge, kicking ass and taking names. She goes through a lot too, which toughens her up even more, something she probably didn’t need, but gets worked with in later stories. I also liked seeing the weird relationship between Iceman and Mystique. Carey also does some really interesting things with Iceman’s powers that I got a kick out of. Then you’ve got Cannonball who played well off of Cable, the two having moved on a bit from the younger hero’s hero worship of the other. There’s a bit of a sadness that runs through these stories that infects these characters, all of which makes sense when you contextualize it against the fact that their very species is at risk of extinction.
And, of course, you can’t talk about this book without talking about the artists. I love Mark Brooks and his contribution as the artist on the annual is exactly what I think of when I think of superhero comic books. But since this is a darker comic, Chris Bachalo and Humberto Ramos’ styles fit better. Both retain their unique looks, but also feel like part of the same cloth. Bachalo has a crazy, erratic-ness that fits with the idea of a new species popping up to take over for mutants while Ramos’ freneticism fits his story. I will say that sometimes, their sketchy nature makes some of the panels hard to read, but overall I like the effect of their art on the story. Like with the above book, there’s a much shorter trade between this one and Messiah Complex that I want to get my hands on, plus Carey wrote the back-ups that made up the Endangered Species collection. I’d like to get those in the ol’ collection as well to see how they all play together. After that? Well, I remember X-Men Legacy getting a little too in-depth when it came to X-Men history which isn’t really my bag.
Guys, I hate Spider-Man 2. I think it’s got great casting, some really funny moments and action scenes that are pretty stellar, but then there’s that big middle section that smashes you over the head with how crummy Peter Parker’s life is. I remember sitting in the the theater watching the film and pulling my hoodie over my eyes in pain. I thought I wasn’t the only one, but as it turned out, the movie is beloved. Whodathunkit.
Anyway, I’m not writing this post about the movie itself so much as the circumstances in which I saw it. Back in the summer of 2004, I was doing a nine week internship at Wizard. I was blown away by how cool the guys were both as people and co-workers (no one looked down on us just because we were interns). There were also a lot of perks I hadn’t really thought about. We got a discount at a nearby comic shop, access to all the new and old comics in the Wizard library and even a few random freebies that the writers or editors would pass our way (I have a Bowen Punisher bust from those days proudly displayed on my bookshelf to this day).
One of the really unexpected perks was going down to see Spider-Man 2 at a special screening in New York City. I could not tell you where it was, but it wasn’t a normal movie theater. I was walking along with a big group of Wizard dudes in NYC, a place I’d only been once at this point, and all of a sudden they’re like, “Hey we’re here.” I look over and they’re walking into a door that looks like just about any other one on a street of unassuming doors. Inside was a secret theater that Sony either owned or rented specifically for screenings like this. I believe there were some pretty impressive Marvel folks in the crowd as well, but I honestly can’t remember.
Aside from the movie I didn’t like, the memory that really sticks out is how cool the whole experience was. A group of us interns drove to the train station and met up with the other guys, walked around the city to a secret theater and saw a big time movie before anyone else (or most people, I’m sure there were a ton of these kinds of screenings). I’ve go on to meet a lot of cool people, get a lot of cool stuff and see a lot of cool things before other people, but you never forget that first time. I even remember walking down the street in jeans and a hoodie looking up at the night sky in NYC and just thinking how cool it felt. Good times.
Regular readers will remember that I read and didn’t really get 1993’s Archer & Armstrong #17 from Valiant a few weeks back. Before tossing it in the get rid of pile, I went through and snapped a few pictures like this one for the 27th issue of Wizard. I was still a few years away from discovering the magazine at that point, but I do remember seeing this Jim Lee Wildcats cover in books and around the office. Interviews with Alan Moore and Travis Charest? Sounds like a pretty solid issue, actually. Plus I wouldn’t mind getting my hands on a Mortal Kombat arcade cabinet.
After “How’s that freelance writing thing going?” the most popular question I get from people is “Do you miss working in an office?” My usual answer is “I miss working with the cool people I’ve worked with over the years, but I prefer working from home.” I really do love being a freelancer and the freedom it brings. I can get up whenever I want and go to sleep when I want (though that freedom will disappear for a while once the baby is born, I assume). Plus, on days when I’m feeling a little more shut-in than I prefer, I can always run over to the coffee shop, get some amazing coffee, tea or a chai latte and talk with the always-friendly baristas. But, if I’m being completely honest with myself there are some things I do miss about working in an office. Here are five of them.
1. Being Able To Blame Someone Else For Getting Me Sick
Seeing as how I only have regular contact with one person (the missus), it’s really easy to figure out who got me sick. When you work in an office there’s always someone who may or may not have gotten you sick, but working from home narrows the possibilities down pretty substantially.
2. Work Parties
Around Christmas time, I actually got pretty bummed out because my company party consisted of the cat and I watching Silent Night, Deadly Night with a Coors Light at 3:30 p.m. on a Friday. Hearing the missus come home talking about how she could hardly get her work done because of all the holiday parties she had to attend didn’t help. It brought back fond memories of the occasional holiday party or the company picnic that gave me my last opportunity to play football. Plus, getting a little (and sometimes a lot) buzzed on the company dime was always a lot of fun.
3. Free Donuts
I’m not the biggest fan of sweets in the world, but I do love a simple glazed donut. I miss that thrill of the chase when word got around that free food/candy/donuts were on the water cooler. If you weren’t quick, you weren’t getting a treat (at least in the days when there were more than a dozen people in the office). The other day, I got a real hankering for donuts and realized it was because I hadn’t had one in quite a while. I guess I could start taking advantage of the Dunkin’s right down the street, but food always tastes so much better when someone else buys it.
I was lucky enough to work with some great people, so our lunch time was actually a lot of fun. We’d either all get together in the office’s lunchroom and talk about comics, TV and life or all head out to a singular location and do the same there. Lunches got a little thin there for a while, but once we moved down to the city I found myself surrounded by a lot of those same people. Sure, not every lunch was amazing, but it was nice to know that I could see some friends and get some interesting food. Now, lunch is just another way to get food in me so I don’t pass out. Without other people involved, I have a tendency to forget to eat until late int he day, which leaves me lightheaded.
5. Free Stuff
Between the free table, people getting rid of their stuff and the constant flow of things into our office, there was always something being offered to you that you’d otherwise have to pay for. In addition to that, we had access to one of the largest comic book and trade paperback libraries around (I’ve never seen a bigger one personally, but I’m sure they’re out there) with nearly every comic printed coming in every week. This might sound strange or greedy, but it’s not easy going from unlimited access to none. I think I’m finally done with the withdrawal that came after that, but I do miss being able to keep up on all the comics I cared about and getting the occasional free action figure. On the flip side, I also miss having a place to get rid of some of my comics. You’d be surprised at how hard of a time I’ve had getting rid of a longbox I’ve had in the backseat of my car for months.
I’m not one of those dudes who had their lives changed by Almost Famous. I was friends with some of those guys in high school and in fact saw this movie over at one of their houses in high school. One friend fell in love with Kate Hudson after seeing the flick and another would incessantly sing Stillwater’s “Fever Dog.” Both were in my band. I dug the movie when I saw it, but it didn’t become a favorite.
If you’re somehow unfamiliar with the movie, it’s basically Cameron Crowe’s fictionalized memoir of touring with various bands in the 70s, but centered around a young kid named William and the fictional band Stillwater. The high schooler gets the attention of Rolling Stone who sends him on tour with the band who he becomes friends with even though his mentor Lester Bangs (Philip Seymour Hoffman) warns him against it and also falls for groupie–sorry “Band Aid”–Penny Lane, played by Hudson. It’s basically the story of a kid learning to go from fan to pro in an industry that’s showing him all its warts, no matter how much they wound him.
I actually had more fun spotting the supporting actors in the flick than watching it. I think that’s because I’ve seen and even lived this story a bit myself. Having been a comic book fan who worked in the thick of the comic book world at Wizard, I can really relate to what William goes through (minus the groupies) but comparing a film, even a great one, to my real life, the film’s not going to hold up. I get that it’s great and I love all the rock and roll stuff, because I’m a huge fan of music from that era, but it just doesn’t vibrate inside of me like it might have when I was younger.
Anyway, back to that star watching, here’s the ones I saw. You’ve got Jimmy Fallon playing the manager’s manager. I can’t remember if I knew who he was when the movie first played. The gone-too-soon Mitch Hedberg sits in on a manager poker game! Anna Paquin and Fairuza Balk (The Craft) play groupies. Jay Baruchel is a Led Zeppelin super-fan and even Nick Swardson has a moment as a wild David Bowie fan. Heck even Modern Family‘s Eric Stonestreet pops up as a hotel worker. I’m sure there’s plenty I missed. Plus, of course, one of my favorites Jason Lee plays an important part. It’s funny how similar the character is to Banky from Chasing Amy, but the guy they got to play the singing voice sounds embarrassingly like someone else. Oh, this was also the first movie I saw Zooey Deschanel in and didn’t even realize it!
I think had I bought the movie after I saw it and gave it a few more spins, I would have a lot closer relationship to it, but as it stands, I can appreciate it without falling in love with it. Though, I do adore the “Tiny Dancer” bit. Moments like that in real life are amazing and should be enjoyed both in the moment and later in life. I have incredibly fond ones of singing songs with my buddies back home and even the other week when the missus and I wound up singing “Summer Loving” from Grease, even though she had to sing most of the dude parts because I only know about half the words.
I’m filled with all kinds of emotions and have been all day after hearing about the closing of Wizard and later ToyFare as print publications very early this morning. To make matters worse, the missus woke me up very early because she was having trouble starting her car. I don’t know jack about cars, but tried starting it myself, coming in after it felt like my fingers were going to fall off. I took my car to the gas station, filled the flat-ish tires with air and brought it back for her to drive to work. I don’t like waking up early and actually wasn’t able to sleep in this weekend, so I was feeling kind of punch anyway, especially because I had planned to head over to the storage unit place and move our junk from the smaller unit to the new one. Anyway, that’s all a long way to go to tell you that I was already feeling pretty weird this morning. Then I got the news and was floored. I had actually just started writing for Wizard again, though I don’t know whether the piece I finished will ever run or what the deal is. It was fun to write about comics again.
My history with Wizard is similar with a lot of other peoples’ up to a point. I discovered the magazine at a bookstore in the mall. The issue had a Rob Liefeld/Jim Lee Heroes Reborn cover and announced the new JLA lineup by some guy named Grant Morrison. I instantly fell in love with the mag which was my only source of comic book information and soon enough I devoured each monthly issue. I read the mag all the way through college, never leaving it for the internet. Heck, I didn’t even know there were comic book websites because Wizard was the perfect amount of everything for me. I’m not obsessed with comics, I just wanted to read something fun and find out what’s coming up. My junior year of college I sent a lot of letters and resumes around to Marvel, DC, Rolling Stone and also Wizard to try and score an internship. I heard back from Wizard and that’s when it all began. I spent nine weeks working for them that summer. In addition to being on the inside of a lot of interesting meetings and cutting my teeth writing about comics and doing interviews, I met some rad dudes.
I went back to school, graduated and sat around Toledo for a while before finally hearing back from Wizard, they had a job opening and were offering it to me. Soon enough I moved out to New York and had a gig working in the research department. Like any other job there were ups and downs, but there’s no way I’d be where I am right now without someone at that company deciding to give me chance. Eventually I worked my way up to being an associate editor for ToyFare. I rocked that job and learned a ridiculous amount for a year before being laid off. Sure, I had problems with aspects of that as well and can empathize with the mysterious former employee who talked to iFanboy. But, even then, I was immediately offered the opportunity to write huge chunks of ToyFare, which facilitated my freelance career. I’m hoping that things work out for everyone who’s still there and for everyone who’s not. Again, I can understand that post-firing/lying off feeling and it’s awful and I hated hearing this after I got bounced, but they’re solid dudes who will quickly bounce back.
So, while battling feelings of sadness for the end of an era, compassion for my now jobless friends, fear for the ones I didn’t know about and worry about my own standing with the company that makes up a huge part of my income, what did I do? I built a dresser from Ikea. It helped keep my mind off things and gave me something to do because I had planned to work on my next Wizard feature today.
I’ve always had a love of poppy punk and rock songs that get me pumped up. In high school I dug bands like Blink-182, Goldfinger and Reel Big Fish. In college I found out about Sum 41 and dug them. And after graduating college in 2005, I came out to New York and got exposed to Fall Out Boy thanks to my buddies at Wizard, many of whom were really into the band. For whatever reason, I was kind of stand-offish to the band, but it was all around me and I wound up knowing a handful of songs just thanks to trips to the mall in cars and overhearing it played out loud in the office.
Soon enough I was hooked. The combination of head-bobbing, foot stomping rock and clever lyrics with even more clever song titles (perhaps too clever for their own good as I can never remember which song goes with which title unless it’s really obvious) had me dead to rites. I was a Fall Out Boy fan. I picked up their third record From Under The Cork Tree which had big hits coming out in the form of “Dance, Dance” and “Sugar, We’re Going Down.” Man, I dig those songs. “Sugar” is even one of my ring tones and it because a staple every time the Wizard crew went out to the bar with half of us singing at the top of our lungs and the townies looking they wanted to beat us to death.
I dug their high energy music videos, especially with all that jumping around and bass or guitar swinging around. I think one of them even does a flip at some point. However, I’ve heard that all these theatrics make for pretty poor live performances (I havne’t seen them and eye witness accounts vary, but their Live CD SUCKED, more on that in a bit). Anyway, I went back and picked up their previous record Take This To Your Grave, which is awesomely pop and rock filled, but also really bitter when you listen to the lyrics. However, there were a few tracks I was really relating to at the time thanks to missing some bros who left the company for other states and getting generally homesick like “Chicago Is So Two Years Ago,” “Grenade Jumper” and others. I liked listening to some upbeat music that still captured some of the things I was thinking about and going through as a dude who moved away from every person he ever knew to work in a new place and follow a dream. Don’t get me wrong, FOB’s not supplanting Led Zeppelin or Pink Floyd on my all time favorites list, but they are definitely a go-to band when I want to get upbeat and sing along to some jams. A few years later in 2007, Infinity On High came out and I fell in love once again with a pop record. This one felt more polish, which sometimes is a bad thing, but it felt like they had a really good relationship with a producer who understood what they were trying to do. The first big single “This Ain’t A Scene, It’s An Arms Race” came out and rocked my face off. It feels like a pop rock battle put on wax. I don’t specifically remember, but I would imagine that I picked the disc up on one of our weekly trips to the Palisades Mall for New CD & DVD Day and it was in heavy rotation on my long commute back and forth to work and on my headphones in the office. Once again I had a record filled with songs I could sing at the top of my lungs, plus, Jay-Z who I was just discovering how much I liked did a few little thing like introducing the band. When I saw that the first track was called “Thriller” and heard Jay’s voice, I was hoping they would team up and cover that Michael Jackson cover. It wouldn’t take long for them to team up with another huge name in the music industry to cover Jackson though.
As I mentioned, I don’t like Live In Phoenix which came out in 2008. I don’t generally like live CDs and this one turned out to be not so great with tempos seeming off, vocals not up to the par I expected from listening to the records and some timing issues. But, the huge plus was “Beat It” which they recorded with John Mayer as the record’s sole studio track. I bought the double disc (which came with a DVD I never watched), but sold it back to FYE recently when I realized keeping a whole CD and DVD for one song that I could get for a buck was kind of stupid. For whatever reason, I didn’t buy their most recent record Folie A Deux which came out at the end of 2008 right away. It wouldn’t be until that summer when I was schlepping back and forth to New York City in a daily four hour commute that I finally picked the record up and I really dug it too. Not sure what kept me away, but I liked how the seemed to be growing as musicians. Sure there were your usual word play songs about relationships, but also what sounded like some old school rock and roll (“She’s My Winona”) and “America’s Suitehearts” which had a lot of different elements going on. As with many of my other favorite bands, the new record didn’t replace any of the others in my heart, but it was a solid addition to the catalog. Far as I’m concerned, they haven’t put out a dud studio album which puts them ahead of some other bands in my mind. I get why people don’t like FOB on paper. One of them showed his junk online and also married a lipsynching pop star, but I don’t give a shit about any of that. Some people call them emo or hipsters and I don’t care about that either. I’m listening for the music and as long as the music is solid and makes me want to get up and dance around or helps me get through another round of cleaning the kitchen, then I’ll be a fan for a while. Just don’t start sucking. I don’t think that’s too much to ask.
As I promised, this week’s column (hopefully columns, actually) will focus on breaking into the world of pop culture writing. I did it the hard way by becoming an intern first. During the Christmas break of my Junior year of college I found an old issue of Wizard that had a whole feature about how to become an intern at various comic companies and what you could expect from the experience. With that and some addresses I found online for a few magazines, I applied to places like DC, Marvel, Rolling Stone, Wizard and some others. I sent out a bunch of resumes in envelopes on nice paper, went back to school and waited (this was right on the edge of when physical resumes were losing favor and everything transferred over to digital).
One day towards the end of the school year, I was awoken by a phone call. I didn’t have classes on Fridays that semester, so I could sleep as long as I wanted. The only reason I even got out of bed was because our phones were set up so you could tell if the call was coming from within the school system or outside (different rings). I figured it might be important, maybe a parent call or something, but it turned out to Matt Senreich, then of Wizard, but soon to leave to go start Robot Chicken. We did a phone interview that I honestly don’t remember much of, though I was worried I sounded like I just got up and a week or so later I found out I got the internship! I was on cloud nine, but I also had a few worries: what if DC or Marvel called and wanted me to intern for them? Where the hell was I going to stay?
Well, the first turned out not to be a problem because I didn’t hear from either of them and don’t know if they ever even got my resumes on pretty paper. Even if they had, I figured that Wizard would be the best place because I’d be potentially interacting with people from all kinds of companies at various levels. My other problem was also soon taken care of when the folks at Wizard suggested renting a room at a nearby religious university called Nyack College. I had a problem with this place right off the bat because they wanted me to sign a paper that promised I would neither do drugs nor dance while on school premises. I swear to you, both of those items were in the same sentence. There was also something forbidding drinking as you might expect. It wasn’t that I wanted to do drugs or dance, but I didn’t like signing away my rights. Without any other real alternative, I swallowed my moral indignation, signed the papers and spent nine weeks living in Nyack, New York, driving to the former site of Wizard in a nearby town on the weekdays, working and spending the weekends in downtown Nyack hanging out in bars and going to barbecues at staffers houses.
I had a ridiculous amount of fun meeting my fellow interns and the rad people who worked at Wizard, ToyFare, Anime Insider and InQuest, but that’s not the point of this piece and I’ve waxed historical for a bit too long I think. I went in thinking I would be a coffee monkey or tasked with making copies, something along those lines and while I did make copies, I also got to mix it up a little by doing some writing and also helping to organize the comic book library. We also got to sit in on planning meetings for upcoming issues which was hugely interesting to me as the various writers and editors threw out ideas for features based on comics that wouldn’t see print for months!
When I wasn’t making copies or filing comics, I would get small assignments. Most of us cut our teeth writing sidebars in the Price Guide. Luckily we were working with some really solid editors who would take the time to pull us aside and tell us what we were doing right and wrong in our pieces (using incorrect tense or verbiage and just getting facts wrong). We also got to write some news stories which sometimes involved actually talking to creators, but I had one assignment that turned into my white whale. I was assigned to talk to the director of that movie Sky Captain And The World Of Tomorrow, a guy named Kerry Conran. The Hollywood editor at Wizard gave me contact information to set things up with his assistant. I was nervous as hell because even though the director hadn’t done anything (and hasn’t done any features since, this dude was Hollywood and on a whole different level), but gave the assistant a call and…Conran couldn’t do the interview. I called a bunch of times after that trying to nail things down, but it never happened because the movie was like two weeks away from being completed and the timing was really bad. The assistant was super nice and at least sounded like he felt bad about things not working out, but it’s not his fault and there’s no hard feelings, I even dug the movie when I saw it. But I learned a few lessons through this ordeal: not every assignment is going to come through and keeping your editor up to date on what’s happening is super-important, no matter how seemingly bad the news might be. They’d rather find out ahead of time that something’s not going to happen than when it’s too late (I learned that lesson again during my tenure at Wizard and can’t tell you how much I regret needing another lesson).
I learned a lot in those nine weeks. I had no idea how magazines were put together before going in and learned probably about half of the steps that summer (the research and design departments were like foreign territory at that time). In fact, I can honestly say that I leanred more about the magazine world during my few weeks there than I did in four years of college. The amount of lead time magazines work on, especially monthlies, is kind of shocking when you think about it and a lot can go wrong between the time you close the issue (finish all work on it and send it to the printers) and when it comes out. Creators can jump off books or the news can get leaked before the issue comes out, any number of things, but you’ve got to just power through and hope the next issue kicks even more ass.
I also learned basic interview skills. I had done some of this with friends for the lame journalism class I took the first semester of my Freshman year, but I knew those people and I idolized everyone in the comics world, regardless of their status, so it was intimidating. I still get nervous when I interview anyone, even friends in the industry, but it’s all about putting that aside and asking really good, interesting questions and knowing when to freestyle follow up questions. I learned that checking out other interviews with your subject really helps because you can pick up where other interviewers left off and hopefully get more and better information out of them. You don’t want to do the same exact interview they’re doing other places right? The thing to remember is that all of these people, even the biggest names in this or any industry, are just people like anyone else. In my time I’ve talked to down to earth directors and top shelf artists. I always tried to keep my interviews levelheaded, respectful and not too fanboyish. I’ve been present for ultra fanboy interviews and they’re just painful and don’t get great results from what I’ve seen.
The most important thing that I learned at Wizard was time management. In the magazine world, you’ve got a very set time table to do your work in or else it won’t make the issue, someone will have to fill the space and you’ll probably get yelled at. So, even if you’ve got to spend an hour in the comics library organizing the Justice League comics (no easy task unless you’re an uber fan like myself) you’ve got to have a handle on doing the research for your Price Guide sidebar and arranging the interview for your news story. I had those skills before, thanks to high school and college, but my internship showed me exactly how important that skill is when it comes to work. And boy, do I use that now what with writing for several different venues all of which have their own cycles, time tables and due dates. Being organized is key.
So, what you’re really probably wondering is, “How the hell do I get an internship?” I recommend keeping an eye on Journalism Jobs, Media Bistro and Craigslist for whatever area you feel comfortable traveling to. I personally haven’t used those sites to get an internship (before my time), but when I look for new freelance opportunities from time to time I invariably see postings on those sits looking for interns. Be warned, they’re usually unpaid. Even with the seeming decline of print media in New York City, this is still the best place to look for internships at magazines or websites. There’s always someplace you can stay and the fact of the matter is that if you don’t want to move for an internship, they’ll easily fill it with someone else. Maybe you can crash with a relative, family friend, school friend, guy you meet on the subway, rent a hotel room or even get a room at a place we dubbed Footloose University.
Hell, on the way out to New York, my parents drove me in their car and towed my car behind theirs. Somewhere in the Poconos my dads car broke down thanks to a dying alternator. There we were stranded in an SUV with a trailer and a sedan hooked up to that that we couldn’t drive because the drive shaft was disable for towing purposes (or something like that, I don’t know much about cars). I was reading “The Langoliers” at the time which made everything even creepier. We sat there on a busy highway at night waiting for a tow truck that could not only tow my dads car but also my car behind it. He was a really nice guy who also broke the rules and gave all three of us a ride in his cab which was against the rules. We got a hotel room and luckily a mechanic was able to fix my dad’s car soon after. He also fixed my car and I drove it the rest of the way. That night the idea of this whole endeavor being cursed swam through my head and things looked dire (what would happen if I missed my first day as an intern the following Monday?), but then I said something that my parents repeat to me all the time: If it was easy, everyone would do it. Sure, that’s an extreme, weird situation and has nothing to do with writing or working in the pop culture world, but it’s a good motto to live by because there are thousands of people out there who WANT to do the same thing you want to do, but a much smaller number of people who actually do that thing. Another good motto comes from the greatest poet of our day, Jay-Z: “I’m a hustler homey, you a customer crony. Got some, dirt on my shoulder, could you brush it off for me?” Be the hustler, not the customer, but take care of your own shoulders, otherwise everyone will think you’re an asshole.
Give the internship thing a shot. You’ll probably learn a lot of the same things I talked about and a whole lot more as many internships are in the field of website and blog news. This industry is always changing, so the more information you can absorb, the better!