Like a lot of comic fans, I get skeptical when I hear of a new licensed comic. For every great continuation of a beloved mythos, there are plenty of uninspired stories that either feel like cash grabs or fail to capture the qualities of the original that made them so great to begin with. However, when I heard that Brian Wood was starting a new Star Wars comic set within the time frame of the original trilogy, I was pretty excited. After it started coming out, I heard good things which made me even more curious to pick the book up. So, when I found myself looking around on InStockTrades with a little extra birthday scratch to spend, it was one of the first books I added to my cart.
The issues contained in this book take place just after A New Hope. The Rebels scored a huge victory by blowing up the Death Star, but they’re not exactly on top of the world as they search the galaxy for a new home base. Of course the Empire is looking for them, but they also seem to have some inside information as Star Destroyers keep appearing at potential HQ locales. To find out what’s going on and also speed up the search process Mon Mothma puts Senator Leia in charge of a black ops pilot squad that includes several new characters as well as Luke Skywalker and Wedge Antilles.
Meanwhile, the Emperor strips Darth Vader of his command ship and places him in charge of overseeing the construction of the second Death Star. In his place we meet Colonel Bircher, a hot shot pilot who wears a pretty cool looking red TIE fighter pilot suit when he’s out there trying to blast Leia and her Gray Squadron. And then there’s Han and Chewie who try to meet up with a Rebellion contact on Coruscant which doesn’t work out so well and leads them into that planet’s seedy underbelly. In other words, a whole heckuva lots goes down in this one book and that doesn’t even cover Boba Fett’s appearances.
I freaking loved this book. Not only does it tell a variety of interesting and compelling stories that match up with my expectations for new additions to this world, but they also take into account several elements I never would have thought of. In my mind, Luke’s the hero of these movies, but at this point in the story, he’s still the brash farm boy who’s pretty high on himself after blowing up the Empire’s major weapon, but who has very little Jedi training. He actually doesn’t play that large of a role in these issues. Instead, Leia takes the spotlight and shows the world why she’s such an amazing badass. Seeing her in that cool dark Gray Squadron flight suit, zooming around space and shooting bad guys was great!
It also seemed like Wood did his homework when it came to the prequels. I’m no huge fan of those movies, though I also don’t spend my time hating or resenting them for what they are. In fact, I haven’t seen them in a while, but reading this book made me want to go back and check them out again because there are allusions and references to those films that take them seriously. It would have been fairly easy to ignore those movies — basically writing them as if the original trilogy were the only movies in existence — but Wood takes bits and pieces from them, which makes them more relevant in a way.
Of course, Wood’s not the only big name on this book. I’ve been a fan of Carlos D’Anda going back to his WildStorm days. He’s got a great, cartoonish style that works so well when rendering everything from crazy aliens to shiny robots and stealthy vehicles. I’d like him to draw a huge Mos Eisley Cantina poster to cover my walls with. And then there’s this cover artist you may have heard of by the name of Alex Ross. I became a huge fan of Ross’ painterly style with Kingdom Come, but thought he got too far into pastels in the 00s. These Star Wars covers he did are so great, though, that I’d also like to see posters of them. If Dark Horse could get on that, that’d be great.
All in all, I’d say this is a home run for Star Wars and comic fans. I loved the story held within these covers and am looking forward to adding more of these books to my library as they come out. My only complaint, and it’s a publishing one, is that all the covers from the monthly issues aren’t included in the collection. I prefer them to appear in between issues, but barring that, they should at least be collected in the back, especially when you’re dealing with a killer artist like Ross. But that’s all I got on the negative front, which says a lot about how much fun I had with this comic. Here’s hoping Episode VII captures some of that same energy and adds another great new chapter to one of my favorite franchises.