Last week the weather turned gray and all I wanted to do was sit down and watch a marathon of Val Lewton, Universal Monster and Vincent Price movies. Of course, I have two small kids, so I only got to watch one of them, but it was still a great experience. A few months ago I got my hands on the excellent Scream Factory Vincent Price Collection II set and have slowly been making my way through it. As it happens, I’ve only seen a few of these movies before — House On Haunted Hill, Dr. Phibes Rides Again and Last Man On Earth — so the others have been a nice surprise, like Tomb Of Ligeia.
I knew nothing about this film going in aside from the main star, but it also happens to be directed by Roger Corman and adapts an Edgar Allen Poe story. This was Corman’s last Poe film and, instead of shooting all of it in the studio, he actually went out and used the gorgeous crumbling British abbey you can see in the film. This not only opens the world up, but also brightens it and adds a sense that everything’s about to crumble around the main characters.
The story follows Price’s Verden Fell, a widower who hangs out in a mansion next to the crumbling abbey. His dead wife Ligeia said that she would never really die, but that doesn’t stop ol’ Verden from flirting with the delightful Rowena (Elizabeth Shepherd). The two have a whirlwind relationship, that ends in marriage and a honeymoon. While away, the super-serious Verden lightens up (and even takes off the strange sunglasses he’s always wearing), but upon returning he goes back to his old, strange ways. The longer they’re in the mansion, the more Rowena realizes that it might be haunted, the pet cat is a jerk and her husband is clearly up to some craziness that most likely involves his seemingly deceased former love. All of this comes to a head at the end of the film in a delightfully crazy manner.
At 82 minutes, Ligeia moves at a quick clip and covers quite a bit of ground in a short time while also taking time to show off some beautiful scenery before returning to the darkness within the castle (and Verden). I highly recommend giving this movie your full attention if you’re going to watch because it’s very easy to miss a few key details here and there. You might think the horse riding scene or long shots of the honeymoon are going to take a while, but as soon as they lull you into wondering what’s happening on Twitter, you’ve already missed a major explanation. I rewound a few times thanks to brief distractions from my phone and am glad I did because otherwise I would have been pretty lost.
As far as the Blu-ray transfer goes, this one looks spectacular, enhanced by the real locations used to shoot about half of the film. You really get to see that abbey in all it’s creepy glory. The pops of red from the flowers and blue and purple from the candles can all be properly seen and wondered about thematically. I haven’t listened to the commentaries (one by Corman, the other by Shepherd) but I do enjoy the intros and outros that Price recorded for this and some of the other films back in the 80s. They were part of a PBS Price marathon series and the kind of awesome find that Shout/Scream Factory has become famous for in the film fan community. Kudos to them for that and for this amazing set. I hope to get my hands on the first one at some point, but am also looking forward to watching The Raven and the rest of these movies in this rad-looking format.