As regular UM readers will know, I’m kind of in love with the idea of space cops patrolling the galaxy and keeping people safe. I’ve mostly written about Geof Johns’ run here on the site, but I actually got my start back when Hal Jordan went nuts and the young gun known as Kyle Rayner took over for him. As such, my experience with Hal Jordan before the mid 90s was slim. I resented that all the old comic readers wanted to seem him return and thought he was boring (because, like them, he was old).
But, this is a pretty interesting character, if you’re into dudes who struggle with balancing duty with their own impetuous nature. Those are the traits on display in Len Wein and Dave Gibbons’ first combined arc which started by asking whether Hal would be able to return to earth. Apparently, before this book, he was told to stay away for a full year and finally got the go-ahead to head back to see his gal Carol Ferris and, well, that’s about it. He only really seems to care about his work friends and her in this particular arc.
In addition to rekindling things with his special lady, Hal found himself tangling with the likes of future Suicide Squad member Javelin, The Shark, Demolition Team, Predator (who would later show up in my beloved Extreme Justice) and even the Guardians! What’s that you say? Yup, Ha gets bent out of shape when he’s called to go save an entire planet while Ferris Air is under attack. Apparently that’s a bad thing in his mind, but to the casual, non-10-year-old observer, it just makes perfect sense. At the end of the day, he winds up quitting the GL Corps. WHAT?! Yup, to be continued in Sector 2814 Volume 2 (which I don’t have, so we’ll see how long it takes for a review of that one).
While I don’t know if I’ll ever feel super in line with Hal Jordan’s way of thinking, I still really enjoyed this book. It felt like a solid return to some of the goofy Silver Age stuff I’ve read but never really written about because I think it’s pretty silly. Wein and Gibbons take that and put it all through a more modern prism which feels real, honest and adult. I especially found myself marveling over Gibbons’ work. He’s an artist who everyone knows from Watchmen, but I have very little experience with aside from that. Here he gets to play superhero and it looks great. It also looks super bright thanks to colors by Anthony Tollin. This might be one of the brightest, most enjoyable reading experiences of my comic book reading career. All of that earns this book a place on my shelf and an eye towards future volumes.