I can’t really understate how important Wizard magazine was to me during my formative comic-buying years in the 90s. I’d already become a die-hard DC fan before I discovered the magazine, but it became this window into a much larger comic landscape of companies ranging from Marvel and Dark Horse to those guys doing crazy things at Image (though this was admittedly a year or two after the initial boom). I still remember how much they hyped certain books, though, and The Darkness from Top Cow is one such example! I recently borrowed the first and second volumes of the Darkness Origins trades from Hoopla and had a fun time with them!enter, if you dare…
Back when I worked at Wizard, I found a batch of Black Bull trades that were up for grabs. If you’re unfamiliar, that was the short-lived comic company created by the higher ups at Wizard. I haven’t read anything but the two Just A Pilgrim books, so I can’t speak to the overall quality of the line, but I liked these Garth Ennis and Carlos Ezquerra stories! Continue reading Trade Post: Just A Pilgrim, Criminal & Martian Manhunter
I have a confession to make, something I don’t think I’ve ever told anyone before. I actually liked Michael Golden’s weird demon-hunter version of Punisher. Whew, that feels good. At the time that that miniseries came out, I had little-to-no experience with the character beyond a few random Marvel comics, his appearances on Spider-Man: The Animated Series and maybe the Dolph Lundgren movie. In other words, I didn’t have a huge connection to the character. I also had a thing for new takes on old characters, after all that’s what got me into Superman, Batman, Green Lantern and all the main Marvel books (during Heroes Reborn).
It wasn’t built to last, of course and was soon replaced by a run on the book that is considered one of the best of all time: Garth Ennis’. This Marvel Knights series (hey, remember when that was a thing?) was actually my first introduction to both Ennis and artist Steve Dillon who had already created one of my favorites comics of all time, Preacher, though I didn’t know it at that time. (If you’re curious what I thought about Preacher, check out these three posts) It was also one of the first comics I ever read that really dove into some pretty intense, over-the-top violence.
I was actually pretty focused on violence when I got this book in from a Swap as it was shortly after the tragedy in Connecticut. I mean, who wants to read about a crazy man running around killing hundreds of people who also happen to be bad guys? Well, I picked the book up and started flipping through and landed on the intro that Ennis wrote in which he directly addressed that exact topic. As he makes the point through the entire intro, I won’t quote from it, but he essentially compares the book to a cartoon and says that no sane person would really take Frank Castle seriously. He’s nuts and so is the story, but it’s supposed to be and therein lies the entertainment value. Fiction gives us a way to explore aspects of life without actually having to experience them, it’s okay to let yourself go and jump into stories filled with characters, events and situations you would never want to actually join in on.
So, with that in mind, I tore through these 12 issues. I think I might have actually read the whole thing in one night even. I don’t think I really grasped the satirical or parodic nature of the story when it came out because I wasn’t as experienced with such things, but they were in the forefront of my mind this time around, which was fun. I also really like how Ennis handled that whole “used to kill demons for angels” thing. Basically Frank sum up that series and then says that he told the angels to take a hike and now he’s back. This is all done in voiceover boxes while Punisher’s out there doing his dirty work. It’s a great way to handle continuity without getting too deep into it and actually holds up really well. Anyone taking over a continuity-heavy book or character should read that first issue, take notes and do their best to copy that.
Anyway, the actual story follows Frank as he tries to get the mob to remember how dangerous he is. His main target happens to be a mob run by Ma Gnucci who sends a real badass by the name of The Russian to take out Punisher who happens to be living in an apartment building with a trio of characters who play their own roles. There’s also Detective Soap, a loser cop who’s tasked with tracking the Punisher down, a job that most of force doesn’t actually want completed. The great thing about this series is that each of these elements get their own beginning, middle and end, all of which are pretty satisfying.
The only part of the book that didn’t make a lot of sense for me though involves another subplot and the ending, so this graph contains SPOILERS. Several pages an issue are given to these other vigilantes who pop up in the wake of Punisher’s return. There’s the priest who wants to kill sinners, the rich guy who kills undesirable elements in his neighborhood (read: poor people and non-whites) and a guy who attacks big business folks. We see them do their thing and even band together but then by the end, they just get murdered by Punisher after they swear their allegiance to them. On the one hand, I get the idea that Ennis is showing how crazy Punisher is by comparing him to these guys. Is there really that much of a difference between focusing on murdering criminals and murdering poor people? I mean, we like to stand behind the criminal-murderers because it sounds more altruistic, but both characters have something deeply wrong with them that drives them to kill people on a regular basis. On the other hand though, it seemed kind of pointless aside from making that point. Does that make sense? Plot-wise there wasn’t much/any strength purpose to it, so that was kind of a bummer.
But, that’s a small quibble, really. I still love this book and reading Ennis’ first arc on the book really makes me want to go back and read his entire run. I bought probably the majority of that series when it was coming out but lost track in the mid to late 2000s when I was working at Wizard for whatever reason. I’ve got all the singles somewhere, but I’m working on getting the trades because I love me some trades.
I’m a gigantic fan of Preacher (see my posts on the subject here, here and here) so I jumped at the chance to read one of their earlier team-ups on Hellblazer from the early 90s. I was also curious to read some of the earlier adventures of John Constantine because, as I’ve said before, I’m interested in the character’s printed history. He’s one of those guys who have been around a long time and always seems to be meeting up with old friends and acquaintances, but if you’re a new reader you don’t know if they were actually in the book or not. This books if fun because, while I can’t remember all the people I was curious about when reading other Hellblazer trades, this one features a lot of Constantine’s friends (many of them former these days, I would guess).
The collection features six issues, the first two and last are one-offs for the most part with the middle three consisting of a full story. In the first, John tracks down a guy selling dark magic stuff to his niece. I didn’t even realize he had a niece or a sister, so that was interesting. The next was my favorite as it found our hero celebrating his fortieth birthday with a lot of the friends I mentioned before. The three-issue arc splits its efforts between following a fallen angel dealing with living on earth and his ousting from heaven while Constantine runs afoul of an evil government group working on some shenanigans. The last one deals with Constantine’s girlfriend leaving him after the events of the previous issues.
While this trade doesn’t really act as a Rosetta stone for the character and any of the questions I might have had about him and his past, it was interesting reading these experiences he had that helped create the mean, sour bastard that’s still kicking around these days. Plus, I am always down for looking at Steve Dillon art, even if he’s not quite as crisp in this as he would become.
I was also excited when I saw this book written by Jamie Delano who wrote Constantine’s earliest adventures in his solo book. I’ve read a collection or two of his issues and was struck by how literary they were (see my brief review for Fear Machine). A lot of times, if I see too many words on the page, I get tired and don’t feel like reading, but when Delano does that, it winds up being really interesting and, well, literary. I’m not saying Hellblazer comics are up there with Dickens or anything, but you get the feeling that he has some measure of respect for comics to use language that might have been considered too smart for the medium.
Delano does the same with this graphic novel that came out in 2009. I was still impressed with his writing style and how engaging it was, but also how well told this tale was. It hit some notes that I’d seen before, but not in a Hellblazer comic before. He basically gets blackmailed into working for the British government to go check out a demon they have sedated in a prison camp in the Middle East as part of the joint actions by the UK and the US in that area. He’s teamed up with a mysterious woman and we see how the story unfolds with a good deal of deserved twists and turns along the way.
Really making the whole package a lot more fun and interesting for me was the artwork by Jock. That dude really has a rad style that works perfectly in the realm of Hellblazer. For all those reasons — and the fact that this really did feel like a long form comic instead of a collection of issues thanks to it’s pace — I really enjoyed this book and will be keeping it in my collection.
As a kind of post script to this reading experience, I want to talk a bit about trade collecting for just a second. Hellblazer is a book with hundreds of issues and I’ve read a handful of the trades and never in order. As such, I’m curious about reading parts from all times in the character’s history and have bounced back and forth between the idea of keeping the books and getting rid of them. At this point, I’ve Swapped a LOT of them away and probably only have four or five in hand anymore. I wonder if getting them all and then reading them in order would add to the reading experience or if this is such an intense book that it’s better to put it in your brain once and not come back to it. At this point, I think I’ll hold on to the trades for now and try to get the ones I haven’t yet read, but that might all change again. Who knows. I’m flip floppy that way, I guess.
Geez, I can’t believe it’s been almost three years since I reviewed the second volume of Ben Templesmith’s Wormwood Gentleman Corpse. Don’t let that seem like a reflection of how much I like this world Templesmith has created, because this is one of the most fun, bonkers original comic universes around. The basic concept revolves around Wormwood, an interdimensional worm that inhabits corpses who currently hangs out on earth with a robot he built named Pendulum and a former stripper with living tattoos who goes by Phoebe at a strip club located on top of a dimensional portal run by Medusa. Make sense? It might seem more complicated than it is.
Basically, Wormwood is an interdimensional Hellblazer, a mystical dude with a huge past that’s always coming back to bite him–and reality–in the ass. This time around, it’s The Brotherhood of the Calamari, a Lovecraftian race with a mad on for Wormy that leads them to take over Earth and almost succeed. While Pendulum, Phoebe, Medusa and the girls do their best, Wormwood jumps dimensions and winds up teaming up with a reality-hopping Elvis set on killing every other reality’s Elvis to become a god.
The four issues are packed with sci-fi action and quips plus Templesmith’s rad art. He has such an amazing talent for enhancing his pencils with computer effects that really pop and shine off the page thanks to the glossy paper the collection is printed on. It can look a little dark at times, but I think that might be a trick to actually pull you in closer to the page, like a comedian whispering on stage. If you’re into Hellboy or Hellblazer or pretty much anything, I recommend giving these books a look.
I’ve gone on record as being a big WildStorm fan, have read and reviewed most of the Authority trades (the first five books here and the two Revelations books here) and am a huge fan of Garth Ennis’ Preacher (you’ll have to search around for those posts as they’re spread out), one of the greatest pieces of fiction ever created. So, with all that, it should come as no surprise that I wanted to check out The Authority: Kev a book set in the WildStorm U featuring a non-powered SAS officer with terrible luck dealing with the Authority, specifically Midnighter and Apollo. He’s kind of like a more competent, but equally as unlucky Soap from Ennis’ Punisher.
The actual product is pretty much exactly what you would expect from that basic set-up if you’re familiar with the creators and concept. The first one-shot in the collection follows Kev as he’s sent to the Carrier to kill the Authority for the British government which he actually succeeds at thanks to a magic gun. But, it was all a set-up by an invading alien force. The Carrier helps Kev fix things, but this adventure puts him on the Authority’s radar and he winds up working with Midnighter and Apollo after the rest of the Authority wind up on the wrong end of some alien tech. They fight zombies and aliens and some other things, plus we get more of Kev’s history. The collection also Glenn Fabry interior art which looks very much like his covers, but just in pencil instead of painted. I’m a fan of his too, so seeing him to interiors is fun.
KEEP OR DUMP? I’ll be keeping both of these volumes. I think I’ve got the other two Wormwood volumes in boxes somewhere (I hope I do at least) and I’ve kept nearly every WildStorm book I’ve ever gotten. Some day, I’ll get them all together and evaluate which ones I want to keep for later reading. Also, I’d like to read the next volumes of both books, so between that and wanting to keep the trades, that’s a pretty good endorsement.
PREACHER SALVATION (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon
Collects Preacher #41-50
If you’re so inclined to check out my previous Preacher reviews, I wrote about the first three volumes here, skipped 4 and covered 5 and 6 here. If you haven’t read those posts, you should know that Preacher’s one of my all-time favorite comics, I first discovered it while interning for Wizard and am reading the whole series for the third time. Volume 6 was probably my least favorite of the group, though it’s still better than a lot of comics and this book is my absolute favorite. Salvation picks up with Jesse trying to figure out what to do with his life now that his girlfriend Tulip is with his best mate Cassidy. He finds his way to a small Texas town called Salvation where he meets a few people from his pasts, makes a few friends, becomes sherrif and makes a huge enemy in a small business man named Odin Quincannon (who seems modeled after Ross Perot). Jesse doesn’t take kindly to Odin’s workers tearing through his new town, so he kicks ass, takes names and locks as many of them up as he can.
Man, I love this book. It reminds me of one of my all time favorite movies, Road House. While thinking about that, I realized that, while I might not like classic westerns like The Searchers, I do like movies set in modern times that use western themes. Both Road House and Salvation are about upstanding men rolling into a new town and trying to make things right, all of which sounds very western to me. I also love how absolutely abominable Quincannon is as a villain. The dude’s not only a vile racist, but he also has “sex” with a giant woman made out of various kinds of meat. Ennis really went overboard this time around, but it’s a welcome change after all the intensity of the previous volume and the end of the book, which is fast approaching.
PREACHER: ALL HELL’S A-COMING (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon and John McCrea
Collects Preacher #51-58, Preacher: Tall In The Saddle
All Hell’s A-Coming is a rollercoaster of a volume. Yes, we get to see Jesse and Tulip reunited and get to learn more about Tulip’s past, but we also learn about how big of a bastard Cassidy really was as a homeless woman who used to know him back in the day regales Jesse with stories. I remember the first time I read these books, something about Cassidy’s jackassness didn’t click in my head. I guess it’s a trick of the writing and the character that Ennis created that he not only worked his charms on Jesse for a while, but me too. This time around though, it became very clear that Cassidy is not a good person to be friends with. He might not intend to leave a path of destruction in his wake, but boy, does he. Tulip getting a clear head one morning and leaving Cassidy actually goes to show how badass of a character she is, something that’s reinforced in the aforementioned flashbacks to her childhood.
This collection also starts what will become something of a theme in the waning issues of the book where Ennis gives secondary and tertiery characters a kind of send off. This issue shows us Jesse giving Bob and Freddy, Sexual Investigators a ride and also their send off from the series (he also gives Elvis a ride, which is kind of cool). The story also reintroduces Tulip and Jesse’s friend Amy who gets her swan song while bringing Herr Starr back into the fray and heaping even more degrading embarrassment on the character (after defeating his non-Jesse nemesis, a dog eats his junk). The Tall In The Saddle one-shot is included at the end of this collection, which is nice because it not only gives us a look at Tulip and Jesse’s earlier days as outlaws, but also works to give Jesse a chance to talk about horses and show the old dynamic between them and Amy. It’s a nice little story that I actually read after finishing the final volume because I wanted to keep going with the finale. Past Ennis collaborator John McCrea comes in for the art chores on this one and actually does a pretty good job mimicking Dillon’s style, which is good for visual continuity, but kind of bad because I love how he drew Hitman and would have loved to see that version of his art in this book.
PREACHER: ALAMO (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon
Collects Preacher #59-66
Oh man, what a finale. I kind of wish I had been paying attention when this book came to a conclusion because I’m curious what people thought of the ending. It’s not your traditional “main good guy faces off against his opponent” ending. Instead, uh SPOILERS I guess, Jesse and Cassidy beat the shit out of each other before Jesse gets shot and killed. But, hey, that’s not the actual ending because Jesse’s actually a pretty good strategist and has some damn good luck on his side. There’s a lot of planning and scheming to go along with the bigger action scenes (the fight, plus Tulip wrecking shop on some dudes). Like a true good guy, Jesse does his best to finish his mission and make right by as many people as possible before literally SPOILER AGAIN riding off into the sunset with his girl AND partner Tulip.
The first time I read Preacher, I was blown away not only by the solid storytelling and ridiculously good characterization, but also because I didn’t know that comics like this existed. I had read some other Vertigo books, but I hadn’t really experienced such a complete story told over 66 issues (plus some one-shots). Ennis has never been better than in Preacher. He’s maybe been more shocking in The Boys, a book I just can’t get into, but being shocking only really works the first time around (though I do admit the meat woman stuck in my head and I was weirdly looking forward to seeing it again, especially after all the in-story build up to what’s in that cold storage warehouse). Another rad aspect of the book is that pretty much everyone gets an ending. I’m not just talking about our leads, but Herr Starr, The Saint of Killers, Arseface, Featherstone, Hoover, Lori, John Wayne, the town of Salvation, Genesis and, of course, God. You might not get the God vs. Preacher finale you were thinking would take place, but the actual ending makes a heck of a lot more sense when you think about what all the characters have gone through and experienced. I think not going with the more obvious kind of ending was pretty brave on Ennis’ part. I can’t wait to read Preacher again in the near future, which puts it on an equal playing field with favorites of mine like The Perks Of Being A Wallflower, The Usual Suspects, Halloween and other Best Of The Best honorees.
PREACHER: DIXIE FRIED (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon
Collects Preacher #27-33, Preacher Special: Cassidy – Blood & Whiskey
EXPECT SPOILERS AHEAD After reading through the first three volumes of Preacher, I skipped the fourth because it collects most of the one-shots and minis related to the book. Usually, I read them in order, but this time I decided to just stick with the issues and whatever extras might be included in those collections. The Blood & Whiskey issue shows Cassidy meeting his first ever fellow vampire a few years before meeting Jesse and Tulip. This guy’s a complete wanker–to use Cassidy’s colorful language–who plays up on the whole Interview With A Vampire style. It seems like it might be a throw away one-shot, but it comes back into play later on this issues.
The other early comics reunite Jesse and Tulip, remember, he left her in France before going off to get Cass back. Arseface also shows back up wanting vengeance against Jesse for his father’s death but instead gets turned into a pop star. The book ends with Jesse trying to find out what Genesis knows by meeting with a witch doctor acquaintance of Cassidy’s who asks a snake god to get inside Jesse so he can ask it questions about Genesis. While that’s going on, the dead vampire from the one shot’s former acolytes show up for their revenge.
Most importantly though as far as the overarching story goes, Cassidy professes his out-of-nowhere love for Tulip which skeeves her out as you might expect. Tulip also finds out from the witch doctor that Cassidy tends to leave chaos in his wake, even if he doesn’t mean to. Overall this is a solid trade, it’s not one of my favorites–the I do love Blood & Whiskey and the voodoo stuff–but it’s also not my least favorite. There’s a lot of important steps and moments that help us get towards the end, but it gets a little–wait for it–preachy. Not in the way that anyone’s up on a soap box telling you what to think, but sometimes Jesse and company go on these long monologues about political correctness or psychobabble that make the book feel a little dated. It gets worse in the next volume though.
PREACHER: WAR IN THE SUN (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon and Peter Snejbjerg
Collects Preacher #34-40, Preacher Special: One Man’s War
War In The Sun is my least favorite Preacher trade. It’s not awful and a bad Preacher trade is still better than the best of some other books. My problem with it is that it feels kind of like filler and it seems to have more of the preachy stuff I mentioned above than any of the other volumes. But like I said, it’s still a good read. The one-shot explains Herr Starr’s history, which is good because he plays a big part in this book, going so far as to requisition a whole tank division of the United States Military through his Grail connections and using them to attack the Saint of Killers while he tries to separate Tulip from Jesse. He figures that if he has Tulip he can control Jesse. It’s probably a pretty good bet, but things go to shit and Starr gets out by having a nuke dropped on everyone. Jesse, Tulip and Cassidy are in a plane, but Jesse’s falling out and Cass him, but Jesse uses The Word to get Cass to drop him so he doesn’t burn to death thus setting up one of the most heartbreaking things in the book: Tulip and Cassidy shacking up in a haze of drug and drink. It’s unclear if Cass is completely manipulating her or if Tulip wanted to loose herself in these things, but the moment when Jesse sees Cass lay a kiss on her literally knocks him on the ground and me too, even though I’ve read this three times and knew it was coming.
Maybe it’s the sadness that makes me not like this book as much. It’s kind of the Empire of the series with everything ending on a pretty down note. Even Herr Starr has to deal with cannibals trying to eat him which kind of makes me feel bad for him (I’m a sucker for a guy whose leg gets cut off and eaten while the other one is chained to a wall in a old mine, I guess). However, all the business in the desert with Herr Starr, the Army and the Saint is tight and crazy.
Even after writing all this, I feel like I’m being too hard on this collection. It’s funny how that works out. The next trade has traditionally been my favorite, so I’m excited to check it out again and see if it still holds that spot.
PREACHER: GONE TO TEXAS (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon
Collects Preacher #1-7
Preacher, like Starman, is one of my all-time favorite comic books. Also like Starman, I read Preacher all the way through for the first time while I was an intern at Wizard. Everyone was raving about it and I knocked out both series’ in 9 weeks with some other stuff. I read the whole thing through a while back when I triumphantly got all the trades either through Swap or cheap trade bins at cons (what can I say, I’m cheap). Over the weekend, I got it in my head that I wanted to re-read it again for the third time and damn, I’ve been having a great time. I’m three trades in and wish I could read faster because it’s SO GOOD.
Between my second and third readings, the Totally Rad Show guys talked about Garth Ennis and host Dan Trachtenberg said that Preacher is his favorite piece of fiction ever. That stuck in my head and have been thinking about it a lot while reading. And, while I do think the book relies a bit heavily on coincidence, I’m starting to think I might agree with him. It’s definitely my favorite comic book. But I should probably talk about why. Be warned, SPOILERS follow.
For one thing, the book starts out brilliantly. We begin with our three main heroes Jesse Custer (the titular Preacher and star of the book), his former girlfriend Tulip and Cassidy (the vampire). Sure, that might sound like the beginning of a joke, but I appreciate that Ennis starts his book with the group, who has just met up, talking about what happened. Sure, it’s a little exposition-y, but I prefer this way more to a lot of current team books that feel the need to explain every step without getting right into the action. The action I’m speaking of, is that Jesse–an actual preacher–just had an escaped prisoner from heaven named Genesis jump into his body, killing everyone in the town instantaneously. Turns out Genesis is the spawn of an angel and a demon and was imprisoned because he was a new idea. Gensis living inside Jesse means that he has what Tulip dubbed “The Word” which means, when he speaks in red fonts, anyone who understands him has to do whatever he says.
The first volume explains how these three came together (Jesse and Tulip dated, but he ran out five years ago. After a botched assassination attempt, she tried to steal Cassidy’s truck, but the two wound up traveling towards Jesse together), hints at everyone’s shadowy pasts, introduces us to Arseface and his asshole dad as well as some angels and raises the Saint of Killers from his slumber to go after Custer. It’s dense, but not hard to follow (strange as that might sound). The second half of the book features Cassidy taking Tulip and Jesse to NYC (a recurring setting in the book) where he tries to get them help through an old friend. It doesn’t end well.
Here’s what I love about the book: Jesse Custer, for all his faults–and he has lots–he’s a good man and a true hero. He does the right thing (as far as he’s concerned) and doesn’t let anything get in his way. Sure, it helps that he can make any English speaking person do whatever he says, but I get the feeling he’d at least try regardless. There’s a lot to Jesse Custer, which is good because that’s what the whole series is about.
PREACHER: UNTIL THE END OF THE WORLD (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon
Collects Preacher #8-17
Until The End Of The World helps us understand Jesse Custer even better as we’re introduced to his Grandmother and henchmen, a meaner group of people you’ve never seen before. Jigsaw from the Saw flicks read this book and was like “Whoa, ease up.” To give you an idea, not only did they shoot Jesse’s dad right in front of him when he was five, but they also had a tendency to lock the boy in an airtight coffin and drop him in the lake. For weeks, sometimes months, which is when he started talking to an imaginary John Wayne. As you might expect, these aren’t the type of family members you want to spend a Sunday brunch of barbecue with. In fact, you might just want to barbecue the lot of them and be done with it.
This trade has one of my favorite “villain getting beat” moments of all time. After seeing Tulip get shot in the face right in front of him and reliving all the terrible moments of his life that these people inflicted on him, Jesse gets a good talking-to by the Duke, gets himself free and sets out to kick some redneck ass. If it was a movie, I would raise my fists in the air and yell every time I read it, but since it’s a comic, I’d drop it on my foot or something, so I just get really excited. Think of that moment in every movie where the asshole bad guy finally gets what’s coming to him and put it onto a comic page. That’s how it is!
But that’s not all! The second half of the book reunites our trio of heroes (Cass took a little vacay at the end of the first), sets them on the trail of some people involved with the death of his girlfriend, meets Herr Starr and the Grail an Armageddon-obsessed Christian group with people EVERYWHERE and the ridiculously over the top Jesus de Sade, thrower of the grossest sex and drug parties ever committed to fiction. Which brings up an element of the book that keeps me from recommending it to everyone: it’s kind of gross. You’ll see and hear about just about every outside-the-box sexual practice ever committed or thought about. There’s lots of drug usage and references and I would imagine hardcore Christians would be highly offended (the Grail has been making sure the descendants of Jesus–the religious figure, not de Sade–have been inter-mingling to keep the bloodline pure, resulting in, well, an incestuous mess. I was raised Catholic and know where a lot of the imagery comes from, but it doesn’t bother me. So if any of those things are sacred cows (or cows you want to avoid altogether) this is not the book for you. However, if you want to challenge yourself, give it a shot (unless you’re related to me, I don’t want you guys thinking I’m a huge weirdo for loving this comic so much, I swear, it’s the story not the weird sex parties I like).
PREACHER: PROUD AMERICANS (Vertigo)
Written by Garth Ennis, drawn by Steve Dillon
Collects Preacher #18-26
This third volume of Preacher fills in some more holes in Jesse’s dad’s story as Jesse happens to meet up with his dad’s old army buddy Space and discovers where his dad’s lighter came from (John Wayne gave it to him) and an idea of the kind of man he was (a lot like Jesse is now, as it turns out, a good man who doesn’t take any shit). After that, the story focuses on Jesse and Tulip heading after Cassidy who was captured by the Grail who thought he was Jesse. The ruse doesn’t last long and things get even hotter at the Grail locale as the All Father (the big–literally–boss shows up with the aforementioned descendant of Jesus). See, Herr Starr wants to kill the child and tell the world that Jesse is the actual descendant because he can make anyone do whatever he wants. As you might expect, Jesse doesn’t like this plan too much. Once again, he ignores the huge odds against him, storms the castle, saves his friend, meets Genesis’ dad, makes Starr’s head look like a penis thanks to a knife wound and makes a deal with the Saint of Killers. The bad part? He left Tulip behind after arguing with her the whole trip about her joining him in battle. As Jesse explained, it’s just in a man to want to protect his woman, can’t be helped.
Before we discover what happens with Tulip (if you’re reading the books in order it will take a while as the next installment collects all the minis and one-shots about side characters) we hang out with Jesse and Cass in NYC again as Cass tells Jesse about his origin (not just how he became a vampire, but why he was where he got turned and what he did afterwards). After coming to America, Cass falls in love with NYC and the country as a whole. Is it weird that one of the most touching pieces of writing about this country of ours comes from an Irish writer and through the mouth of an Irish vampire?
Reading this comic makes me want to be a better man and I don’t mean that in a Jack Nicholson-in-As Good As It Gets way. I mean like a damn man, a cowboy. Someone who stands up for what they believe in, doesn’t take any shit and isn’t so damn worried about what other people will think about him that he won’t ask the guy at the coffee shop what he was talking about with someone else if it interests him. Anyway, the book with all of its craziness and bravado just gets me so pumped up. I know there are some really down moments coming up and I don’t even care. I’m jazzed to be going on this journey again. I thin I’ll be done by next week, though I may split the posts up. We’ll see. In the meantime cowboy up!