Even with all the Halloween-related work I had going on this season — which included healthy doses of Warren’s Eerie comics and Marvel scare books — I still had some time to read a few other things leading up to the big day. I’ll hit these up in a quick hits fashion, but still wanted to call out a few fun aspects of each book. Continue reading Halloween Scene: The Trade Pile
Thanos Rising (Marvel)
Written by Jason Aaron, drawn by Simone Bianchi
Collects Thanos Rising #1-5
I’ve been requesting a ridiculous number of trade paperbacks from the library recently. I’ll sign into the system with an idea about one book to put on hold and the next thing I know, I’ve got a dozen or so books in the hold section and am getting a few messages a week from the library telling me my stacks are in. In an effort to put my thoughts down and get these books back into the system, I’m going to do some brief reviews here and move along.
First up we have Thanos Rising, an origin story for one of Marvel’s most powerful villains (and the driving force behind the fantastic Guardians Of The Galaxy) written by Jason Aaron and drawn by Simone Bianchi. I think this is probably the first interior work by Bianchi that I’ve actually read and I think he did a stellar job bringing the intensity and detail seen on his covers to the interiors.
Of course, it also helps that Aaron wove a compelling story about the bad guy who’s in love with death. This story starts with Thanos’ birth and travels with him as he grows into the genocidal maniac we’ve all come to know and love in Marvel’s cosmic adventures. Heck, there were even times when I felt bad for a character who almost killed Captain America. This feels like a great book to pass to someone who’s seen a Marvel movie and might be interested in getting into comics because it’s very much unattached to the more complicated universe.
Silver Surfer Vol. 1: New Dawn (Marvel)
Written by Dan Slott, drawn by Mike Allred
Collects Silver Surfer #1-5
When I’m sitting on the computer trying to think of books to look up, I try to remember which runs everyone seems to love. Dan Slott and Mike Allred’s Silver Surfer popped into my head and not long after, I had it in-hand. I’ve only just started reading Slott’s excellent Amazing Spider-Man work, but Allred’s an easy sell for me because I love Madman and his work on iZombie (I reviewed volumes one, two and three and have four waiting for a read).
Silver Sufer is an Allred-illustrated book that felt more like an Allred-penned comic, which was an interesting experience. The Surfer is on a vast vacation world, hanging around with a young quirky girl who could easily be played by Zooey Deschanel and having trippy nightmares about being trapped on Earth again. There’s also an awesome appearance by SS’s Defenders teammates Dr. Strange and Hulk. The story itself wasn’t my cup of tea, but how cool is it seeing Allred draw those characters? The answer is that it’s very cool. Overall, this story didn’t really latch onto me, but I liked the art enough that I’ll probably give the second volume a look just to see where it goes.
Avengers vs. X-Men (Marvel)
Written by Jeph Loeb, Brian Michael Bendis, Jason Aaron, Ed Brubaker, Jonathan Hickman & Matt Fraction; drawn by Ed McGuinness, Frank Cho, John Romita Jr., Olivier Coipel & Adam Kubert
Collects Avengers Vs. X-Men #0-12, Point One #1
Back in my days at Wizard I was fully up to date when it came to the big time Marvel and DC events. But, it’s been about five years since I got the axe and a whole lot of craziness has gone on since then. DC implemented a complete reboot and Marvel rolls out an event roughly every year (plus more character or team-based side events). As I’m trying to catch up and dive into some X-books, it seemed pertinent to check out Avengers Vs. X-Men.
And I’ve got to say, I really enjoyed this book. I worried going in that it might feel like Civil War which, no matter how hard any of the writers tried, always seemed very much in favor of Captain America’s side, but in this case both Cap and Cyclops have pertinent points. Better yet, Cyke gets possessed by the Phoenix Force, so you don’t have to worry about his side making sense. More impressively, though, were the little bits and pieces that hit home. The second issue does a great job of framing these events that might seem commonplace and making them seem cool and huge.
I was also impressed with how well these issues flowed considering six different writers and five artists were working on the issues. I’m not always the biggest fan of events because they can easily get bloated and plot-driven, abandoning character along the way, but that wasn’t the case here so it gets a big thumbs up from me. Oh, also, it resulted in more mutants, so that’s cool!
Madman’s one of those characters that achieved legendary status in my mind long before I read a single issue featuring the character. Not long after getting into comics I soon discovered Wizard which turned into my main source of news. While the mag mostly featured mainstream superhero comics, they’d also occasionally talk about indie books being done at the time. I remember reading about everything from Hepcats and Box Office Poison to Hellboy and Madman in the issues. Between that and Madman’s appearances in Kevin Smith films and the action figure aisle thanks to his Graphitti Designs figure, he seemed like a big deal.
As it turned out, my first real foray into the wild world of Mike Allred’s Madman wouldn’t come until I started working at Wizard. I believe I picked up a few of the Superman/Madman Hullabaloo issues when they came out, but don’t remember much of the experience. During my tenure at Wizard, though, Allred moved the book from its longtime home at Dark Horse over to Image where he not only started reprinting the original stories, but also kicked off a pretty mind blowing new one. I quickly fell for the new series and was on the hunt for the reprints.
I even got lucky and scored a copy of the first of three trades featuring the original stories. I read it at some point and dug it like crazy. Later someone passed me the third volume. Great! Only one more to go…cut to five or six years later and I finally have the second volume in my clutches. There’s no great story to the acquisition, I had some extra scratch thanks to my recent birthday, decided to buy myself some trades and figured it was a good time to close that gap. With all three books together, it seemed like the proper time for a read through.
Technically, the first volume consists of two three-issue miniseries’, but really, each issue is its own tale. The first three introduce us to a mysterious figure dressed in a white superhero costume who can read some minds when he touches them. He seems like a pretty good guy, but also goes off the handle every now and then. At least he feels bad about it. That first series introduces us to a lot of mainstays from the book who show back up in the second series, Madman Adventures. This feels more like the traditional Madman I’m familiar with from my later readings. Instead of dealing with clone monsters or murderous wannabe mayors, Madman goes on dates, travels through time, fights robots and helps save a 2,000 year old alien all while working with his mentor Dr. Flem and the increasingly brainy Dr. Boifford. The two books also kick off one of my favorite romantic relationships in comics: Madman and Joe.
When I first started hearing about Madman and maybe saw a few pieces of art here and there I got the idea that the book was filled with fun, retro imagery and light stories. While I was dead-on with the former, I was pretty far off on the later. In fact, the character of Madman is all about dichotomies. Even his name is a misnomer for the most part. This is a person with no sense of his self in the beginning of this book who can read other peoples’ minds with a touch…sometimes. In the first mini he rips a guy’s eye out of his face and chomps on it, in the same trilogy of issues he wonders why he can’t drop F-bombs. And while the art might make you think you’re looking at a cartoony book that’s all bright colors and fun, that’s only half the case. The other half finds our hero contemplating huge questions like “Why am I here?” and “Why can’t we fly?”
The beauty of Madman is simply how beautiful Allred decided it should be. It’s gorgeous to look at. Few cartoonists on the planet hold a candle to Allred in most fields. His wife Laura is perfectly suited to color this big, bold book. And yet the beauty isn’t just in the look of the book, it’s also in the words and the themes and all the wild, emotional places Allred decides to explore.
Just about every weekend I spend a few minutes sitting in front of the twin to-read longboxes of trades I have sitting in my closet and pull out a small pile to read. I rarely get through all of them, but I tend to do pretty well. As such, I wind up reading a lot more books than I can get to when reviewing doing one, sometimes two, Trade Posts a week. So, I’m going to run through a quartet of Marvel books I’ve read in the past few months.
Written by Brian Michael Bendis, drawn by Oliver Coipel with Michael Lark, Lucio Parrillo & Jim Cheung
Collects Siege #1-4, Siege: The Cabal & FCBD 2009 (Avengers) #1
First up you’ve got Siege. This was the big Marvel event that came out in the beginning of 2010. If memory serves, this was the big header to the massive, ongoing story that started off with Civil War, marking a pretty dark time in the lives of that universe’s superheroes. At this point, Norman Osborn was leading H.A.M.M.E.R. which used to be S.H.I.E.L.D. after supposedly saving the world from the Skrulls at the end of Secret Invasion. Jeez, that’s a lot of continuity to remember.
The story itself revolves around Osborn — who’s bug nutty crazy, by the way — attacking the floating city of Asgard which hovers above a town in Oklahoma. This attack draws all the heroes together — both registered and unregistered, harkening back to Civil War — to help defend Asgard against Osborn’s army of Dark Avengers and villains.
At the time, I was excited to see an event comic coming in at only four issues and to see how this would lead into the more positive, less dark Heroic Age at the company. As a story, it involves all the things you’ve come to expect from comic events these days: big group shots, copious amounts of dialog from newscasters, wildly violent moments to let you know things are serious, deaths and splash-page worthy moments returning important characters to their status quos. Maybe it’s because we’re so far removed from this era of Marvel comics — which I wasn’t a huge fan of in the first place — or maybe it’s because this feels like a lot of familiar elements being perpetrated by different people, but the story didn’t do a whole lot for me. It’s beautifully composed by Coipel who’s a top notch talent. He does as well drawing Captain America talking to people as dozens of superpowered folks battling at the same time.
Basically, this book served its purpose by making the good guys good and the bad guys bad again and it’s definitely necessary if you want to know what happened between roughly 2006 and 2010 in Marvel’s books, but it doesn’t really stand out as the kind of book that needs to be revisited.
I’ve written about this here and there, but I am a huge fan of Reginald Hudlin’s Black Panther series. I think it was an amazing mixture of action and drama that did a great job of cherry picking fun characters from the Marvel sandbox to play with. Because of that run, I’ve become a fan of the character and done a bit of checking in on what he’s been up to here and there.
Doomwar finds Wakanda under attack by the likes of Dr. Doom. With Storm framed for treason, the X-Men come in to help T’Challa and his sister — the then-current Black Panther — clear her name and save the country. As the story — which feels like an event, but was contained in just these six issues — progresses, the scope gets bigger and brings in more characters. I like when comic stories do this, combining an epic feel without making me buy or read a huge stack of comics.
I also like that this story works as both a continuation of the Black Panther story, but also works well as a Marvel Universe story. Doom is such a classic villain that it only makes sense to throw as many heroes at him as possible while keeping his machinations HUGE. And huge they are. I won’t spoil his end game, but it actually works and winds up changing a chunk of the Marvel U. Of course, this is comics, so that may or may not last (or might have already been changed for all I know). I also really dug Eaton’s artwork which has a dark boldness that works on everything from giant monsters to armor-covered heroes. I’ll definitely be keeping this one around.
Hey look, another Black Panther comic! This one also stars Captain America, a character who I have grown to love thanks to Ed Brubaker’s run on that book and teams him up with T’Challa’s dad during WWII as the pair face off against Baron Strucker, Red Skull and their band of evil Nazi supervillains. Just like his run on the regular series, Hudlin does this great thing where he grabsgreat characters — like Sgt. Fury and the Howling Commandos, Master Man, Tiger-Man and Warrior Woman — and just has fun with the story. These four issues basically fully tell a story more briefly mentioned in Hudlin’s early days on Black Panther.
On one hand, Flags Of Our Fathers works as a cool team-up story pitting heroic good guys against dastardly bad guys, but there’s also some really great dramatic and personal moments going on here. I really enjoyed seeing Howling Commando Gabriel Jones interacting with Captain America as well as T’Chaka and his people. There’s a really great dynamic there where Gabe is mentally balancing a love for his own country even while a large part of which fears and hates him. He’s even offered Wakandan citizenship, which gives him an interesting problem to mull over coming to a conclusion that isn’t super surprising, but felt natural and earned.
Cowan’s an artist whose style doesn’t always hit with me. I really enjoyed him on The Question because he let his get syper sketchy which really fit the tone of that book and I really like him on this mini series too because he reigns that sketchiness in a little bit while still retaining his style. As with Doomwar, I’ll be adding this one to my collection as fun stories featuring two of my favorite characters.
The Peter Milligan/Mike Allred run on X-Force which quickly turned into X-Statix is one of those comics I’ve heard great things about for years, but just never got around to checking out until a few months ago when I got the Good Omens book from a Sequential Swap trade. I had forgotten that this concept actually kicked off in the pages of X-Force and wrongly assumed that this would be the beginning of the story.
The big thing about this team at the time was that they weren’t afraid to put their names out there, let the world know they were mutants and grab their share of the spotlight. This arc follows the darker side of that as a reality-warping mutant named Artie whose an obsessed superfan of the recently deceased U-Go Girl causes trouble for them while at the same time, there’s also a rival super team that offers the team more competition for the spotlight than they’ve previously known.
I should note that this is not really the best place to start reading these characters. As I mentioned, the story really started in X-Force and ran for 14 issues. Huge, huge portions of the Good Omens storylines are based on what went before it. However, even though I wasn’t completely caught up on what was going on, I never felt completely lost. In fact, I was still so interested in these characters and events that I’m trying to figure out the best way to read the whole thing. There’s an out of print omnibus that has everything, but there’s also a hardcover and two softcovers that collects the X-Force stuff as well as the four volumes of X-Statix. I guess I’m on the hunt for a few more books now!
As I mentioned in my list of favorite reading experiences of 2012, iZombie has quickly become one of my favorite comic read experiences around (check out my reviews of volume 1 and 2 if you’re so inclined). I wrote in that post, “This series is the rare mix of intriguing characters, wacky situations, rock solid architecture and mythology I want to study PLUS one of the greatest artists the medium has ever seen.” That feeling continued into this third volume as all kinds of craziness goes down and we’re even introduced to a whole new team of characters called the Dead Presents who seem pretty important to the overall narrative. I think it’s a great sign when a book like this heading into its final arc doesn’t shy away from introducing new characters, especially ones that I’m so intrigued by.
One of the keys to this book, in addition to the mythology and characters is that Roberson does a great job of giving everyone a secret, one that you don’t necessarily learn the truth about for issue after issue. I mean, I’m introduced to Gwen in a broad way in the first volume and she explains what her deal is, so I’m on board. I like the character and I’m along for her adventures. But most of the give information at that point has very little to do with her pre-undead life. The realizations and reveals that come from that aspect of her were great and almost unexpected because I was so invested in this character that I forgot that I know almost nothing about her.
This volume is all about answers and reveals while still leaving plenty of large question son the table like what will happen between Gwen and Horatio now that he knows the truth about her? How will they stop the zombie outbreak? What’s the deal with the Dead Presidents? What’s up with Gramps? Ahhh, there’s so many questions. Even though I read this book a while ago, I’m still excited about it and getting my hands on the last volume to see how everything wraps up.
Another favorite discovery of last year was Scott Snyder’s American Vampire (check out my review of the first volume here). This volume focuses on Las Vegas lawman Cashel McCogan in 1936. He’s a good man doing his best in a place overrun by bad folks. In addition to the run of the mill monsters you might expect, he’s also got a nasty vampire problem on his hands that will reveal dark secrets about Vegas and lead to dark personal realizations for McCogan himself. I don’t want to get too deep into the details for fear of spoilers, but the payoff to the second page in this collection that finally reveals whats in his backup is pretty amazing and disturbing.
The story also circles back around and shines the spotlight on volume one star Pearl and her man Henry who discover along with the audience that there’s an organization out in the world dedicated to destroying vampires. They actually want to test Pearl in exchange for supposedly never bothering her again, but Pearl is understandably wary. And, of course, we get more Skinner Sweet, the OG American Vampire.
Much like iZombie, this book is so great because the characters feel real and robust, the setting is intriguing, the action is intense, the art is rad and the horror fits with the subject matter. I want to dive into this world and soak up every drop of story. I’m excited to get my hands on the remaining books.
Fables is one of those Vertigo books that I’ve been hearing great things about for years. One of the guys I used to work with at Wizard would devour the new issues every time they came out and I was at a party once where a woman read through the first volume in a corner while everyone else stood around, drank and talked. I thought that was pretty weird, but I figured it indicated something interesting about the book. Even though I hadn’t read it, I knew the basics: all the storybook characters you’ve read about are real and in our world for some reason. Why did I finally decide to check the book out? Well, it’s mainly because of Once Upon A Time, a show I really enjoy that has very similar themes.
In fact, I think watching OUAT has gotten in the way of my reading of this book because I compared every character in the comic to their counterpart in the show. I wasn’t doing it in a “This was ripped off” kind of way but more of just a constant comparison which got kind of tiring.
I also wasn’t super interested in the story of the first arc which revolves around Fabletown’s resident PI Bigby Wolf trying ro figure out who killed Rose Red (Snow White’s sister). The whodunit is kind of a perfect way to introduce the reader to a group of characters who will go on to be major players in the comic (I assume), but I had two problems with this set-up. First, I didn’t know Rose Red at this point and therefore wasn’t really invested in finding out who killed her. Sure, her sister was upset and wanted to find out what happened, but something just didn’t land with me and get me super involved. The other problem I had was that I figured out the big twist pretty early on, so a lot of the procedural stuff wasn’t super interesting. To be fair, I’m not sure if I actually parsed out what was going on or had the answer rattling around in my head.
So, at the end of the day, I wasn’t super absorbed by this first Fables outing. I’ve got the second and third volumes thanks to a Swap, but I’m probably going to knock out a few smaller books as well as the next Y: The Last Man Deluxe hardcover before getting back to them. Maybe I’ll wait til Once Upon A Time‘s season ends to avoid some of the comparisons.
I write about a lot of trades on this site, about two a week if I’m on my game. But, I actually read a lot more than that. So, this particular list is the 12 books or runs that I enjoyed the most reading or re-reading this year. Most of them have been covered on the site, but others have not. I’ll give the latter a few more words than the former, but hope you enjoy.
I read all of Judd Winick’s run of Outsiders this year, but didn’t write about it? Why? Well, it was a pretty big reading project, something that makes it harder for me to write about as a whole. But, I still really enjoyed this reading experience. Winick brings a realness to superhero comics without letting it get too in the way (if that makes sense). I know a lot of people think he forces issues into books, but I think these are the kinds of things that should be talked about and seen. Anyway, this was a fun superhero reading experience that made me remember how fun the DCU was back when this book and Geoff Johns’ Teen Titans launched. Good times. I haven’t written about James Robinson’s Starman because I haven’t finished the last omnibus yet. I haven’t finished it because I kind of don’t want to finish it and I also need quiet time to really sit down and finish it. This series is up there with Preacher and Sandman for me in my list of all time favorites. It lives in my heart and I was elated to discover that I still like it. This is what shared universe superhero comics could and should be. I know I just read the first two volumes of Grimjack, but the experience has stayed with me. I love that world and keep thinking of great ways it could be interpreted for different genres. Right now I’m thinking about a Crackdown/Amazing Spider-Man style video game set in Cynosure where you take on jobs or just spend your day drinking in Munden’s Bar. If you dig Hellboy, B.P.R.D. or 100 Bullets, I think you’ll enjoy Grimjack. I’ve had a lot of different feelings about DC’s New 52. At first I was upset that “my” versions of the characters would only survive in my trade shelves and long boxes. Then I realized that I don’t really read new issues anymore and I still have my collection (and books I’ve never read from that era) to enjoy. I also realized that I’m almost 30 and have better things to worry about. With that behind me, I was able to dive into various trades with a mostly clear head and enjoyed them for the most part. I appreciate how DC was attempting to hit all different kinds of genres and audiences, of course, not all of those attempts were successful. The least successful tries in my opinion, though, were the books that just failed to set up a basic reason why that book existed aside from “to make money.” I still have a pile of them to read and am getting a sense of the new U, which is kind of fun. Even though I read the second arc of Ed Brubaker’s Secret Avengers first and the first second, I had a great time reading this “black ops” take on superheroes. Bru writing Captain America/Steve Rogers is always aces in my book, but throwing in a lot of other street level-esque characters was even cooler. I’ve only read these first two volumes, but was satisfied with Brubaker’s ability to create an enjoyable sci-fi/spy mash-up story that felt well contained while still making me want to read more. Return of King Doug came out of left field for me. It was gifted to me by a pal and I knew nothing about it, but Greg Erb, Jason Oremland and Wook-Jin Clark reminded me so much of the kinds of stories I love from the 80s, but while also doing all kinds of new, funny things I enjoy. Read this now. I’ve said this before, but one of the things I miss most about not working at Wizard anymore is access to all of the Hellboy and B.P.R.D. comics that came out. I’m super behind, but I did get my hands on some B.P.R.D. trades this year for a little catching up (Hell On Earth: New World and Gods And Monsters). That’s still the best damn comic series around and has been for a while. I don’t mind playing catch-up on some books. I’ve been super happy re-reading things like World War Hulk and catching up on Hulk, Incredible Hulk and Red Hulk this year. Super fun, popcorn books mixed with well thought out ongoing superhero tales filled with monsters? Yeah, I’m all over that. I read the first iZombie trade in 2011, but was delighted to get my hands on the second and third volumes in 2012. I wrote about the second one here and have a post in mind talking about the third. Anyway, this series is the rare mix of intriguing characters, wacky situations, rock solid architecture and mythology I want to study PLUS one of the greatest artists the medium has ever seen. So, so, so good. I’m pretty surprised there are two Vertigo books on here. It seemed like for a while I was reading nothing from them. Now iZombie and American Vampire are two of my faves. Then again Chris Roberson and Scott Snyder are two of the best newcomer writers around, so that’s no surprise. In this case, Snyder takes two things that have become old and boring — vampires and American history — and makes them both super interesting and intense. Can’t wait to see where the rest of this series goes.Batman: Knightfall Volume 1 was pure, nostalgic joy. All of the Batman comics that got me into Batman in one place in one fat volume? Yes, yes and yes. I have the second and third volumes waiting to be read. Maybe next month after knocking off a smattering of random trades I want to check out. I don’t remember exactly why I didn’t write about Jeff Lemire’s Lost Dogs. It’s one of the few books I’ve bought through Comixology for my Kindle Fire. The long and short of it is that this story about a simpleton trying to save his family. It’s raw and rough and hits you in the gut. I don’t know if I liked the experience of reading this story, but it was certainly powerful. I can’t remember if it made me cry or not, but it came close.
I’m certain I missed a few books that I didn’t write about, but this is a pretty solid list by all accounts. I should probably branch out into more diverse trades and graphic novels — and I plan to — but what can I say? I love me some superheroes. I also happen to love all kinds of other comics, so let’s continue to make and talk about awesome comics.
It’s safe to say that I was both impressed by and absorbed with the first volume of Chris Roberson and Mike Allred’s iZombie, the book about a zombie named Gwen who digs people up once a month to eat their brains and deal with some of the residual problems therein. The mix of a grand, well explained mythology, new twists on old themes, multiple interconnected storylines and characters I was both interested in and concerned for made for excellent reading.
As such, I was pretty jazzed when I was able to set up a Swap for the second and third volumes. Every time I find a new series I like, one of the fun aspects comes in tracking down all the trades on the cheap. Sequential Swap is always the first place I look. If that doesn’t work, I usually keep an eye out for website sales and the like. Mostly, I’m pretty patient when it comes to such things, so I don’t mind waiting a while. I was surprised and happy to discover I wouldn’t have to wait too long to continue on with Gwen’s adventures.
Actually, now that I think about it, Gwen almost takes a backseat in this collection. She’s definitely there and dealing with her own thing — which involves eating the brain of the mother of her old friend which actually brings up some long-forgotten parts of her pre-undead life — but supporting characters Scott the were-terrier, Ellie the ghost, Gwen’s monster hunter boyfriend and even a coven of vampires also get a good deal of page time which makes this world feel all the richer.
Some people might see this collection as kind of a set-up or bridge before things presumably get crazy in the third and fourth books (that’s all there is, the fourth isn’t even out yet). There are definite hints at larger things going on in this universe, but I’m far more interested in what’s going on with the characters and how they react to the wild situations they find themselves in the middle of. I have confidence that Roberson will continue to bring unique twists and turns to some of the tropes we’re so familiar with. I’m especially looking forward to what happens when Gwen and her boyfriend Horatio find out the truth about one another. But be cool, don’t say anything, I’ve got two more books to read!
Back when I was still at Wizard, I remember reading the first issue of iZombie. I remember not getting very into it for some reason, but after recently getting the trade and giving it a read, I really dug the series.
The book stars Gwen, a single girl living in Eugene, Oregon whose friends happen to be the ghost of a girl who died in the 60s and a were-terrier. Oh, and she’s a zombie. Not your usual shambly, brain craving kind, but the kind who digs one up from the cemetery she works at/secretly lives in and absorbs memories from once a month. With those extra memories in there, Gwen feels the need to right any wrongs done to the person before their death. This time around, that leads to a man named John Amon who happens to be a mummy.
I won’t give away too much, but I thought the explanation for the various kinds of monsters–there’s also vampires, poltergeists and a few others–in relation to levels of the soul was pretty fascinating stuff. I don’t know if that’s been around before, but it was the first time I’d seen it. So many horror stories or stories set within the usual parameters of the genre skip over explanations that it’s nice to see one actually well thought out and explained clearly.
The story, which has a really good TV feel to it, is helped greatly by the artwork of Mike Allred. That guy’s just fantastic all around. I had really started to enjoy Madman before I left Wizard and haven’t gotten caught up since. While my initial thought is that I wish Allred was writing as well as drawing this project, I think Chris Roberson really helps ground things. Sometimes Allred get’s pretty darn heavy and out there and it can be difficult to follow. Roberson keeps things quick and clean and smart, which I like. I compared the story to a TV series above and I think that’s pretty accurate. There’s a lot going on in these issues, including Gwen’s main story, her time with John Amon, the were-terrier dealing with a friend discovering his true nature, a tribe of vampire women who feed on men at the paintball field they own and a pair of monster hunters. Everything seems really well balanced with peeks at other stories and background information to be seen and even the longterm and big decisions Gwen will have to face thanks to meeting John Amon.
By the time I was done reading the first volume of iZombie, I wanted to read the next and the next and the next. I want to know more about Gwen and how she became a zombie, what she’ll decide to do with Amon’s offer and also learn about all the other side characters a lot more. Too many stories kick off with an avalanche of back story before showing why certain characters are interesting and cool, I prefer this method which displays them as such and then will eventually explain more about them. More comics should be like that.