Alright, so going through the top half of this pile was pretty fun on the previous post. I had a great time with Lumberjanes/Gotham Academy, Batman ’66 Meets The Man From U.N.C.L.E. AND the first volume of Mockingbird so there’s no reason to expect I didn’t also enjoy the bottom half (mostly because I tend to follow the old “if you don’t have anything nice to say” adage). Want to hear about Shutter, Aquaman, Batman: Dark Knight, Dark City and the first volume of Gerard Way’s Doom Patrol? Then you know what to do! Continue reading Trade Pile Part 2: Shutter, Aquaman, Batman & Doom Patrol
I’ve had a lot of good luck when it comes to entertainment choices lately and wanted to talk about them all in one place! First, let’s talk about comics. In addition to reading a ton of Guardians of the Galaxy and monster comics for Marvel.com I’ve also been going back through the 90s Aquaman series (which will get a post of its own soon) and also the first two volumes of Paper Girls from Brian K. Vaughan, Cliff Chiang and Image Comics. Continue reading My New Favorite Things: Paper Girls, Greydon Clark & Box 13
Back when I worked at Wizard, I found a batch of Black Bull trades that were up for grabs. If you’re unfamiliar, that was the short-lived comic company created by the higher ups at Wizard. I haven’t read anything but the two Just A Pilgrim books, so I can’t speak to the overall quality of the line, but I liked these Garth Ennis and Carlos Ezquerra stories! Continue reading Trade Post: Just A Pilgrim, Criminal & Martian Manhunter
So many trades, so little time so let’s jump right in! A friend of mine suggested I check out Tokyo Ghost, which didn’t take too much pushing because I love Sean Murphy’s artwork in books like The Wake, Punk Rock Jesus and Joe the Barbarian and I’ve always thought that Rick Remender’s stories work better in worlds that he fully creates and that’s exactly what you get with Ghost. Continue reading Trade Pile: Tokyo Ghost, Sonic/Mega Man & Big Thunder Mountain Railroad
Back when I started working for CBR, I covered Image Comics. It was a wild time when new creators were rolling in and producing these great creator-owned books. A lot of them have gone on to work at Marvel where I now interview them for that company’s website. I’ve since switched beats and now cover BOOM! Studios and IDW so I’ve lost touch with some of the books that everyone’s talking about and digging like Wayward and Descender. Continue reading Image Trade Post: Wayward & Descender
Brian K. Vaughan’s one of those comic writers who might not hit a grand slam every time, but he sure seems to swing for the fences. Saga, Runaways and Y: The Last Man are amazing pieces of long-form comic book storytelling. I’m not the biggest fan of how Ex Machina came to a close and Pride of Baghdad isn’t my thing, but the way this guy attacks his ideas and collaborates with his artists just blows me away every time even if the story isn’t fully up my alley.
So, of course I was interested in checking out The Private Eye, a pay-what-you-want, digital-first series he created with Doctor Strange: The Oath artist Marcos Martin for Panel Syndicate, the company they also started. I actually ready the first issue or two a few y ears back when I had the pleasure of interviewing BKV for CBR, but fell off a bit. When the collection, printed by Image, appeared on the library website, it was an easy request. Continue reading Trade Post: The Private Eye
As you can see from the photo above, I’ve read a lot of random trades lately. Here are a few of them and my thoughts! Continue reading Trade Post Quick Hits: Flex Mentallo, Severed, Justice Society Returns & Grayson
Five Fists Of Science (Image)
Written by Matt Fraction, drawn by Steven Sanders
A few weeks back, when writing about a trio of Marvel minis from the mid 2000s, I mentioned an intended shelf cleaning project before moving. I pulled a series of trades out of my collection to re-read and see if they continue to earn shelf space. Here’s two more of those reviews.
I scored this copy of Matt Fraction and Steven Sanders’ Image Comics OGN The Five Fists Of Science back in my early Wizard days. If there was a free trade sitting around, I was likely to grab it and give it a read, especially if it had a strange or interesting concept. And this book definitely fits the bill.
Five Fists revolves around Mark Twain teaming up with his good friend Nikola Tesla and his one-handed assistant Timothy Boone to create a giant, robotic war machine that can be sold to every nation on Earth to ensure peace (the ol’ mutually assured destruction concept). They join forces with Baroness Bertha Von Suttner who introduces them to all the right people. Meanwhile, a group including J.P. Morgan, Thomas Edison and Guglielmo Marconi are erecting a building to help bring demons into our realm. See what I meant when I said “strange” and “interesting?”
The book features a nice mix of historical characters, many of them who were quite eccentric even when not dealing with demons and robots, with made-up ones to tell the kind of story you’re just not going to get anywhere else. Though, for what it’s worth, I do think this would make a ridiculously fun movie int he vein of the Sherlock Holmes films. Anyway, Fraction did a great job of make this story fun, exciting, strange and adventurous, which gets the thumbs up in my book. My only complaint is that Sanders’ art comes through a bit muddy. I’m not sure if this was a printing, inking or coloring problem, but there were a few pages here and there that were difficult to parse. It’s possible this has been change in the new printing (linked above), but I don’t know for sure as I have the one from 2006. All in all though, I had a great time revisiting this book and will be keeping it in the collection. If you’re looking for something to pass to a friend who’s into science, this is definitely on the list of passable materials.
Billy the Kid’s Old Timey Oddities Volume 1 (Dark Horse)
Written by Eric Powell, drawn by Kyle Hotz
Collects Billy The Kid’s Old-Timey Oddities #1-4
Another Wizard acquisition, Billy The Kid’s Old Timey Oddities comes from Goon creator Eric Powell and artist Kyle Hotz. I believe this was the first book written by Powell that I actually read as it wound up taking me years to get around to The Goon: Fancy Pants Edition Volume 1.
This book finds a freak show owner approaching Billy the Kid, who’s supposed to be dead, and offering him a job accompanying some of his performers on a mission to Europe to recover a Gollum’s heart. Said performers include the Alligator Man, the Tattooed Woman, the Wolf Boy, Watta the Wild Man and the Miniature Boy. As it turns out, the artifact is currently in the possession of another character thought long-dead: Dr. Frankenstein, who has gotten even crazier in his experiments.
One of the most impressive elements of a book like this is how Powell sucked me into the story and got me to like these characters so quickly. I mean, you’re dealing with just four issues and yet, every time someone had a nice moment I smiled and every time someone wound up on the wrong side of a monster, I felt bad. That’s just darn good yarn-weaving, right there.
Hotz deserves a lot of the credit for that as well. He does an amazing job of conveying emotion, terror, humor and action all while rendering these fantastical and monstrous looking characters. To my mind, he’s got a Kelley Jones vibe (who I love), but with his own unique, sometimes grotesque style. He and Powell not only made a fun comic I’ll be holding onto, but also two more volumes I want to check out.
Madman’s one of those characters that achieved legendary status in my mind long before I read a single issue featuring the character. Not long after getting into comics I soon discovered Wizard which turned into my main source of news. While the mag mostly featured mainstream superhero comics, they’d also occasionally talk about indie books being done at the time. I remember reading about everything from Hepcats and Box Office Poison to Hellboy and Madman in the issues. Between that and Madman’s appearances in Kevin Smith films and the action figure aisle thanks to his Graphitti Designs figure, he seemed like a big deal.
As it turned out, my first real foray into the wild world of Mike Allred’s Madman wouldn’t come until I started working at Wizard. I believe I picked up a few of the Superman/Madman Hullabaloo issues when they came out, but don’t remember much of the experience. During my tenure at Wizard, though, Allred moved the book from its longtime home at Dark Horse over to Image where he not only started reprinting the original stories, but also kicked off a pretty mind blowing new one. I quickly fell for the new series and was on the hunt for the reprints.
I even got lucky and scored a copy of the first of three trades featuring the original stories. I read it at some point and dug it like crazy. Later someone passed me the third volume. Great! Only one more to go…cut to five or six years later and I finally have the second volume in my clutches. There’s no great story to the acquisition, I had some extra scratch thanks to my recent birthday, decided to buy myself some trades and figured it was a good time to close that gap. With all three books together, it seemed like the proper time for a read through.
Technically, the first volume consists of two three-issue miniseries’, but really, each issue is its own tale. The first three introduce us to a mysterious figure dressed in a white superhero costume who can read some minds when he touches them. He seems like a pretty good guy, but also goes off the handle every now and then. At least he feels bad about it. That first series introduces us to a lot of mainstays from the book who show back up in the second series, Madman Adventures. This feels more like the traditional Madman I’m familiar with from my later readings. Instead of dealing with clone monsters or murderous wannabe mayors, Madman goes on dates, travels through time, fights robots and helps save a 2,000 year old alien all while working with his mentor Dr. Flem and the increasingly brainy Dr. Boifford. The two books also kick off one of my favorite romantic relationships in comics: Madman and Joe.
When I first started hearing about Madman and maybe saw a few pieces of art here and there I got the idea that the book was filled with fun, retro imagery and light stories. While I was dead-on with the former, I was pretty far off on the later. In fact, the character of Madman is all about dichotomies. Even his name is a misnomer for the most part. This is a person with no sense of his self in the beginning of this book who can read other peoples’ minds with a touch…sometimes. In the first mini he rips a guy’s eye out of his face and chomps on it, in the same trilogy of issues he wonders why he can’t drop F-bombs. And while the art might make you think you’re looking at a cartoony book that’s all bright colors and fun, that’s only half the case. The other half finds our hero contemplating huge questions like “Why am I here?” and “Why can’t we fly?”
The beauty of Madman is simply how beautiful Allred decided it should be. It’s gorgeous to look at. Few cartoonists on the planet hold a candle to Allred in most fields. His wife Laura is perfectly suited to color this big, bold book. And yet the beauty isn’t just in the look of the book, it’s also in the words and the themes and all the wild, emotional places Allred decides to explore.
Check it out, my buddy Josh Wigler‘s working on a comic!
I would like to try this Mind the Gap cocktail, preferable with my pal Jim McCann who’s writing a terrific comic of the same name over at Image. (via Esquire)
Brian Cronin did an awesome Movie Legends Revealed over on Spinoff about the myth that Jean-Claude Van Damme’s Cyborg actually started off as a Masters of the Universe sequel. I knew about a third of the story, but its connection to Spider-Man is all new to me. Great piece!
THIS ROBOT BAND IS PLAYING THE RAMONES!!! They look like Johnny Number 5 on punk rock steroids and I love them. Where can I get one of the drummer ones? (via Please Kill Me)
This Grantland story by Steven Hyden perfectly encapsulates why KISS was/is awesome. First concert I ever went to and still one of my favorites. A great show is a great show.
This Penn Jillette piece for the New York Times rings true for me on a lot of levels.
BC over at HMAD got around to doing his Best/Worst Movies of 2012 list, as always, it’s a hoot. Just realized he’s going to stop watching a Horror Movie A Day and it makes me a little sad inside.
I’m less surprised that some restaurants are banning food photography as per this New York Times article, than I am at how inconsiderate some people are about all this. Just snap a simple no-flash pic, it’s not a big deal.
This first image from the upcoming Muppets movie doesn’t tell you much about the new movie, but it still gets me really excited. (via EW)
The League‘s Nick Kroll had an interesting talk with Esquire.
The most Lost-like show on TV as far as deep, long lasting character moments and mysterious goings-on is How I Met Your Mother. Much like with the former, I’m glad the latter is getting an intended series finale after the ninth season next year. (via THR)
Brad Meltzer has a new line of kids books in the works with the theme of Ordinary People Change The World. This is a good thing. (via THR)
There’s a Sonic/Mega Man crossover from Archie?! Are those books any good? I’ve always thought Mega Man had seemingly unlimited potential for radical stories. (via CBR)
This THR piece about some of the difficulties reporters have had covering Scientology in the past is pretty interesting.
Jim Zub has been at it again writing insightful pieces about creator owned comics. This one about posting his book Skullkickers online for free was particularly eye opening.
I never really thought about it before, but Ron Marz is right, there’s not that much difference between writing a licensed comic and a Big Two comic.
Disney cast Cory and Topanga’s daughter for Girl Meets World. The producer talked to THR about some of the concerns I voiced here.